{"product_id":"the-book-of-night-women-isbn-9781594484360","title":"The Book of Night Women","description":"\u003cb\u003e\u003cb\u003e\u003cb\u003eFrom the author of the National Book Award finalist \u003ci\u003eBlack Leopard, Red Wolf\u003c\/i\u003e and the WINNER of the 2015 Man Booker Prize for \u003ci\u003eA Brief History of Seven Killings\u003c\/i\u003e\u003c\/b\u003e\u003c\/b\u003e \u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e\u003cb\u003e\"An undeniable success.” — \u003ci\u003eThe New York Times Book Review\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003eA true triumph of voice and storytelling, \u003ci\u003eThe Book of Night Women\u003c\/i\u003e rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breath­takingly daring and wholly in command of his craft. | “Both beautifully written and devastating…Writing in the spirit of Toni Morrison and Alice Walker but in a style all his own, James has conducted an experiment in how to write the unspeakable— even the unthinkable. And the results of that experiment are an undeniable success.”\u003cbr\u003e\u003cb\u003e— \u003c\/b\u003e\u003ci\u003eThe New York Times Book Review\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“The narrative voice is so assured and the descriptions so detailed and believable that one can’t help being engaged. This is a book to love. . . . \u003ci\u003eThe\u003c\/i\u003e \u003ci\u003eBook of Night Women \u003c\/i\u003eis hard to pick up, even harder to put down . . . and it deserves to be read.”\u003cbr\u003e\u003cb\u003e— \u003c\/b\u003e\u003ci\u003eChicago Tribune\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“\u003ci\u003eThe Book of Night Women \u003c\/i\u003eis a searing read, full of blood, tears, and the stench of misery. It’s barbaric and ancient, but also familiar in the ways that people, consumed by their differences and divisions, easily overlook all that binds them— the desire for independence, the right to a civilized life, and the need to give and receive love.”\u003cbr\u003e\u003cb\u003e— \u003c\/b\u003e\u003ci\u003eThe Boston Globe\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“\u003ci\u003eThe Book of Night Women \u003c\/i\u003eis not merely a historical novel. It is a book as heavily peopled and dark as the night in this isolated and brutal place. It is a canticle of love and hate.”\u003cbr\u003e\u003cb\u003e— \u003c\/b\u003e\u003ci\u003eLos Angeles Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“[Marlon James] has carved strong and compelling female figures out of the harsh landscape of nineteenth-century British-ruled Jamaica . . . \u003ci\u003eThe\u003c\/i\u003e \u003ci\u003eBook of Night Women\u003c\/i\u003e’s most poignant feature is James’s sensitive and layered treatment of the unlikely romance that blossoms between Lilith and her Irish overseer.”\u003cbr\u003e\u003ci\u003e— The Miami Herald\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“When a novel casts a powerful spell, I find myself trying to locate where it got hold of me. I knew \u003ci\u003eThe Book of Night Women \u003c\/i\u003ehad me when I started waking at night to worry about its characters. . . . Enslave one people and all are trapped. That familiar concept wears flesh and bone in \u003ci\u003eThe Book of\u003c\/i\u003e \u003ci\u003eNight Women\u003c\/i\u003e. It stands in the wake of Toni Morrison’s transcendent slave literature, and it holds its own.”\u003cbr\u003e\u003ci\u003e— The Cleveland Plain- Dealer\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“James has given us an epic novel of late-eighteenth-century West Indian slavery, complete with all its carnage and brutishness, but one that, like a Toni Morrison novel, whispers rather than shouts its horrors.”\u003cbr\u003e—\u003ci\u003eTime Out New York\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“The narrative voice, with its idiosyncratic inflections and storytelling warmth, will pull you into this outsized, marvelous account . . . James re-creates a world and brushes it with an element of the fantastic, but the emotions he conveys are all too real and heartbreaking.”