{"product_id":"the-alchemists-pursuit-isbn-9780441016785","title":"The Alchemist's Pursuit","description":"Hampered by arthritis, Nostradamus is in no mood for granting favors or running about looking for trouble. But when his apprentice Alfeo's mistress asks him to investigate the murder of her beloved courtesan mentor-and promises a fortune in payment-he comes around.\u003cbr\u003e\u003cbr\u003e It appears that someone is murdering the courtesans of Venice. All were well-known, admired for their skills-and somehow connected by a sinister event involving one of the great families of the city.\u003cbr\u003e\u003cbr\u003e While Nostradamus attempts to use the dark arts to solve riddles which confound explanation, Alfeo finds himself led by a possibly demonic force through a maze of deceit and death. And when the master and apprentice come to the end of their intertwined paths, there may be hell to pay.\"One of the best writers in the fantasy world today.\"\u003cbr\u003e -\u003ci\u003eWriters Write\u003c\/i\u003eOriginally from Scotland, Dave Duncan has lived all his adult life in Western Canada, having enjoyed a long career as a petroleum geologist before taking up writing. Since discovering that imaginary worlds are more satisfying than the real one, he has published more than thirty novels, mostly in the fantasy genre, but also young adult, science fiction, and historical. Dave now lives in Victoria, BC.\u003cp\u003eTable of Contents\u003c\/p\u003e\u003cp\u003eTitle Page\u003c\/p\u003e\u003cp\u003eCopyright Page\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eChapter  1\u003c\/p\u003e\u003cp\u003eChapter  2\u003c\/p\u003e\u003cp\u003eChapter  3\u003c\/p\u003e\u003cp\u003eChapter  4\u003c\/p\u003e\u003cp\u003eChapter  5\u003c\/p\u003e\u003cp\u003eChapter  6\u003c\/p\u003e\u003cp\u003eChapter 7\u003c\/p\u003e\u003cp\u003eChapter  8\u003c\/p\u003e\u003cp\u003eChapter 9\u003c\/p\u003e\u003cp\u003eChapter  10\u003c\/p\u003e\u003cp\u003eChapter 11\u003c\/p\u003e\u003cp\u003eChapter  12\u003c\/p\u003e\u003cp\u003eChapter  13\u003c\/p\u003e\u003cp\u003eChapter  14\u003c\/p\u003e\u003cp\u003eChapter  15\u003c\/p\u003e\u003cp\u003eChapter  16\u003c\/p\u003e\u003cp\u003eChapter  17\u003c\/p\u003e\u003cp\u003eChapter 18\u003c\/p\u003e\u003cp\u003eChapter  19\u003c\/p\u003e\u003cp\u003eChapter  20\u003c\/p\u003e\u003cp\u003eChapter  21\u003c\/p\u003e\u003cp\u003eChapter  22\u003c\/p\u003e\u003cp\u003eChapter  23\u003c\/p\u003e\u003cp\u003eChapter  24\u003c\/p\u003e\u003cp\u003eChapter  25\u003c\/p\u003e\u003cp\u003eChapter  26\u003c\/p\u003e\u003cp\u003eChapter  27\u003c\/p\u003e\u003cp\u003eChapter  28\u003c\/p\u003e\u003cp\u003eChapter  29\u003c\/p\u003e\u003cp\u003eChapter  30\u003c\/p\u003e\u003cp\u003eChapter  31\u003c\/p\u003e\u003cp\u003eChapter  32\u003c\/p\u003e\u003cp\u003eChapter  33\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAcknowledgements\u003c\/p\u003e\u003cp\u003eGLOSSARY\u003c\/p\u003e\u003cp\u003ePRAISE FOR The Alchemist’s CODE\u003c\/p\u003e\u003cp\u003e“The even more intriguing sequel to \u003ci\u003eThe Alchemist’s Apprentice\u003c\/i\u003e (2007) is a mystery solved by the clairvoyant and sage Nostradamus and his apprentice, Alfeo Zeno . . . Duncan’s alternate late-Renaissance Venice is wonderfully drawn and quite believable.”—\u003ci\u003eBooklist\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003ePRAISE FOR \u003cbr\u003eThe Alchemist’s APPRENTICE\u003c\/p\u003e\u003cp\u003e“Brimming with wit and low-key charms; neither aficionados nor newcomers will be disappointed.”\u003c\/p\u003e\u003cp\u003e—\u003ci\u003eKirkus Reviews\u003c\/i\u003e (starred review)\u003c\/p\u003e\u003cp\u003e“The occult is a grace note in this cynical whodunit, juicy with period detail.”—\u003ci\u003eEntertainment Weekly\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“This book is fun . . . There’s humor and adventure, mystery and magic, all rolled up in one package . . . \u003ci\u003eThe Alchemist’s Apprentice\u003c\/i\u003e can be enjoyed by both mystery lovers and fantasy fans.”