{"product_id":"the-international-handbooks-of-museum-studies-4-volume-set-isbn-9781405198509","title":"The International Handbooks of Museum Studies, 4 Volume Set","description":"\u003cp\u003e\u003ci\u003eThe International Handbooks of Museum Studies\u003c\/i\u003e is a multi-volume reference work that represents a state-of-the-art survey of the burgeoning field of museum studies. Featuring original essays by leading international museum experts and emerging scholars, readings cover all aspects of museum theory, practice, debates, and the impact of technologies. The four volumes in the series, divided thematically, offer in-depth treatment of all major issues relating to museum theory; historical and contemporary museum practice; mediations in art, design, and architecture; and the transformations and challenges confronting the museum. In addition to invaluable surveys of current scholarship, the entries include a rich and diverse panoply of examples and original case studies to illuminate the various perspectives. Unprecedented for its in-depth topic coverage and breadth of scholarship, the multi-volume \u003ci\u003eInternational Handbooks of Museum Studies\u003c\/i\u003e is an indispensable resource for the study of the development, roles, and significance of museums in contemporary society.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVOLUME 1: MUSEUM THEORY\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eList of Illustrations ix\u003c\/p\u003e \u003cp\u003eAbout the Editors xiii\u003c\/p\u003e \u003cp\u003eNotes on Contributors xv\u003c\/p\u003e \u003cp\u003eAcknowledgments xvii\u003c\/p\u003e \u003cp\u003ePreface xix\u003c\/p\u003e \u003cp\u003eMuseum Theory: An Expanded Field xxvii\u003cbr\u003e\u003ci\u003eKylie Message and Andrea Witcomb\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I Thinking about Museums 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1. Thinking (with) Museums: From Exhibitionary Complex to Governmental Assemblage 3\u003cbr\u003e\u003ci\u003eTony Bennett\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2. Foucault and the Museum 21\u003cbr\u003e\u003ci\u003eKevin Hetherington\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3. What, or Where, Is the (Museum) Object?: Colonial Encounters in Displayed Worlds of Things 41\u003cbr\u003e\u003ci\u003eSandra H. Dudley\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4. Anarchical Artifacts: Museums as Sites for Radical Otherness 63\u003cbr\u003e\u003ci\u003eJanice Baker\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5. (Post-) Cartographic Urges: The Intersection of Museums and Tourism 79\u003cbr\u003e\u003ci\u003eRussell Staiff\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6. Museums, Human Rights, and Universalism Reconsidered 93\u003cbr\u003e\u003ci\u003eJennifer Barrett\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7. The Democratic Horizons of the Museum: Citizenship and Culture 117\u003cbr\u003e\u003ci\u003ePeter Dahlgren and Joke Hermes\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8. Museums, Ecology, Citizenship 139\u003cbr\u003e\u003ci\u003eToby Miller\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II Disciplines and Politics 157\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e9. Reflexive Museology: Lost and Found 159\u003cbr\u003e\u003ci\u003eShelley Ruth Butler\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10. The Art of Anthropology: Questioning Contemporary Art in Ethnographic Display 183\u003cbr\u003e\u003ci\u003eHaidy Geismar\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11. Change and Continuity: Art Museums and the Reproduction of Art-Museumness 211\u003cbr\u003e\u003ci\u003eIen Ang\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12. Cool Art on Display: The Saatchi Phenomenon 233\u003cbr\u003e\u003ci\u003eJim McGuigan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13. Contentious Politics and Museums as Contact Zones 253\u003cbr\u003e\u003ci\u003eKylie Message\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14. Emotions in the History Museum 283\u003cbr\u003e\u003ci\u003eSheila Watson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15. The Presence of the Past: Imagination and Affect in the Museu do Oriente, Portugal 303\u003cbr\u003e\u003ci\u003eElsa Peralta\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16. Toward a Pedagogy of Feeling: Understanding How Museums Create a Space for Cross-Cultural Encounters 321\u003cbr\u003e\u003ci\u003eAndrea Witcomb\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17. The Liquid Museum: New Institutional Ontologies for a Complex, Uncertain World 345\u003cbr\u003e\u003ci\u003eFiona Cameron\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III Theory from Practice\/Practicing Theory 363\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e18. The Displaced Local: Multiple Agency in the Building of Museums Ethnographic Collections 365\u003cbr\u003e\u003ci\u003eHoward Morphy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19. The World as Collected; or, Museum Collections as Situated Materialities 389\u003cbr\u003e\u003ci\u003eFredrik