{"product_id":"the-deal-goes-down-isbn-9781612199900","title":"The Deal Goes Down","description":"\u003cb\u003e\u003cb\u003eA legendary, Edgar-Award winning writer returns, and so does his legendary detective,  with a gripping thriller about marital discord, contract killing, off-piste skiing and the deep state...\u003c\/b\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Ex-private eye Tony Casella lives in the Catskill mountains, a lonely old tough guy whose body can no longer do what it once did.  His wife and son are dead; his daughter barely talks to him;  his bank is in the process of foreclosing on his home. \u003cbr\u003e\u003cbr\u003e But a chance encounter with a rich young woman on a train changes everything. He is hired to take care of  her superrich, sexual predator husband. That job leads to others and he joins  a small start-up whose mission is to save women from abusive marriages. Provided their spouses are in the top 0.01%. It's a luxury service destined to make great profits.  \u003cbr\u003e\u003cbr\u003e Tony’s problems seem to be over, but are they? An old, angry associate is determined to get his cut of Tony’s earnings, murky government agents start to tail him, and when he is sent to the Austrian alps to kill a Russian oligarch and rescue his American wife, all hell breaks loose… \u003cbr\u003e\u003cbr\u003e Packed with action \u003ci\u003eThe Deal Goes Down\u003c\/i\u003e is an unforgettable portrait of a Lion in Winter who still has a few tricks up his sleeve, from a writer garlanded with awards and critical acclaim and whose novel \u003ci\u003eAmerican Hero\u003c\/i\u003e was made into the classic film, \u003ci\u003eWag the Dog. \u003c\/i\u003e\"From the gripping opening  line…Beinhart never takes his foot off the gas in the outstanding fourth  outing for Tony Cassella... Fans of darkly funny crime dramas  such as \u003ci\u003eFargo\u003c\/i\u003e will be hooked.\"\u003cb\u003e\u003ci\u003e -- Publishers Weekly, STARRED REVIEW \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"There’s enough action in this thoroughly enjoyable comedy of errors to  please the most discriminating reader, but it’s the humor that captures.\"\u003ci\u003e\u003cb\u003e -- Library Journal \u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/i\u003e \"Determinedly offbeat...the enjoyment Beinhart derives from his spritzing, free-wheeling approach lifts the book, which at its best is a cross between Stanley Elkin and Raymond Chandler… A comic noir with a voice all its own.” \u003ci\u003e\u003cb\u003e-- Kirkus Reviews\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \"Beinhart pulls in the reader quickly...The engrossing murder-for-hire story is fast-paced and flecked with modern themes, from the #metoo movement to racial tension.\" \u003ci\u003e\u003cb\u003e-- The Times Union\u003cbr\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e \"This book fits into that much beloved subgenre of crime novels in which the protagonists are criminals. Beinhart flips the typical detective trope on its rear in this fourth book in  the series by transforming his investigator into a criminal... Here’s the first sentence:  “The woman on the train asked me to kill someone.” How could any reader  consider setting down a book with an opening line like that one?  Impossible, no?\" \u003ci\u003e\u003cb\u003e-- The Dayton Daily News \u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e “(A)  defiantly off-kilter tale, deliciously laced with conspiratorial  paranoia, slippery moral slopes, and humor of the darkest sort. A heady  brew well worth savoring.\"\u003cb\u003e\u003ci\u003e -- Mystery Scene Magazine \u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \"His dry, often  hilarious, heartfelt style is reminiscent of sitting in a dimly lit bar  with your coolest friend, listening to his epic stories and sipping Coke  after a while because you want to remember every word. No fan of  intelligent thrillers should miss this one, but be warned; sometimes  “can’t put it down” isn’t just hyperbole.\" \u003ci\u003e\u003cb\u003e-- Chronogram \u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e \u003ci\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e \"[Tony Cassella's] capers in \u003ci\u003eThe Deal Goes Down\u003c\/i\u003e are truly like no other in literature.  He pulls off problem-solving in a way not seen before. The man is slick.  So is author Larry Beinhart...It’s good to have Tony back.  Let’s hope he never retires again.