—\u003ci\u003eSFRevu\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“Duncan mingles arch fantasy and a whodunit plot in this alternate version of old Venice . . . Nostradamus and Alfeo’s adventures provide more amusement than chills in this charming farce, which comments lightly on class prejudice, political chicanery, and occult tomfoolery.”—\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“Dave Duncan’s wit shows a distinctive intelligence, a clear-eyed vision that’s both irreverent and astute.”—\u003ci\u003eLocus\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“Duncan’s latest novel launches a new series set in an alternate Venice and filled with the author’s customary touches of humor, light satire, and fast-paced action. [Duncan] shows his mastery of both storytelling and character building.”\u003c\/p\u003e\u003cp\u003e—\u003ci\u003eLibrary Journal\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eAcclaim FOR DAVE Duncan \u003cbr\u003eAND his PREVIOUS WORK\u003c\/p\u003e\u003cp\u003e“Dave Duncan knows how to spin a ripping good yarn.”\u003c\/p\u003e\u003cp\u003e—SF Reviews.net\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“Duncan is an exceedingly finished stylist and a master of world building and characterizations.”—\u003ci\u003eBooklist\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“Dave Duncan is one of the best writers in the fantasy world today. His writing is clear, vibrant, and full of energy. His action scenes are breathtaking, and his skill at characterization is excellent.”—\u003ci\u003eWriters Write\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“Duncan excels at old-fashioned swashbuckling fantasy, maintaining a delicate balance between breathtaking excitement, romance, and high camp in a genre that is easy to overdo.”—\u003ci\u003eRomantic Times\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“Duncan can swashbuckle with the best, but his characters feel more deeply and think more clearly than most, making his novels . . . suitable for a particularly wide readership.”\u003c\/p\u003e\u003cp\u003e—\u003ci\u003ePublishers Weekly\u003c\/i\u003e (starred review)\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“An enormously clever and impressive reshuffle, whether you regard the final twist as a brilliantly contrived sleight or an outrageous swindle: for panache, style, and sheer storytelling audacity, Duncan has few peers.”\u003c\/p\u003e\u003cp\u003e—\u003ci\u003eKirkus Reviews\u003c\/i\u003e (starred review)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAlso by Dave Duncan\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe Alchemist\u003c\/b\u003e  \u003cbr\u003eTHE ALCHEMIST’S APPRENTICE \u003cbr\u003eTHE ALCHEMIST’S CODE \u003cbr\u003eTHE ALCHEMIST’S pursuit\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe Dodec Books\u003c\/b\u003e  \u003cbr\u003eCHILDREN OF CHAOS \u003cbr\u003eMOTHER OF LIES\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eChronicles of the King’s Blades\u003c\/b\u003e  \u003cbr\u003ePARAGON LOST \u003cbr\u003eIMPOSSIBLE Odds \u003cbr\u003eTHE Jaguar knights\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTales of the King’s Blades\u003c\/b\u003e  \u003cbr\u003eTHE GILDED chain \u003cbr\u003eLORD OF THE FIRE lands \u003cbr\u003eSKY OF SWORDS\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eA Man of His Word\u003c\/b\u003e  \u003cbr\u003emagic CASEMENT \u003cbr\u003eFAERY lands FORLORN \u003cbr\u003ePERILOUS SEAS \u003cbr\u003eEMPEROR and CLOWN\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eA Handful of Men\u003c\/b\u003e  \u003cbr\u003eTHE cutting EDGE \u003cbr\u003eupland Outlaws \u003cbr\u003eTHE STRICKEN FIELD \u003cbr\u003eTHE LIVING GOD\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eill MET in THE ARENA\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTHE BERKLEY PUBLISHING GROUP\u003c\/b\u003e  \u003cbr\u003e\u003cb\u003ePublished by the Penguin Group\u003c\/b\u003e  \u003cbr\u003e\u003cb\u003ePenguin Group (USA) Inc.