Svanberg\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20. Ambient Aesthetics: Altered Subjectivities in the New Museum 417\u003cbr\u003e\u003ci\u003eNatalia Radywyl, Amelia Barikin, Nikos Papastergiadis and Scott McQuire\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21. Museum Encounters and Narrative Engagements 437\u003cbr\u003e\u003ci\u003ePhilipp Schorch\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22. Theorizing Museum and Heritage Visiting 459\u003cbr\u003e\u003ci\u003eLaurajane Smith\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23. The Museum in Hiding: Framing Conflict 485\u003cbr\u003e\u003ci\u003eAmelia Barikin, Lyndell Brown and Charles Green\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24. Preserving\/Shaping\/Creating: Museums and Public Memory in a Time of Loss 511\u003cbr\u003e\u003ci\u003eJames B. Gardner\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25. Sites of Trauma: Contemporary Collecting and Natural Disaster 531\u003cbr\u003e\u003ci\u003eLiza Dale-Hallett, Rebecca Carland and Peg Fraser\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVOLUME 2: MUSEUM PRACTICE\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eList of Illustrations ix\u003c\/p\u003e \u003cp\u003eVolume Editors xiii\u003c\/p\u003e \u003cp\u003eGeneral Editors xv\u003c\/p\u003e \u003cp\u003eContributors xvii\u003c\/p\u003e \u003cp\u003eAcknowledgements xix\u003c\/p\u003e \u003cp\u003eThe International Handbooks of Museum Studies - Preface and Acknowledgments xxi\u003c\/p\u003e \u003cp\u003eContents of the International Handbooks xxix\u003c\/p\u003e \u003cp\u003eIntroduction: Grounding Museum Studies: Introducing Practice xxxvii\u003cbr\u003e\u003ci\u003eConal McCarthy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I Priorities 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1. The Essence of the Museum: Mission, Values, Vision 3\u003cbr\u003e\u003ci\u003eDavid Fleming\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2. Governance: Guiding the Museum in Trust 27\u003cbr\u003e\u003ci\u003eBarry Lord and Rina Zigler\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3. Policies, Frameworks, and Legislation: The Conditions Under Which English Museums Operate 43\u003cbr\u003e\u003ci\u003eSara Selwood and Stuart Davies\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4. Reconceptualizing Museum Ethics for the Twenty-First Century: A View from the Field 69\u003cbr\u003e\u003ci\u003eJanet Marstine, Jocelyn Dodd and Ceri Jones\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5. Museum Measurement: Questions of Value 97\u003cbr\u003e\u003ci\u003eCarol A. Scott\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6. Developing Audiences for the Twenty-First Century Museum 123\u003cbr\u003e\u003ci\u003eGraham Black\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II Resources 153\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e7. Balancing Mission and Money: Issues in Museum Economics 155\u003cbr\u003e\u003ci\u003eTed Silberberg and Gail Dexter Lord\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8. Tate and BP – Oil and Gas as the New Tobacco?: Arts Sponsorship, Branding, and Marketing 179\u003cbr\u003e\u003ci\u003eDerrick Chong\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9. From Idiosyncratic to Integrated: Strategic Planning for Collections 203\u003cbr\u003e\u003ci\u003eJim Gardner\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10. Collection Care and Management: History, Theory, and Practice 221\u003cbr\u003e\u003ci\u003eJohn E. Simmons\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11. The Future of Collecting in \"Disciplinary\" Museums: Interpretive, Thematic, Relational 249\u003cbr\u003e\u003ci\u003eNick Merriman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12. Managing Collections or Managing Content?: The Evolution of Museum Collections Management Systems 267\u003cbr\u003e\u003ci\u003eMalcolm Chapman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13. Conservation Theory and Practice: Materials, Values, and People in Heritage Conservation 293\u003cbr\u003e\u003ci\u003eDean Sully\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III Processes 315\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e14. From Caring to Creating: Curators Change Their Spots 317\u003cbr\u003e\u003ci\u003eKen Arnold\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15. The Pendulum Swing: Curatorial Theory Past and Present 341\u003cbr\u003e\u003ci\u003eHalona Norton-Westbrook\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16. Planning for Success: Project Management for Museum Exhibitions 357\u003cbr\u003e\u003ci\u003eDavid K. Dean\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17. Museum Exhibition Tradecraft: Not an Art, but an Art to It 379\u003cbr\u003e\u003ci\u003eDan Spock\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18. Museum Exhibition Practice: Recent Developments in Europe, Canada, and Australia 403\u003cbr\u003e\u003ci\u003eLinda Young, with Anne Whitelaw and Rosmarie Beier-de Haan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19. A Critique of Museum Restitution and