\"\u003ci\u003e\u003cb\u003e -- Bookreporter \u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e \u003ci\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/i\u003e “Phenomenal…I loved this novel! No one writes in this genre like Beinhart. And very few in any other genre. The things Beinhart does to make the characters breath, get under our skin. What a joy to read!” \u003cb\u003e—Juan José Campanella, director of the Oscar-winning \u003ci\u003eThe Secret in Their Eyes\u003c\/i\u003e\u003c\/b\u003e \u003ci\u003e\u003cbr\u003e\u003c\/i\u003e \u003cbr\u003e \"Beinhart brilliantly drags Chandler to the tangled woods of the Catskill Mountains, resulting in a first rate - and first - noir-murder-Buddhist-comic-Woodstock-thriller. Fantastic fun.\" \u003cb\u003e—Shalom Auslander, author of \u003ci\u003eForeskin's Lament\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eLarry Beinhart\u003c\/b\u003e is best known as the author of \u003ci\u003eWag the Dog\u003c\/i\u003e (originally published as \u003ci\u003eAmerican Hero\u003c\/i\u003e) on which the film starring Robert DeNiro, Dustin Hoffman, Willie Nelson and Woody Harrelson was based. His \u003ci\u003eNo One Rides for Free\u003c\/i\u003e (1986) received the 1987 Edgar Award for Best First Novel.  Beinhart  spent two years in Oxford, England, where he was the Raymond Chandler  Fulbright Fellow at Wadham College. His articles have appeared in the \u003ci\u003eNew York Times\u003c\/i\u003e, the \u003ci\u003eInternational Herald Tribune\u003c\/i\u003e, the \u003ci\u003eLos Angeles Times\u003c\/i\u003e, the \u003ci\u003eWashington Post\u003c\/i\u003e, the \u003ci\u003eBaltimore Sun\u003c\/i\u003e, and the \u003ci\u003eChicago Tribune\u003c\/i\u003e. Beinhart worked for AlJazeera English, on the TV news magazine show \u003ci\u003eEmpire \u003c\/i\u003eas a Writer\/Producer\/Director.     He resides in Woodstock, New York.The woman on the train asked me to kill someone.\u003cbr\u003e\u003cbr\u003eI liked the train. I didn’t especially like the woman. It was a real train, an Amtrak, not one of the commuter trains like Metro-North, which are more like buses that happen to be stuck on rails. We both got on at Rhinecliff. \u003cbr\u003e\u003cbr\u003eThe line is called Empire Service. It runs along the east bank of the Hudson River from Albany to New York City. There are about thirteen trains a day, weekdays. Each one has a cafe car. They’re the old types with tables that are simple rectangles with badly cushioned bench seats on both sides. You can really sit there and enjoy the ride. The new ones, like they have on the Acela Express, have uncomfortable stools at a counter too skinny for you to even read a newspaper with your coffee, making it clear that what they really want is for you not to be there. Take your sandwich, snack, and whatever you’re slurping on, and go back to your seat. \u003cbr\u003e\u003cbr\u003eThese sit four. Comfortably. In this case it was just the two of us. Me facing south, the direction we were headed, and her facing north, the places we were leaving behind. Our table was on the west side, our windows facing the marvelous and great river that looks different every season, every day, every time, no matter how many times you’ve seen it. \u003cbr\u003e\u003cbr\u003eSome years ago, I don’t remember if it was a dozen or two decades by now, they stopped offering cafe \u003ci\u003eservice\u003c\/i\u003e on the short hauls, the seven that originated or terminated in Albany. The other six include two for Niagara Falls, two for Rutland, Vermont, one for Toronto and one for Montreal. Those still have cafe service in the cafe cars. They’re also the most likely to run late, especially the two that cross the border because fear is mud and it makes for a slow slog. \u003cbr\u003e\u003cbr\u003eWe were on the Ethan Allen Express out of Rutland. We’d boarded at about 2:50 in the afternoon and it had left the station right on time at 2:54. \u003cbr\u003e\u003cbr\u003eI was on my way to a funeral. I headed straight for the cafe car. What was there to do but look out the window, contemplate the river. You think of it as flowing south, water entering it from the mountains on either side, all going down to New York and then to the Atlantic. But actually the ocean pushes back. The whole river will flow north for a hundred and fifty something miles; you can’t really see it except in winter if it’s cold enough for ice to form and then break up and if you’re watching at the right time you see the white slabs moving the wrong way. \u003cbr\u003e\u003cbr\u003eOn my way to a funeral, another old friend gone. Sitting there, moving south, watching the water flow as it did before I came and will do after I’m gone, and the light and the hills, trying to come to terms with the rhythms of life and death. \u003cbr\u003e\u003cbr\u003eI was happy to find an empty table.