\u003cbr\u003e— \u003ci\u003eFlavorpill\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“If you pick up \u003ci\u003eThe Book of Night Women\u003c\/i\u003e, you might lose a little sleep. The second novel from Kingston native Marlon James will have you flipping pages, thirsty for more story, late into the night. . . . Well crafted and beautifully written...it will stay in your mind for weeks to come.”\u003cbr\u003e\u003cb\u003e—\u003c\/b\u003e\u003ci\u003eBookPage\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Darkly powerful.”\u003cbr\u003e—\u003ci\u003eThe Washington Post\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“\u003ci\u003eThe Book of Night Women \u003c\/i\u003eis a slave narrative, a story of rebellion, and a testament to the human heart in conflict with itself. It is a book of rip and rhythm. Of violence and tenderness. Of the healing glance in all the hatred. It reads like Faulkner in another skin. It is a brave book. And like the best, and most dangerous, of stories, it seems as if it was just waiting to be told.”\u003cbr\u003e\u003cb\u003e—\u003c\/b\u003eColum McCann\u003cbr\u003e\u003cbr\u003e“Marlon James has written an exquisite, haunting, and beautiful novel, impossible to resist. Like the best of literature, \u003ci\u003eThe Book of Night Women\u003c\/i\u003e deserves to be passed down hand to hand, generation to generation.”\u003cbr\u003e\u003cb\u003e—\u003c\/b\u003eDinaw Mengestu\u003cbr\u003e\u003cbr\u003e“With \u003ci\u003eThe Book of Night Women\u003c\/i\u003e, Marlon James proves himself to be Jamaica’s answer to Junot Díaz, Edwidge Danticat, and Zadie Smith. James imbues his lively, energetic prose and unforgettable characters with a precocious wisdom about love, race, and history that none of us has ever seen before, but that feels alive, even definitive, as soon as we’ve read it.”\u003cbr\u003e\u003cb\u003e—\u003c\/b\u003eColin Channer, author of \u003ci\u003eThe Girl with the Golden Shoes\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Marlon James’s writing brings to mind early Toni Morrison, Jessica Hagedorn, and Gabriel García Márquez.”\u003cbr\u003e\u003ci\u003e— \u003c\/i\u003eKaylie Jones, author of \u003ci\u003eA Soldier’s Daughter Never Cries\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Pile them up, a Marlon James character says repeatedly, and Marlon does just that. Pile them up: language, imagery, technique, imagination. All fresh, all exciting.”\u003cbr\u003e—Chris Abani, author of \u003ci\u003eThe Virgin of Flames\u003c\/i\u003e and \u003ci\u003eGraceLand\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“[An] epic narrative . . . as lyrical as it is hypnotic, even in the most violent passages.”\u003cbr\u003e\u003ci\u003e— The Independent\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“A very nearly perfect work; an exquisite blend of form and content. . . . He bestows on the slave account authenticity and authority.”\u003cbr\u003e\u003ci\u003e— The Toronto Globe and Mail\u003c\/i\u003e\u003cbr\u003e  | \u003cb\u003eMarlon James\u003c\/b\u003e was born in Jamaica in 1970. His most recent novel is \u003ci\u003eA Brief History of Seven Killings, \u003c\/i\u003ewhich was shortlisted for the 2015 Man Booker Prize\u003ci\u003e. \u003c\/i\u003eHe is also the author of \u003ci\u003eThe Book of Night Women\u003c\/i\u003e, which won the 2010 Dayton Literary Peace Prize and the Minnesota Book Award, and was a finalist for the 2010 National Book Critics Circle Award in fiction and an NAACP Image Award. His first novel, \u003ci\u003eJohn Crow’s Devil\u003c\/i\u003e, was a finalist for the \u003ci\u003eLos Angeles Times\u003c\/i\u003e Book Prize for first fiction and the Commonwealth Writers’ Prize and was a \u003ci\u003eNew York Times\u003c\/i\u003e Editors’ Choice. James lives in Minneapolis. | \u003cb\u003e\u003ci\u003e(Disclaimer: This excerpt contains content that may not be appropriate for all readers.)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePeople think blood red, but blood don’t got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don’t reach fourteen birthday yet speak curse ’pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, or spring from the axe, the cat- o’-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and a mother mouth screaming. A weak womb done kill one life to birth another. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done see. I goin’ call her Lilith. You can call her what they call her. \u003cbr\u003e\u003cbr\u003eTwo thing you should know if you want to know her. As soon as Lilith born the womens regard her with fear and trembling because of them green eyes that light up the room, but not like sunlight. Nobody did want the young’un and the overseer Jack Wilkins had to make special arrangement for a niggerwoman to take care of the child, for the mens and womens did content to just leave her in the bush and make the land take her back. Another thing. Girl like Lilith don’t born with green eye because God feel to be extra kind to nigger girl. This much was for sure, Lilith be the only girl to grow up in a hut calling a woman mother and a man father but she didn’t look like neither. \u003cbr\u003e\u003cbr\u003eThat woman. That girl. People recall when she was still a little pickney on the Montpelier Estate, them few years when a nigger not black, playing rounders with boys. She swing the club, clap the ball clear ’cross the field and make one run to all four base and beat the boys but couldn’t understand when the wet nurse slap her and say that a good girl was supposed to make manchild win. Lilith cuss and ask if manchild can’t win if girl don’t lose and she get another slap. Some take as sign when at seven Lilith tell them same boys that is ’cause they have worm between them legs why they can’t run fast like she and the girl get a swift kick from a passing niggerwoman who tell her that there be a grave already dug for the uppity. Lilith cuss under her tongue and say, Is you must go to grave since you already stink like dead puppy. Then there was the time when she get a well- deserved thumping for telling a white playmate from Coulibre Estate that she be a damn fool for saying that sky wet when everybody know it dry ’cept for when rain fall. White pickney and black pickney play all the time when they little, as if they be combolo, one and the same. But Lilith too spirited. Too spirited for a nigger girl black like pitch with legs too smooth for a slave and hair too woolly and lips too thick like fruit and eyes that seem robbed from white lady. A slave woman fate write before she born, but Lilith didn’t grow up regarding them things for she live with Circe, the only nigger at Montpelier Estate who didn’t work. \u003cbr\u003e\u003cbr\u003ePeople say that Montpelier Estate was so huge that you could tell you’re there as soon as the wind start blowing to the east. In 1785, the year of many death but one birth, the overseer judge Circe too weak to do field labour. He give her a new hut that make from wood, not mud like what common nigger live in. He give her a man to live with in the Bible way. He also give her Lilith, which was just as well since plenty people knew that there was nothing Tantalus could do for a woman, much less breed niggerkin. Circe sleep in a bed while Tantalus and Lilith make do with the floor. Tantalus go near that bed only once and he have a scar below him left eye to show for it. \u003cbr\u003e\u003cbr\u003eThe hut door was to the north, the kitchen to the south, the red armchair that come from the overseer Jack Wilkins’ house to the east and the bed to the west. Circe shoulder thick and broad like man, her legs bow a little and her breasts strong and wide. But she short. All over her head, grey hair pop up like little flowers. A straw hat with a pink ribbon be on her head that she never take off, and when she go to sleep the hat cover her face. Circe didn’t take too kindly to mothering. Some say that this was on account of who Lilith papa be, but word loose like wind on Montpelier Estate. \u003cbr\u003e\u003cbr\u003eBy the time Lilith commence her fourteenth year, Circe grow tired of Tantalus the mad nigger. She come from church one Sunday afternoon and sit down in the armchair only to feel wetness soak through her dress. Piss, to be sure, for Tantalus didn’t got no cum. Circe go for her cast- iron pot and beat him out of the house. Since that time, nobody put clothes on that nigger and the overseer tie him to a breadfruit tree like an old dog. Lilith, after washing Circe good blue frock down by the river near the ratoon fields, come home to see Tantalus tie up under the tree and bawling and grunting and