\u003c\/b\u003e  \u003cbr\u003e\u003cb\u003e375 Hudson Street, New York, New York 10014, USA\u003c\/b\u003e  \u003cbr\u003ePenguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada \u003cbr\u003e(a division of Pearson Penguin Canada Inc.) \u003cbr\u003ePenguin Books Ltd., 80 Strand, London WC2R 0RL, England \u003cbr\u003ePenguin Group Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.) \u003cbr\u003ePenguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia \u003cbr\u003e(a division of Pearson Australia Group Pty. Ltd.) \u003cbr\u003ePenguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi—110 017, India \u003cbr\u003ePenguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand \u003cbr\u003e(a division of Pearson New Zealand Ltd.) \u003cbr\u003ePenguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, \u003cbr\u003eSouth Africa\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePenguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis is an original publication of The Berkley Publishing Group.\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003eCopyright © 2009 by Dave Duncan.\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAll rights reserved. \u003cbr\u003eNo part of this book may be reproduced, scanned, or distributed in any printed or electronic form without \u003cbr\u003epermission. Please do not participate in or encourage piracy of copyrighted materials in violation of \u003cbr\u003ethe author’s rights. Purchase only authorized editions. \u003cbr\u003eACE and the “A” design are trademarks of Penguin Group (USA) Inc.\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePRINTING HISTORY \u003cbr\u003eAce trade paperback edition \/ March 2009\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLibrary of Congress Cataloging-in-Publication Data\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eeISBN : 978-1-101-01974-0\u003c\/p\u003e\u003cp\u003e1. Nostradamus, 1503-1566—Fiction. 2. Alchemists—Fiction. 3. Astrologers—Fiction. \u003cbr\u003e4. Courtesans—Crimes against—Fiction. 5. Murder—Investigation—Fiction. 6. Venice \u003cbr\u003e(Italy)—Fiction. I. Title.\u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e \u003cbr\u003ePR9199.3.D847A8 2009 \u003cbr\u003e813’.54—dc22 2008049489\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e \u003cbr\u003e\u003cp\u003e\u003cb\u003e 1\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e T\u003c\/b\u003ehis doesn’t make any sense,” I said. “What use is it?” I saw at once that I had asked a bad question. My master was glaring at me.\u003c\/p\u003e\u003cp\u003eHe had spent all morning instructing me in numerology—gematria, isopsephy, and similar thrilling pastimes. He had quoted from the Kabbalah, Pythagoras, Johannes Trithemius of Sponheim, Hermes Trismegistus, Heinrich Cornelius Agrippa, Saint John the Divine, and his own celebrated uncle, the late Michel de Nostredame, marking critical passages that I was now required to memorize. He had set me a dozen problems to work out in my free time, if I ever got any.\u003c\/p\u003e\u003cp\u003eAnd I had just implied that he had been wasting his time and mine.\u003c\/p\u003e\u003cp\u003eI never know from one hour to the next what he will tell me to do: cast horoscopes, run errands, blend potions, help him with patients, rescue damsels, memorize pages of ancient mumbo jumbo, cast spells, decrypt letters, massage the doge’s lumbosacral musculature, or fight for my life—all in the day’s work. Apprentices do as they are told; they never ask why.\u003c\/p\u003e\u003cp\u003eYesterday it had been sortilege. Today it was numerology. The real problem was the excess of rheum in his hips, which  the current February weather had aggravated until now he was barely able to walk. He had needed help from Bruno, our porter, just to make it out of bed and across the \u003ci\u003esalone\u003c\/i\u003e to his favorite chair in the atelier. There he had refused any breakfast and set out to stuff me with fifteen hundred years of numerology before noon as a way of taking his mind off hurting and growing old. I had run back and forth at his bidding, doing calculations at the desk, fetching musty tomes from the great wall of books, squatting alongside his chair while we went over the texts, word by incomprehensible word. I admit that he never complains of his infirmities, but when they trouble him he complains massively about everything else. I had never known him crabbier than that morning. It was past noon, dinnertime.