\u003cbr\u003e\u003cbr\u003eShe’d gone past me to the service counter. A couple of minutes after we got rolling, she swayed back down the aisle, came to where I sat, and slid in across from me as she was surely entitled to do. She had a cardboard tray with a miniature bottle of Tito’s Handmade Vodka, a can of Schweppes Ginger Ale, and a plastic railroad cup with ice. She opened the Tito’s, poured it all out into the cup, and then popped the tab on the can and added a measured amount of the Schweppes. \u003cbr\u003e\u003cbr\u003eShe didn’t start out asking me to kill someone. \u003cbr\u003e\u003cbr\u003eShe started with a simple, “Hi, Tony, how are you?” \u003cbr\u003e\u003cbr\u003eWe knew each other slightly, vaguely, from running into each other, up and around the Woodstock area, or maybe Saugerties or even Phoenicia or Shandanken. At that point, I couldn’t for the life of me remember her name. “Fine, fine,” I said. “And yourself?”\u003cbr\u003e\u003cbr\u003e“I’m grand, just grand,” she said in a tone that said all things opposite, miserable, bitter, and disappointed in life. I tried my best to take her at her word and ignore her manner, because I had no desire to know. \u003cbr\u003e\u003cbr\u003e“Good, good,” I mumbled and turned to watch the winds making small waves on the river and the illusion created by the turning of the Earth on which we ride that it’s the sun that’s moving, to the west and sinking, on its way to hiding below the horizon.  \u003cbr\u003e\u003cbr\u003eShe was a reasonably attractive woman, as these things go, and had probably been an almost beautiful one ten or twenty years earlier. What the hell was her name? And where exactly did I know her from? I guessed her to be staring at forty and hoping it wasn’t staring back at her. Well dressed. Expensively dressed to the degree that I could judge. The manner with which she raised her glass and put her lips to it was trying very hard to say I’m just sipping at this for the flavor and because it’s refreshingly cool. She was good at it, having practiced it a lot I guessed, and it was convincing if you didn’t put an odometer on the speed with which it went down, which told another story, that her natural state was a place she wanted to leave behind and the 80 proof was rolling her away from it as surely as the steel wheels on the steel rails below us. She said this and that, I was listening just enough to make polite noises and I don’t recall what. If I’d had computer in front of me or even a bunch of paper or a serious looking book, I would have said “Pardon me, I don’t mean to be rude, I’d love to chat, but I have to get this done.” Instead I just hoped I could keep her nattering at a sufficient psychological distance that it wouldn’t build to the point where I blurted out a strident command to shut up. \u003cbr\u003e\u003cbr\u003eMadelaine, that was her name. Maddie.\u003cbr\u003e \u003cbr\u003eRight, right, she was going on about a son-of-a-bitch husband who was ruining her, cheating, of course, with secretaries and what not, of course, the nanny, that ex-nanny, two nannies back, maybe the housekeeper even if she had fat thighs, alienating her children from her, Leslie and Sandra. \u003cbr\u003e\u003cbr\u003eThey had a lot of money. Or he had a lot of money. Maybe not by New York City standards, hedge fund \u003ci\u003ebillions\u003c\/i\u003e and such. Certainly, by upstate standards. Maybe millions? This was from vague, passing gossip, about people I barely knew, from people I slightly knew and didn’t listen to very much. There was money there and there was little or no money here—meaning with me—and I felt its tug. I don’t know when it happened or if it was always that way and I was just blind to it, money has gravitational force. The bigger the mass of it, the closer you get to it, the more it pulls you. \u003cbr\u003e\u003cbr\u003eMaddie finished that drink and went back for another. I was grateful for the silence when she was gone. Then she was back. She poured again, mixed again, and drank again, faster this time. She said I was looking good, was I going into the city on business. I said no. She said, jacket and tie, fresh shave, being inquisitive, but friendly. \u003cbr\u003e\u003cbr\u003e“A funeral,” I said. \u003cbr\u003e\u003cbr\u003e“Oh, death,” she said. “I’m sorry. Were you close?”