hissing and whinnying and grabbing him cocky in a indecent way and it make her feel like she was the most meanest thing in the world to have such a pappy. \u003cbr\u003e\u003cbr\u003eNiggers already done make a song ’bout Tantalus the mad nigger. Lilith scared that soon the song was goin’ pick up a new verse ’bout her. Already she too tall and too loud and the other pickneys says she too big to play even though Lilith still feel like little girl. Lilith look around the dusty patch and it small now. You titty big like yam, a niggerboy tell her when they playing. And you balls little like cherry, she say to him. The little boy punch her and she jump ’pon him like wild dog and nobody could pull her off until they beat her hand to let go of him balls. \u003cbr\u003e\u003cbr\u003eCommencing also be this— the white pickneys reach the age when they become white and nigger become black and they don’t play to - gether no more. Lilith know one in particular, the girl from Coulibre who use to grab her hair and call her black sheep and always want to go on quest past the ratoon fields, which was forbidden. The same girl Lilith call donkey cause she laugh like a hee- haw. Plenty time Lilith say, Let we be the wickedest pirates! And the girl would say, Aye! and she lead the white girl astray to plunder the booty, cherry or plum or banana. They would tie cloth over one eye and be Henry Morgan and Blackbeard. And they talk secret- like so the boys wouldn’t know. The white girl call her lank chicken and Lilith call her rank goat and they scream and laugh, and the girl take Lilith hand and neither think it uncanny. Then one day the girl come to the plantation dress up in bonnet like her mama and bawl out, Mama, pray tell why is that nigger addressing me? Lilith get a slap for that from a thin house niggerwoman who smell of mint and lemongrass. Lilith don’t go near the great house after that and the white girl stop coming to Montpelier altogether. \u003cbr\u003e\u003cbr\u003eLilith think she is still girl but even Circe tell her otherwise. This was an evening not long after she throw Tantalus out of the hut. \u003cbr\u003e\u003cbr\u003e— Look ’pon you, Circe say as she lean back in her red armchair and fan ’way mosquito. — Worthless and good for nothing. Sake o’ you, man start hitch up round here like pee- pee cluck- cluck. Outside cricket was chirping like they agree and inside the hotness wouldn’t leave the room. \u003cbr\u003e\u003cbr\u003e— Word be that is you they come to, Mama. \u003cbr\u003e\u003cbr\u003e— Wha’ you just say in me earshole? Word from who? Lilith don’t answer. \u003cbr\u003e\u003cbr\u003e— You soon start takin’ man, Circe say.\u003cbr\u003e\u003cbr\u003e— Me not takin’ nothing but the word of God, Mama. \u003cbr\u003e\u003cbr\u003eTwo thing happen in Lilith fourteenth year. One day she was out in the yard romping when all of a sudden she feel wet, wet, wet. Blood slip from her like whisper and run down her leg. She scream and two boy laugh. Lilith run to the hut where Circe was dismissing a coloured gentleman who wasn’t from Montpelier Estate. As soon as she see Circe her mouth shut up and she couldn’t do nothing but mumble. \u003cbr\u003e\u003cbr\u003e— Speak up! Damn girl, Circe say.\u003cbr\u003e\u003cbr\u003e Lilith start cry. She couldn’t say her cho- cho be bleeding. Circe would think she done some nastiness for sure. Some nastiness with boy that Circe always saying that she born to do. Circe grab the girl. \u003cbr\u003e\u003cbr\u003e— After nothing no do you. Why you trying me patience, pickney? Circe go to push her off but then see new blood running down Lilith leg.