\u003c\/p\u003e\u003cp\u003e“Sense?” he snarled. “Sense? You mean it does not appear to make sense to \u003ci\u003eyou\u003c\/i\u003e! Do you claim more intelligence than San Zorzi or Pythagoras? Can you concede that smarter or better informed persons might make \u003ci\u003esense\u003c\/i\u003e of it?”\u003c\/p\u003e\u003cp\u003e“Of course, master.”\u003c\/p\u003e\u003cp\u003e“For instance, suppose you explain to me how the doge is elected?”\u003c\/p\u003e\u003cp\u003eDoge? So far as I knew, our prince was still in reasonable health for his age. I had updated his horoscope just a month ago, and it had shown no need to elect Pietro Moro’s successor for several years yet. The way Venice chooses its head of state is certainly madder than any numerology, but I felt the Maestro was playing unfairly by throwing it in my face.\u003c\/p\u003e\u003cp\u003e“The patricians of the Great Council, but only those over thirty years of—”\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThunk . . . thunk . . .\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eSaved! Seldom have I been happier to hear our front door knocker. I rose, relieved to straighten my knees. The Maestro scowled, but greeting visitors is another of my jobs. I went out into the \u003ci\u003esalone\u003c\/i\u003e and opened the big door.\u003c\/p\u003e\u003cp\u003eThe visitor was unfamiliar, wearing a gondolier’s jerkin  and baggy trousers in house colors I did not recognize, but his sullen, resentful expression was all too typical of his trade. He was taller, wider, and older than I.\u003c\/p\u003e\u003cp\u003e“For Doctor Nostradamus,” he said, thrusting a letter at me. That was the name written on the paper, but he wouldn’t know it unless he had been told.\u003c\/p\u003e\u003cp\u003e“I’ll give it to him directly. Wait for the reply.” I shut the door on him and went back into the atelier.\u003c\/p\u003e\u003cp\u003e“Read it,” the Maestro growled impatiently. He is old and shrunken, but that day he seemed more wizened than ever, huddled in his black physician’s robe, clutching a cane in one hand, with another lying nearby, balanced on a column of books. Normally he walks with the aid of a long and elaborately decorated staff, but lately he had been forced into using two canes. He dyes his goatee brown and days of neglect had turned the roots to the same bright silver as the wisps of hair dangling from under his bonnet.\u003c\/p\u003e\u003cp\u003eI broke the wax and unfolded the parchment. “It’s from the manservant of \u003ci\u003esier\u003c\/i\u003e Giovanni Gradenigo, written in an appalling scrawl and signed ‘Battista’ in the same hand. He begs you to attend his master in haste because other doctors have given up hope of his recovery.”\u003c\/p\u003e\u003cp\u003eThe Maestro winced at the thought of going anywhere. “He’s no patient of mine.”\u003c\/p\u003e\u003cp\u003e“No, master. \u003ci\u003eSier\u003c\/i\u003e Lorenzo Gradenigo commissioned a horoscope from you four years ago, but he belongs to another branch of—”\u003c\/p\u003e\u003cp\u003e“I know that! Tell him to call Modestus.”\u003c\/p\u003e\u003cp\u003e“The letter is from the Palazzo Gradenigo. Those Gradenigos are richer than the Pharaohs ever were.”\u003c\/p\u003e\u003cp\u003eThe Maestro winced again, this time at the thought of the fee he was losing. Where money is concerned, if he can’t take it with him he’s not going. His medical practice has dwindled to a few very wealthy or important persons and he rarely gets called out any more, but this attack had him so  crippled that he would be unable even to stand at a patient’s bedside. “Do as I say!”\u003c\/p\u003e\u003cp\u003e“Yes, master.”\u003c\/p\u003e\u003cp\u003eI went over to the desk and penned a quick note, recommending Isaia Modestus of the Ghetto Nuovo as the second-best doctor in Venice. I signed the Maestro’s name to it, sealed it with his signet, and took it out to Surly, who scowled at the  \u003ci\u003esoldo\u003c\/i\u003e I offered him.\u003c\/p\u003e\u003cp\u003e“It’s as much as I ever get,” I told him cheerfully.\u003c\/p\u003e\u003cp\u003e“I can see why.” With that parting sneer, he took the coin and slouched off down the marble staircase. He ought to know by now that the grander a palace is, the worse the chance of a decent tip.