\u003cbr\u003e \u003cbr\u003e\u003ci\u003eNone of your fucking business\u003c\/i\u003e is what I wanted to say. “Close enough” is what I said. It didn’t quite shut her up. Of course not. \u003cbr\u003e\u003cbr\u003e“You’re a detective,” she said. \u003cbr\u003e\u003cbr\u003eI twisted my head, half a shake, half a denial. I raised one shoulder, shrugging it off. \u003cbr\u003e\u003cbr\u003e“You used to be a detective,” she said. \u003cbr\u003e\u003cbr\u003eI made one of those noises. Yes, it was true. I acknowledge it. Don’t have any interest in discussing it. She wanted to know if it was exciting. Did I do any famous cases? Did I carry a gun? Did I ever shoot anyone? Things like that. What kind of people did I work for? It was all long ago, and far away, is what I said, in several different ways. Retired now, living on social security and a little of this and a little of that. \u003cbr\u003e\u003cbr\u003eMaddie said that I didn’t look that old. I’m vain enough to want that to be true. I still have hair on my head, I haven’t gone to fat, and I’m as fit for my age as I’m likely to be short of being fanatical, medicated, and on a regimen of human growth hormone. \u003cbr\u003e\u003cbr\u003eWe’d passed Croton-Harmon. That was her third drink. On the train. I expect she’d started before she’d boarded. She got the fourth just after Yonkers. We’d be seeing the Palisades across the river soon. The fragments in her mind were mixing and matching without the normal controls and separations of sobriety. “Millions,” she said. “The pig has millions. And he is a pig. He’s cruel and plotting and vicious and mean. I have bruises. I could show you bruises. Not to mention the emotional abuse. Plus, if Me Too catches up with him. The problem is everyone is scared of him. And his money, of course. I should have a big, big piece of that money. He wouldn’t have made it without me. Will I get it? No. I told you some of the things he’s manufactured and faked to cut me out. Plus, he will spend on lawyers. Lying, mean, despicable lawyers. \u003cbr\u003e\u003cbr\u003e“A funeral,” she said, in a quick gear shift. “Death. That’s what has me thinking this way.”\u003cbr\u003e\u003cbr\u003eYes, that and alcohol. \u003cbr\u003e\u003cbr\u003e“Death is the only way out for me,” she said, like it was a well thought out conclusion after much study. “Really, I’m ruined. I’ll have nothing. Unless he dies. Soon. Now, I guess. Then . . . and I deserve it . . . it’s what’s right. I want to have him killed.”\u003cbr\u003e\u003cbr\u003e“No, you don’t mean that.”\u003cbr\u003e\u003cbr\u003e“Yes, yes, I totally do.”\u003cbr\u003e\u003cbr\u003e“You’re asking for trouble.”\u003cbr\u003e\u003cbr\u003e“I would pay,” she said. \u003cbr\u003e\u003cbr\u003e“Look . . .”\u003cbr\u003e\u003cbr\u003e“Really,” she said. “You must know people like that. Right? You must.”\u003cbr\u003e\u003cbr\u003e“Come on, you should maybe have some coffee.”\u003cbr\u003e\u003cbr\u003e“A hundred thousand,” she said. \u003cbr\u003e\u003cbr\u003e“Do you have money like that?”\u003cbr\u003e\u003cbr\u003e“After,” she said. “After he’s dead. Easily.”\u003cbr\u003e\u003cbr\u003e“You want someone to do it on spec?” I knew enough literary and movie types to know the difference between working on commission and speculation. \u003cbr\u003e\u003cbr\u003e“I could . . . I have some . . . I could come up with like ten . . . ten K up front. The rest after.”\u003cbr\u003e\u003cbr\u003e“That’s not enough, not nearly enough,” I said, trying to shut her down.\u003cbr\u003e\u003cbr\u003e“I could do twenty,” she said. “Twenty thousand. Cash. Untraceable. I could do that.”\u003cbr\u003e\u003cbr\u003e“Really?”\u003cbr\u003e\u003cbr\u003e“Yes, yes, I can,” she said, with what appeared to be utter sincerity and conviction.\u003cbr\u003e\u003cbr\u003eI was very broke. That’s not an excuse. Maybe it’s an explanation. Maybe it’s not. My home was thirty-six hours from going into foreclosure. Maybe it was one of those moments where you’re saying to yourself, I have to do something new and different with my life, though that’s not something you expect when you’ve recently turned seventy, and then something just comes along and presents itself. I’d never done anything like that. Not remotely like that. \u003cbr\u003e\u003cbr\u003eI said, “Yes.” \u003cbr\u003e\u003cbr\u003e“Yes?”\u003cbr\u003e\u003cbr\u003e“Yes. I think I can help you.”","brand":"Melville House","offers":[{"title":"Default Title","offer_id":46299706917093,"sku":"NP9781612199900","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781612199900.jpg?v=1742916787","url":"https:\/\/k12savings.com\/es\/products\/the-deal-goes-down-isbn-9781612199900","provider":"K12savings","version":"1.0","type":"link"}