— Shithouse. You turn woman now, she say. \u003cbr\u003e\u003cbr\u003eFrom then Lilith couldn’t go nowhere, nor talk to nobody, most of all boy. \u003cbr\u003e\u003cbr\u003e— And don’t make me see you near any of them Johnny- jumper or I goin’ kill you for sure, Circe say. \u003cbr\u003e\u003cbr\u003eLilith look in the old silver tray that the great house throw away. Lilith look down the well and the dead part of the river. Lilith watching Lilith and trying to see which part of her turn woman. She watch her lips and bite down so that they look smaller. She look at her eyes and try to see them with nigger colour. She see her legs that too long, and hear her voice that cracky- cracky like old witch. Lilith did think that turning woman was going to make her smile but instead things was pushing out of her skin without permission. Things growing and won’t stop and pussy blood come and go when it feel like. Some woman did get possess by the Bosi, the spirit that take over people shape and have her do things that the Bible don’t like. The Bosi plump up a woman titty and arse and burn down her voice and tear her in two. Lilith grab herself. Lilith seeing how pickney is the only thing that not be a slave and start to wrap osnaburg cloth tight round her titty so they won’t grow. But her body turn enemy ’pon her. By evening the toughest cloth would ease into the shape of her breast like two clay pot. Not long after that one of the house womens say she should be breeding, just like her mama. \u003cbr\u003e\u003cbr\u003eLilith perplex, for she don’t know what breeding have to do with she. Lilith want to run and skip and jump and whinny like horse. She still want to do them things until she pass by the only nigger who was skipping and jumping and whinnying too. Tantalus the mad nigger. Lilith think that maybe the first thing a woman must learn to do is to stop smile. \u003cbr\u003e\u003cbr\u003eOne more thing happen in Lilith fourteenth year. \u003cbr\u003e\u003cbr\u003eCirce tell the chile to stop call her mama. Lilith did flabbergast but then all of a sudden what Circe say make sense and that flabbergast her more. For Lilith remember the whispers from the womens who wash by the river. They talk ’bout how certain nigger lucky that she don’t work and how she never take to mothering but love the rutting, and about how certain woman barren and certain man nature cut. Lilith come to know the silence that happen when them same big people see that she was listening. Is not like Circe was one to hide anything though. Plenty time Lilith arriving when a man of colour leaving and one time she come home to see a mulatto from Kingston climb off Circe as her bow legs flap up in the air and she yell, Get out of the house you little bitch so big people can be private. \u003cbr\u003e\u003cbr\u003e— What they mean when they say Tantalus nature cut? Lilith ask the same evening, as if sunset was going give her the answer.\u003cbr\u003e\u003cbr\u003e— Who say that?\u003cbr\u003e\u003cbr\u003e— Three womens. They was washing by the river.\u003cbr\u003e\u003cbr\u003e— Three bitches they be. But that mad nigger business is everybody business.\u003cbr\u003e\u003cbr\u003e— What be him business?\u003cbr\u003e\u003cbr\u003e— Next time you pass that naked bastard take a good look for youself.\u003cbr\u003e\u003cbr\u003eYou not too fool, so you must know what man supposed to have. \u003cbr\u003e\u003cbr\u003eJack Wilkins slice it off himself long years ago. That mad son of a bitch used to play with himself and watch the old mistress when she take bath. Wilkins catch the nigger himself. \u003cbr\u003e\u003cbr\u003e— No, Mama— \u003cbr\u003e\u003cbr\u003e— Me warn you not to call me— \u003cbr\u003e\u003cbr\u003e— No, Circe. Me don’t know them things. \u003cbr\u003e\u003cbr\u003e— Eehi. Circe resume to eating sweet potato and goat milk. \u003cbr\u003e\u003cbr\u003e— So you not goin’ ask? \u003cbr\u003e\u003cbr\u003e— Ask? \u003cbr\u003e\u003cbr\u003e— You not goin’ inquire after her? Who you mama be? \u003cbr\u003e\u003cbr\u003e— No. \u003cbr\u003e\u003cbr\u003e— Humph. She was a stupid gal just like you. \u003cbr\u003e\u003cbr\u003e— She dead? \u003cbr\u003e\u003cbr\u003e— Of course she dead, girl like that born fi dead. You take after her, that is for sure. Couldn’t beat it out of you. \u003cbr\u003e\u003cbr\u003e— And Tantalus not me papa? \u003cbr\u003e\u003cbr\u003e— You better ask Tantalus. Couldn’t beat no decency into you, that for sure. \u003cbr\u003e\u003cbr\u003e— Me goin’ be decent just like you, Mama. \u003cbr\u003e\u003cbr\u003e— Circe. \u003cbr\u003e\u003cbr\u003e— Me goin’ be like you. Me goin’ have plenty man come a- callin’ for tuppence. \u003cbr\u003e\u003cbr\u003eCirce jump at her quick but Lilith dash through the door.