\u003c\/p\u003e\u003cp\u003eI locked the door behind him, but I paused outside the atelier because I saw Mama Angeli rolling along the \u003ci\u003esalone\u003c\/i\u003e toward me without a glance at all the magnificent Titian and Tintoretto paintings, the giant statues, and the shining Murano mirrors she was passing. She carried a burping baby on her shoulder, while a squalling toddler staggered in her wake. She has lots more that came from where those came from—and a flourishing herd of grandchildren besides—but she is the finest cook in Venice, and when I say “rolling” I am not exaggerating much.\u003c\/p\u003e\u003cp\u003eShe glowered at me, chins raised in anger. “My \u003ci\u003eFiletti di San Pietro in Salsa d’Arencia\u003c\/i\u003e will be ruined.”\u003c\/p\u003e\u003cp\u003eI groaned and rumbled simultaneously. “The Ten could use you. None of their torturers can touch you for pure sadism. I’ll see what I can do.”\u003c\/p\u003e\u003cp\u003eThat wasn’t much. I got no further than the first syllable of Mama’s name.\u003c\/p\u003e\u003cp\u003e“Sit!” The Maestro jabbed a gnarled finger at the floor by his chair.\u003c\/p\u003e\u003cp\u003e“Yes, master.” Instead of sitting on the floor as suggested, I planted myself on one of the piles of books that stood around his chair. I wasn’t seriously worried that otherwise he  might order me to roll over so he could scratch my tummy, but the thought did occur to me. I would probably have to re-shelve every one of the books before I got any dinner, if I ever did get any dinner. Nostradamus forgets all about food at times. He could outfast a camel.\u003c\/p\u003e\u003cp\u003e“Now,” he said, screwing up his face in a truly hideous grimace, “explain to an ignorant foreign-born how the Venetians elect their doges.”\u003c\/p\u003e\u003cp\u003e“The Great Council starts by drawing lots,” I said. “That’s called sortilege.” Probably almost all the twelve hundred or so eligible patricians will attend for a ducal election, because they happen rarely. “Each one draws a ball out of the pot and thirty of those bear a secret mark.” The Maestro must have been told all this sometime and he never forgets anything. I couldn’t see what it had to do with numerology. Or my dinner.\u003c\/p\u003e\u003cp\u003e“Then they draw lots to reduce the thirty to nine.” I had been hoping to eat quickly and pay a brief but possibly rewarding visit to my adored Violetta, who lives in the house next door, Number 96. She works nights and I work days, so the noon break is our best chance to be together. I had not seen her for three days and was missing her sorely. “Then the nine elect forty. The forty are reduced by lot to—”\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThunk . . . Thunk . . . Thunk . . .\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eI smiled woodenly and went out to see.\u003c\/p\u003e\u003cp\u003eAnd gape. Poised like an alighting angel on the landing outside was the most breathtakingly gorgeous exciting ravishing woman in the entire world. The perfection of her face, the lightning speed of her wit, and the enslaving madness provoked by her peerless body inspire men to pay hundreds of ducats for a night with her. Sometimes more than that. She was, of course, Violetta herself, my beloved, the finest courtesan in Venice.\u003c\/p\u003e\u003cp\u003eVioletta will sometimes provide the Maestro with strategic advice on the wealthy, for it is among them that she spends her  evenings and finds her patrons. I visit her whenever I can; she  \u003ci\u003enever\u003c\/i\u003e comes calling on me.\u003c\/p\u003e\u003cp\u003e“I’m busy,” I whispered. Whatever his other frailties, the Maestro has ears like a bat. I rolled my eyes in the direction of the atelier.\u003c\/p\u003e\u003cp\u003e“It is wonderful to see you again, Alfeo.” Violetta sighed a low-pitched, heart-stopping sigh. She had automatically slid into her Helen-of-Troy persona, which meant that she wanted something; no man can resist Helen. Her voice thrilled like a low note on a cello, and eyelashes fluttered over deep-set eyes promising all the joys of the Prophet’s paradise. “But you mustn’t try to distract me, you lovely man. Later I’ll have lots of time for whatever it is you want. I came to consult Maestro Nostradamus.”