Repatriation Practices 431\u003cbr\u003e\u003ci\u003ePiotr Bienkowski\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20. Rewards and Frustrations: Repatriation of Aboriginal and Torres Strait Islander Ancestral Remains by the National Museum of Australia 455\u003cbr\u003e\u003ci\u003eMichael Pickering\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV Publics 479\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e21. The \"Active Museum\": How Concern with Community Transformed the Museum 481\u003cbr\u003e\u003ci\u003eElizabeth Crooke\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22. Visitor Studies: Toward a Culture of Reflective Practice and Critical Museology for the Visitor-Centered Museum 503\u003cbr\u003e\u003ci\u003eLee Davidson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23. Translating Museum Meanings: A Case for Interpretation 529\u003cbr\u003e\u003ci\u003eKerry Jimson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24. Learning, Education, and Public Programs in Museums and Galleries 551\u003cbr\u003e\u003ci\u003eJohn Reeve and Vicky Woollard\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25. Reviewing the Digital Heritage Landscape: The Intersection of Digital Media and Museum Practice 577\u003cbr\u003e\u003ci\u003eShannon Wellington and Gillian Oliver\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eAfterword: The Continuing Struggle for Diversity and Equality 599\u003cbr\u003e\u003ci\u003eEithne Nightingale\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eMuseum Practice and Mediation: An Afterword 613\u003cbr\u003e\u003ci\u003eAnthony Alan Shelton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVOLUME 3: MUSEUM MEDIA\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eList of Illustrations ix\u003c\/p\u003e \u003cp\u003eAbout the Editors xiii\u003c\/p\u003e \u003cp\u003eNotes on Contributors xv\u003c\/p\u003e \u003cp\u003eAcknowledgments xvii\u003c\/p\u003e \u003cp\u003ePreface xix\u003c\/p\u003e \u003cp\u003eMuseum Media: An Introduction xxvii\u003cbr\u003e\u003ci\u003eMichelle Henning\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I The Museum as Medium 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Museums and Media Archaeology: An Interview with Wolfgang Ernst 3\u003cbr\u003e\u003ci\u003eMichelle Henning\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 Media Archaeology of\/in the Museum 23\u003cbr\u003e\u003ci\u003eAndrew Hoskins and Amy Holdsworth\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 Museums and the Challenge of Transmediation: The Case of Bristol's Wildwalk 43\u003cbr\u003e\u003ci\u003eNils Lindahl Elliot\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 Mediatized Memory: Video Testimonies in Museums 69\u003cbr\u003e\u003ci\u003eSteffi de Jong\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5 Visible and Invisible Institutions: Cinema in the French Art Museum 95\u003cbr\u003e\u003ci\u003eJenny Chamarette\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6 The Museum as TV Producer: Televisual Form in Curating, Commissioning, and Public Programming 121\u003cbr\u003e\u003ci\u003eMaeve Connolly\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7 SimKnowledge: What Museums Can Learn from Video Games 145\u003cbr\u003e\u003ci\u003eSeth Giddings\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II Mediation and Immersion 165\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e8 The Life of Things 167\u003cbr\u003e\u003ci\u003eIvan Gaskell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 Lighting Practices in Art Galleries and Exhibition Spaces, 1750–1850 191\u003cbr\u003e\u003ci\u003eAlice Barnaby\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10 There's Something in the Air: Sound in the Museum 215\u003cbr\u003e\u003ci\u003eRupert Cox\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11 Aesthetics and Atmosphere in Museums: A Critical Marketing Perspective 235\u003cbr\u003e\u003ci\u003eBrigitte Biehl-Missal and Dirk vom Lehn\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 Museums, Interactivity, and the Tasks of \"Exhibition Anthropology\" 259\u003cbr\u003e\u003ci\u003eErkki Huhtamo\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 Keeping Objects Live 279\u003cbr\u003e\u003ci\u003eFiona Candlin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III Design and Curating in the Media Age 303\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e14 Total Media 305\u003cbr\u003e\u003ci\u003ePeter Higgins\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 From Object to Environment: The Recent History of Exhibitions in Germany and Austria 327\u003cbr\u003e\u003ci\u003eBettina Habsburg-Lothringen and Translated by Mark Miscovich\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16 Museums as Spaces of the Present: The Case for Social Scenography 349\u003cbr\u003e\u003ci\u003eBeat Hachler Translated by Niall Hoskin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17 (Dis)playing the Museum: Artifacts, Visitors, Embodiment, and Mediality 371\u003cbr\u003e\u003ci\u003eKarin Harrasser\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 