— You better find someplace for you skinny backside, you hear me! Circe shout and slam the door. Lilith frighten and her heart beating but she also feel good. Wonderful good. One time Lilith try to clean the old armchair and Circe scream to not touch nothing and Lilith get frighten and run. Another time Lilith pick grape for Circe, and she eat a bunch, then throw ’way the rest and say, They spoil, you little wretch. Circe cook for herself and most time forget to cook for Lilith. She wait till the woman fall asleep to thief the last potato sticking in the pot. Lilith hear that white people get governess to hold they pickney and tell them story, but only Tantalus ever do that and he did mad one time, then get back sense and gone mad again. Lilith stomp her foot and sniff hard for her tears to behave. \u003cbr\u003e\u003cbr\u003e— Time you go find man and come out of me house, Circe say. \u003cbr\u003e\u003cbr\u003eMontpelier, like other estate on the east coast, have one white man for every thirty- three negro. White man couldn’t abide by they numbers alone, so they pick out a bunch of niggermens to put them in charge of other slaves. Johnny- jumpers they call them, five to ten in number and they work with whip and on some estate, knife and gun. When a field nigger not keeping up the quota of ground to plough or cane to cut they whip him in the back or punch him in the face or kick him in the balls and tell him work harder ’cause he not no prince regent here. The Johnny- jumpers raid the slave settlement at night like they be pirate, taking the supper that just cook, or if they hungering for a something else, grabbing the daughter or the mother even if her titty lanky and her pussy no good. They do as they please at night for Jack Wilkins the overseer didn’t care. \u003cbr\u003e\u003cbr\u003eIs on a raid that a Johnny- jumper first set eye on Lilith. They shouting and gallivanting but stay wide of Circe hut as they run pass. People know to keep ’way from Circe ever since she tell a niggerman who thief her potato that the potato goin’ know what to do and the very next day a big chunk stick in him throat and choke him to death. But from far off the Johnny- jumpers see Circe house and her open fire and her little girl who was only getting bigger. This was the week before the field niggers was to start reaping the provision grounds while the sugarcane still grow. \u003cbr\u003e\u003cbr\u003e— Soon and very soon you goin’ be taking man, Circe say as she look out the window as they pass, one of them sticking out he tongue at the hut. \u003cbr\u003e\u003cbr\u003e— Taking man where? Lilith say, hearing they footsteps getting weaker and weaker.\u003cbr\u003e\u003cbr\u003e— You go on playin’ fool to catch wise, Circe say. \u003cbr\u003e\u003cbr\u003eBut Lilith plenty scared of the Johnny- jumpers. Even as a little pickney she hear of what they do in the field and more than once when she was little they sack the playground and kick the little boys. Some nights, Lilith hear the screaming and crashing and cussing goin’ on in the slave settlement and wonder if one day they was goin’ get bold and come into Circe hut to slap her and squeeze her breast. One day, when she coming from washing by the river, a Johnny- jumper that she see before, who not even taller than her, shout from across the path that Europa pussy too loose after the young’un so he coming for her. Fear seize Lilith and she run back to the hut, where Circe was getting visit from the overseer Jack Wilkins himself. \u003cbr\u003e\u003cbr\u003eLilith stop. The man regard her but she couldn’t see him face since he didn’t take off him hat. He swallow some more lime and sugarwater and give Circe the glass. Him shirt open and him chest hair white and bushy. Him breeches cream and dirty and loose and he swing a little when he walk right past her, that old man swing. Lilith jump out of the way but the tobacco air reach her. That night Circe laughing when she recalling what he say. \u003cbr\u003e\u003cbr\u003e— What a thing! Seem you free paper burn. And to think of all people, he be the one that burn it. You to report to the field tomorrow morning. Don’t make cock crow and you still in you bed. \u003cbr\u003e\u003cbr\u003eFear jump up and snatch the words out of Lilith mouth the whole night. Everybody know ’bout the life of a field nigger. Before sunrise she hear them— one, two, three hundred foot