{"product_id":"the-invincible-iron-man-omnibus-vol-3-gil-kane-origin-cover-isbn-9781302955403","title":"The Invincible Iron Man Omnibus Vol. 3 Gil Kane Origin Cover","description":"Welcome back to the classic adventures of Iron Man! In this Omnibus, a revolution in Latin America keeps Tony Stark on his toes while the Spymaster puts together an elite team with one objective: destroy Stark Industries! Then things take a turn for the extraordinary when visions of Iron Man's death torment Tony's ESP-empowered fiancée! Joined by the Guardsman, Iron Man must face a host of enemies - before an entirely new league of villain debuts in the historic first appearance of Thanos (not to mention Drax the Destroyer and Moondragon)! Finally, against the backdrop of an increasingly tense love triangle between Tony Stark, Pepper Potts and Happy Hogan, running a savage gauntlet from the Mandarin to Whiplash pushes Iron Man to the limit! Collecting IRON MAN (1968) #26-67 and DAREDEVIL (1964) #73. | Gerry Conway wrote Daredevil, Incredible   Hulk, Iron Man and others. He was instrumental in Marvel’s 1970s horror boom   with work on Man-Thing,   Tomb of Dracula and Werewolf by Night. His years on Amazing Spider-Man yielded such   historic highlights as the groundbreaking death of Gwen Stacy and the debut   of the Punisher. He also wrote DC’s Batman, Superman,   Wonder Woman and Legion of Super-Heroes. For TV, he   has written and produced episodes of Diagnosis:   Murder, Hercules: The   Legendary Journeys, Huntress and Matlock.\u003cbr\u003e\u003cbr\u003eGuaranteed immortality for introducing Johnny Blaze, the Ghost   Rider, Gary Friedrich also   played a pivotal role in Marvel’s 1970s Western and war comics, penning   memorable tales of Sgt. Fury and launching the Marine series Captain   Savage. In addition, Friedrich wrote issues of Incredible Hulk, Captain America, Captain Marvel, Daredevil,   X-Men and more. With Steve Ditko, he co-created   Charlton’s Blue Beetle,   now a DC character. With Len Brown, he has written a series of books on   popular music.\u003cbr\u003e\u003cbr\u003eAs both writer and artist, Archie Goodwin (d. 1998) got his start in comic strips and cartoons before   moving to Warren Publishing’s Vampirella — and from there to Marvel, where he eventually succeeded Gerry   Conway as editor in chief. He has been credited with saving Marvel from   financial ruin, with Roy Thomas, by securing adaptation rights to the   legendary Star Wars   franchise, perceiving its potential long before later merchandisers. He also   wrote comic-book adaptations of Alien, Blade Runner and other hit films. He   created both Marvel’s Graphic Novel line and its Epic Comics imprint — where, as editor, he occasionally   appeared in caricature as alien, elf or other. He also edited early English   translations of the Akira   series and the works of Moebius. At DC Comics, he guided the destinies of   Batman and Starman; one of his most memorable bodies of work was his   collaboration with Walter Simonson on the “Manhunter” backup feature in Detective Comics, which won five   Shazam Awards.\u003cbr\u003e\u003cbr\u003eOne of the Golden Age’s earliest talents, George   Tuska (1916-2009) created characters for Fiction   House, Harvey Comics and Fawcett Comics’ Captain   Marvel Adventures, among many others. He helped   launch one of the most popular post-war genres in Lev Gleason’s Crime Does Not Pay. He eventually   provided multi-genre art for Atlas Comics, to which he returned following its   transformation into Marvel. Tuska penciled Ghost   Rider, Luke Cage: Power   Man and Sub-Mariner, as well as a 10-year Iron Man stint. At DC, he illustrated Challengers   of the Unknown and Superman, among others. As a comic-strip artist, Tuska drew Buck Rogers, Scorchy Smith and DC’s World’s Greatest Superheroes. His   final industry work was cover art for Masquerade, part of Dynamite’s Golden Age character revival, bringing him   full circle.\u003cbr\u003e\u003cbr\u003eDon Heck (1929-1995) worked for Harvey,   Quality, Hillman and other publishers before arriving at Atlas Comics, later   Marvel, where he penciled and inked stories for virtually every genre: crime,   horror, jungle, romance, war, Western and more. With Stan Lee and others, he   launched Iron Man, his   supporting cast and his early rogues gallery — including the Black Widow,   Hawkeye and the Mandarin. He also succeeded Jack Kirby on Avengers. At DC, his artwork   appeared in Justice League of America, Flash, Wonder Woman and other titles.\u003cbr\u003e\u003cbr\u003eThe unique, shadowy style of Gene Colan (1926-2011) most memorably appeared in long stints on Captain America and Daredevil, and all 70 issues of Tomb of Dracula — among the dozens   of other Marvel titles he has drawn. His DC work on Detective   Comics and Night Force is equally well remembered. During the Golden Age, he drew   multiple war stories for Marvel and DC alike. Colan has earned several Eagle   Awards and had professional art showings in New York City. His work on Ed   Brubaker’s Captain America at the age of 82 drew well-deserved raves.","brand":"Marvel Universe","offers":[{"title":"Default Title","offer_id":46305466679525,"sku":"NP9781302955403","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781302955403.jpg?v=1767739969","url":"https:\/\/k12savings.com\/es\/products\/the-invincible-iron-man-omnibus-vol-3-gil-kane-origin-cover-isbn-9781302955403","provider":"K12savings","version":"1.0","type":"link"}