Transforming the Natural History Museum in London: Isotype and the New Exhibition Scheme 389\u003cbr\u003e\u003ci\u003eSue Perks\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19 Embodiment and Place Experience in Heritage Technology Design 419\u003cbr\u003e\u003ci\u003eLuigina Ciolfi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV Extending the Museum 447\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e20 Open and Closed Systems: New Media Art in Museums and Galleries 449\u003cbr\u003e\u003ci\u003eBeryl Graham\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 Diffused Museums: Networked, Augmented, and Self-Organized Collections 473\u003cbr\u003e\u003ci\u003eJohn Bell and Jon Ippolito\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22 Mobile in Museums: From Interpretation to Conversation 499\u003cbr\u003e\u003ci\u003eNancy Proctor\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 Moving Out: Museums, Mobility, and Urban Spaces 527\u003cbr\u003e\u003ci\u003eMark W. Rectanus\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24 Beyond the Glass Case: Museums as Playgrounds for Replication 553\u003cbr\u003e\u003ci\u003ePetra Tjitske Kalshoven\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25 With and Without Walls: Photographic Reproduction and the Art Museum 577\u003cbr\u003e\u003ci\u003eMichelle Henning\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 The Elastic Museum: Cinema Within and Beyond 603\u003cbr\u003e\u003ci\u003eHaidee Wasson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVOLUME 4: MUSEUM TRANSFORMATIONS\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAbout the Editors ix\u003c\/p\u003e \u003cp\u003eContributors xi\u003c\/p\u003e \u003cp\u003ePreface xiii\u003c\/p\u003e \u003cp\u003eIntroduction: Museums in Transformation: Dynamics of Democratization and Decolonization xxi\u003cbr\u003e\u003ci\u003eAnnie E. Coombes and Ruth B. Phillips\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I Difficult Histories 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1. The Holocaust Memorial in Berlin and Its Information Center: Concepts, Controversies, Reactions 3\u003cbr\u003e\u003ci\u003eSibylle Quack\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2. Ghosts of Future Nations, or The Uses of the Holocaust Museum Paradigm in India 29\u003cbr\u003e\u003ci\u003eKavita Singh\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3. The International Difficult Histories Boom, the Democratization of History, and the National Museum of Australia 61\u003cbr\u003e\u003ci\u003eBain Attwood\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4. Where Are the Children? and \"We Were So Far Away …\": Exhibiting the Legacies of Residential Schools, Healing, and Reconciliation 85\u003cbr\u003e\u003ci\u003eJonathan Dewar\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5. Recirculating Images of the \"Terrorist\" in Postcolonial Museums: The Case of the National Museum of Struggle in Nicosia, Cyprus 113\u003cbr\u003e\u003ci\u003eGabriel Koureas\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6. Reactivating the Colonial Collection: Exhibition-Making as Creative Process at the Tropenmuseum, Amsterdam 133\u003cbr\u003e\u003ci\u003eMary Bouquet\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7. \"Congo As It Is?\": Curatorial Reflections on Using Spatial Urban History in the Memory of Congo: The Colonial Era Exhibition 157\u003cbr\u003e\u003ci\u003eJohan Lagae\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8. Between the Archive and the Monument: Memory Museums in Postdictatorship Argentina and Chile 181\u003cbr\u003e\u003ci\u003eJens Andermann\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9. The Gender of Memory in Postapartheid South Africa: The Women's Jail as Heritage Site 207\u003cbr\u003e\u003ci\u003eAnnie E. Coombes\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II Social Agency and the Museum 227\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e10. An Ethnography of Repatriation: Engagements with Erromango, Vanuatu 229\u003cbr\u003e\u003ci\u003eLissant Bolton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11. Of Heritage and Hesitation: Reflections on the Melanesian Art Project at the British Museum 249\u003cbr\u003e\u003ci\u003eNicholas Thomas\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12. The Blackfoot Shirts Project:\"Our Ancestors Have Come to Visit\" 263\u003cbr\u003e\u003ci\u003eAlison K. Brown and Laura Peers\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13.