hitting the ground and rumbling like slow thunder. They used to wake her and scare her so much that she thought they was a militia marching to hell. The slave coffle. The field niggers. Before sunrise they in the field and by moonrise they still working. And when crop time, no nigger leave. Sun burn they black bodies blacker. Ants, mosquito, rat, snake and scorpion bite them in the bush. Womens screaming, No, massa, no whip me no more, and mens screaming as backra chop they two little toe off. She see the slaves when they come back in the evening, tired, crying, limping and bleeding and some that come back in a sack. \u003cbr\u003e\u003cbr\u003eAnd she hear other things too. Of the time in 1785 when they burn a nigger girl alive right in the middle of the cane field and how every year, right before crop time, she scream. And when the overseer chop off another nigger head and stick it on a pole until it rot off. And when they send five slave to the treadmill where them niggers run themself to death. The word was that Jack Wilkins wield the whip and do as he please. He instruct him slave- drivers to do the same and since then a month don’t pass where they don’t kill a nigger and gone to Spanish Town to buy a fresh one. Montpelier have deep pockets and a new nigger always better than a lazy one, Jack Wilkins was known to say. \u003cbr\u003e\u003cbr\u003eThe field was where Jack Wilkins was sending her. \u003cbr\u003e\u003cbr\u003eLilith ’fraid of sleep ’cause tomorrow was goin’ come right after. She think that if she try her hardest to stay awake, then night would be force to stay and tomorrow would never come again. Lilith don’t care if that was little girl thinking and she supposed to be woman now. She hold on to the awakeness for a long time before sleep beat her. The next morning she sick. \u003cbr\u003e\u003cbr\u003eCirce frown, tapping her foot. \u003cbr\u003e\u003cbr\u003eThe girl lying flat on the mat. \u003cbr\u003e\u003cbr\u003e— Me say what sick you? \u003cbr\u003e\u003cbr\u003e— Me, me don’t know. \u003cbr\u003e\u003cbr\u003e— You no know. Then how you know you sick? You belly hurtin’ you? \u003cbr\u003e\u003cbr\u003e— Yes. \u003cbr\u003e\u003cbr\u003e— And you head woozy- woozy? \u003cbr\u003e\u003cbr\u003e— Yes. \u003cbr\u003e\u003cbr\u003e— You feel fat like you goin’ burst? \u003cbr\u003e\u003cbr\u003e— Yes. \u003cbr\u003e\u003cbr\u003e— Then you either with child or you dead. Mayhaps you breeding. Me know you was taking man, you know, you at the time now.\u003cbr\u003e\u003cbr\u003e— No! Is sick me sick. Me can’t feel nothing, and, and, me just weak. Weak bad. \u003cbr\u003e\u003cbr\u003eCirce look at her hard. \u003cbr\u003e\u003cbr\u003e— Well. Make me ask one fool- fool question. You think overseer care if you sick or you well? Answer me direct. You think he care a raas? Unless you sick until you deading, you still have to get you— \u003cbr\u003e\u003cbr\u003e— Then me deading. Circe not one for backtalk. \u003cbr\u003e\u003cbr\u003e— That you goin’ be for sure once the overseer come here. \u003cbr\u003e\u003cbr\u003eCirce step outside. The girl wait a while, then listen if she nearby. She move slow to the door. Circe gone. The fire still going, so she lean over it until her neck and chin well hot and some sweat start to rise out her skin. She raise her arm and let some of the heat work her armpit. But then she drop her left hand too low and near burn herself. Fire catch her skin hair and the room smell like burnin’ goat. She cuss and dip her hand in the bucket and rub it hard, trying to get the smell off. She hear people talking and run back to her mat. Then the abeng shell blow. \u003cbr\u003e\u003cbr\u003eCirce come back. Right behind her was the thin woman who slap her once, the woman called Homer. \u003cbr\u003e\u003cbr\u003e— See it deh she say she sick. Me no want no problem with slavedriver, you know, me no want no problem. You know how backra go on when nigger say she sick and is lazy she lazy. Me no— \u003cbr\u003e\u003cbr\u003e— Quiet, Homer say. \u003cbr\u003e\u003cbr\u003eCirce hiss and go outside. \u003cbr\u003e\u003cbr\u003eHomer stoop down. The girl try to not look too ’fraid. Homer eyes thin and sharp and her cheekbone high. Her lip thin like white woman but dry and