\"Get to Know Your World\": An Interview with Jim Enote, Director of the A:shiwi A:wan Museum and Heritage Center in Zuni, New Mexico 289\u003cbr\u003e\u003ci\u003eGwyneira Isaac\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14. The Paro Manene Project: Exhibiting and Researching Photographic Histories in Western Kenya 311\u003cbr\u003e\u003ci\u003eChristopher Morton and Gilbert Oteyo\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15. Reanimating Cultural Heritage: Digital Curatorship, Knowledge Networks, and Social Transformation in Sierra Leone 337\u003cbr\u003e\u003ci\u003ePaul Basu\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16. On Not Looking: Economies of Visuality in Digital Museums 365\u003cbr\u003e\u003ci\u003eKimberly Christen Withey\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17. Preserving the Physical Object in Changing Cultural Contexts 387\u003cbr\u003e\u003ci\u003eMiriam Clavir\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III Museum Experiments 413\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e18. The Last Frontier: Migratory Culture, Video, and Exhibiting without Voyeurism 415\u003cbr\u003e\u003ci\u003eMieke Bal\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19. Public Art\/Private Lives: The Making of Hotel Yeoville 439\u003cbr\u003e\u003ci\u003eTegan Bristow, Terry Kurgan and Alexander Opper\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20. Museums, Women, and the Web 471\u003cbr\u003e\u003ci\u003eReesa Greenberg\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21. Möbius Museology: Curating and Critiquing the Multiversity Galleries at the University of British Columbia Museum of Anthropology 489\u003cbr\u003e\u003ci\u003eJennifer Kramer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22. When You Were Mine: (Re)Telling History at the National Museum of the American Indian 511\u003cbr\u003e\u003ci\u003ePaul Chaat Smith\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23. Against the Edifice Complex: Vivan Sundaram's History Project and the Colonial Museum in India 527\u003cbr\u003e\u003ci\u003eSaloni Mathur\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24. Can National Museums be Postcolonial?: The Canadian Museum for Human Rights and the Obligation of Redress to First Nations 545\u003cbr\u003e\u003ci\u003eRuth B. Phillips\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex\u003c\/p\u003e \u003cp\u003e\u003cb\u003eGeneral Editors:\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eSharon Macdonald\u003c\/b\u003e is Alexander von Humboldt Professor in Sociocultural Anthropology and European Ethnology at the Humboldt University, Berlin.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eHelen Rees Leahy\u003c\/b\u003e is Professor of Museology and Director of the Centre for Museology at the University of Manchester.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVolume Editors:\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMuseum Theory\u003cbr\u003e\u003c\/i\u003e\u003cb\u003eAndrea Witcomb\u003c\/b\u003e is Professor and Director of the Cultural Heritage Centre for Asian and the Pacific at Deakin University, Australia.\u003cbr\u003e\u003cb\u003eKylie Message\u003c\/b\u003e is Associate Professor and Head of the School of Archaeology and Anthropology at the Australian National University.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMuseum Practice\u003cbr\u003e\u003c\/i\u003e\u003cb\u003eConal McCarthy\u003c\/b\u003e is Associate Professor and Director of the Museum and Heritage Studies program at Victoria University of Wellington, New Zealand.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMuseum Media\u003cbr\u003e\u003c\/i\u003e\u003cb\u003eMichelle Henning\u003c\/b\u003e is Senior Lecturer in Photography and Visual Arts in the Media Department, School of Art, Design and Media at the University of Brighton.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMuseum Transformations\u003cbr\u003e\u003c\/i\u003e\u003cb\u003eAnnie E. Coombes\u003c\/b\u003e is Professor of Material and Visual Culture at Birkbeck, University of London.\u003cbr\u003eRuth B. Phillips is Canada Research Chair in Modern Culture and Professor of Art History at Carleton University, Canada.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe International Handbooks of Museum Studies\u003c\/i\u003e is a multi-volume reference work that represents a state-of-the-art survey of the burgeoning field of museum studies. Featuring original essays by leading international museum experts and emerging scholars, readings cover all aspects of museum theory, practice, debates, and the impact of technologies. The four volumes in the series, divided thematically, offer in-depth treatment of all major issues relating to museum theory; historical and contemporary museum practice; mediations in art, design, and architecture; and the transformations and challenges confronting the museum. In addition to invaluable surveys of current scholarship, the entries include a rich and diverse panoply of examples and original case studies to illuminate the various perspectives. Unprecedented for its in-depth topic coverage and breadth of scholarship, the multi-volume \u003ci\u003eInternational Handbooks of Museum Studies\u003c\/i\u003e is an indispensable resource for the study of the development, roles, and significance of museums in contemporary society.\u003c\/p\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47990268231909,"sku":"NP9781405198509","price":708.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781405198509.jpg?v=1761787133","url":"https:\/\/k12savings.com\/es\/products\/the-international-handbooks-of-museum-studies-4-volume-set-isbn-9781405198509","provider":"K12savings","version":"1.0","type":"link"}