chappy. Homer have the longest neck she ever see and smell like mint one moment, lemongrass the next. None of the pickneys ever go near the big great house, not because they forbidden to play near the massa or mistress, but because they all scared of Homer. The girl feeling the same scaredness and shame and she angry that part of her still be little girl who easy to frighten. She want to be tough and hard like Circe or move slow and sure like nothing can bother her. Homer regarding her for long. The girl can’t hold her gazing so she look ’way. Then Homer touch her forehead and feel her neck. The girl hide her left hand but Homer still frown like she smell something foul. Homer touch Lilith neck again and mutter, then get up and go to the doorway. \u003cbr\u003e\u003cbr\u003e— She have the marsh fever. Give her plenty cerasee, but don’t put no molasses in it, she say. \u003cbr\u003e\u003cbr\u003eCirce make a big pot of cerasee tea and give Lilith to drink. Cerasee is the bitterest tea ever make and the girl cough and hack and cry but she didn’t dare spit. Circe regard her again, then say she going to town. She put on her green calico frock and shoes, one of the only negro anywhere with a pair and gone. As soon as she think Circe far away, Lilith go outside and blink at the high sun. She out there a good while, looking if she can see the negroes working from where she be. She step out further and see pickaxe and hoe swinging up in the sky, then down in the ground. Just then a cart come from round back and she jump out of the way. A niggerwoman was cursing and driving and whipping the horse hard. \u003cbr\u003e\u003cbr\u003eLilith go back inside to find a Johnny- jumper waiting for her. \u003cbr\u003e\u003cbr\u003e— Word ’pon de field say you sick. She couldn’t move. The man whip on the floor beside him cutlass. Every time the flame flicker the cutlass blink. \u003cbr\u003e\u003cbr\u003e— Me come over, me meself fi give you de bettering. \u003cbr\u003e\u003cbr\u003e— Me, me mother, she soon come back. \u003cbr\u003e\u003cbr\u003e— You mama who me jus’ pass goin’ to town? Lilith quiet. She think to run through the door but the thought of other Johnny- jumpers coming still her. She try to think like a woman. \u003cbr\u003e\u003cbr\u003e— W . . . what you want from little girl? she say. \u003cbr\u003e\u003cbr\u003e— Who tell you say you little? Penelope have two young’un and she look younger than you. Anyway, since you make me come all the way over yah fide cho- cho me nah run round no more. The Johnny- jumper take off him shirt and pull down him pantaloons. She remember him now, the same boy who say the day before that he was coming for her. She try not to look at how he ready. Plenty man come to Circe hut with it already sticking through they breeches, but they keep them on when Circe tell her to get out. And though that madman Tantalus show him cocky all the time it swing low like lame dog. Lilith thinking ’bout her bush, and how nobody tell her that is man who must decide what happen to it. \u003cbr\u003e\u003cbr\u003e— What you name? she say. \u003cbr\u003e\u003cbr\u003e— Dem call me Paris. You know who Paris be? She don’t answer. \u003cbr\u003e\u003cbr\u003e— Big, big hero. Massa Jack say dat Paris stop the Trojan War. \u003cbr\u003e\u003cbr\u003e— Circe say— \u003cbr\u003e\u003cbr\u003e— Circe already get what she lookin’ for. Me no care ’bout she. Anyway, hear what. Pussy not doin’ me no favour all de way over deh, so get you black arse over yah. \u003cbr\u003e\u003cbr\u003eShe don’t know what to do. The Johnny- jumper on the floor with him hand waking up him cocky. She try to think that she is Circe who choose who she rut. She try to think she is Circe who don’t care when Lilith walk in on her and a free coloured from in town. If she just think ’bout that or anything else. The bat in the ackee tree, the pretty great house that just whitewash, mayhaps when she done","brand":"Riverhead Books","offers":[{"title":"Default Title","offer_id":48338549997797,"sku":"NP9781594484360","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781594484360.jpg?v=1769572646","url":"https:\/\/k12savings.com\/es\/products\/the-book-of-night-women-isbn-9781594484360","provider":"K12savings","version":"1.0","type":"link"}