\u003c\/p\u003e\u003cp\u003e“Consult? If you need your horoscope cast, I’ll be more than—”\u003c\/p\u003e\u003cp\u003e“No. I want him to find somebody for me.” She extended a hand, and I perforce offered my arm, for she was wearing her platform soles, which make her considerably taller then I am. In February her hair lacked the glorious auburn glow that it gains from summer sunshine, but it was coifed, scented, and bejeweled as if for a state banquet. A pearl necklace and low-cut scarlet gown shone through the open front of a floor-length miniver robe. Altogether, dressing her would have cost a duke’s ransom and taken at least a couple of hours; she rarely opens her eyes before noon.\u003c\/p\u003e\u003cp\u003eI locked the door behind her and escorted her into the atelier. The Maestro was scowling again. There are few people whose company he enjoys at all and he hates to be interrupted, so he ranks unexpected visitors with lice and vipers, even if they bring money with them. Violetta can be an exception because in her Minerva mode she is at least as brilliant as he is, and the idea of an educated woman fascinates him. I hoped she would be a welcome distraction for him in  his present mood; his expression suggested that he thought I had sent for her.\u003c\/p\u003e\u003cp\u003e“Donna Violetta Vitale, master.”\u003c\/p\u003e\u003cp\u003e“I can see that. Send her home and you come right back here.”\u003c\/p\u003e\u003cp\u003eIt was my turn to sigh. I had never known him quite this bad.\u003c\/p\u003e\u003cp\u003e“I trust I find you well, Doctor?” Violetta said, advancing toward him. But that silvery, flutelike voice belonged to Aspasia, her political and cultural mode, and if anyone could outmaneuver Nostradamus, it was she. She bobbed him a curtsey, then made herself comfortable on one of the two green chairs on the far side of the fireplace. I beat a strategic retreat to the desk in the window, where I was out of the Maestro’s sight and could adore Violetta at my leisure. Her eyes are the deep blue of the sea when she is Aspasia. I don’t know how she makes these transformations and neither does she; she claims it is not a conscious choice.\u003c\/p\u003e\u003cp\u003e“I do not recall inviting you to be seated, woman. Who is this person you want me to find?”\u003c\/p\u003e\u003cp\u003eThe city regards Nostradamus as an oracle. All sorts of people come asking \u003ci\u003eWho? Where? When? What?\u003c\/i\u003e and sometimes even \u003ci\u003eHow?\u003c\/i\u003e or \u003ci\u003eWhy?\u003c\/i\u003e questions. Amazingly often, he can answer them, for a price.\u003c\/p\u003e\u003cp\u003e“A murderer.”\u003c\/p\u003e\u003cp\u003eHis mouth shrank to a pinhole and his eyes to slits. “You think I’m a common \u003ci\u003esbirro\u003c\/i\u003e? Any time I have exposed a murderer it has been because I needed to know his identity for some other, more worthy reason.” Not true at all, but he likes to think that unmasking criminals is beneath a philosopher’s dignity. “Talk to the \u003ci\u003eSignori di Notte\u003c\/i\u003e. Or go directly to the Ten.” He dropped his gaze to the book on his lap, believing that he had just ended the conversation.\u003c\/p\u003e\u003cp\u003eViolette lobbed a sympathetic glance across at me, who  must live with this. “You have a wonderful wit, \u003ci\u003elustrissimo\u003c\/i\u003e, or do you really think that the Lords of the Night can catch anything more serious than head colds? This matter will not interest the Council of Ten.”\u003c\/p\u003e\u003cp\u003eAfter a moment Nostradamus looked up, frowning. According to what it would have you believe, the Most Serene Republic is governed by the nobility of the Great Council, who elect one another to dozens of courts, councils, and committees, whose mandates overlap so much that every magistrate has some other magistrate watching over him. Our head of state, the doge, is a mere figurehead who can do nothing without the support of his six counselors. This grotesque muddle is justified as necessary for the preservation of freedom and prevention of tyranny.\u003c\/p\u003e\u003cp\u003eIn practice, the real government is the Council of Ten, whose official mandate is to guard the security of the state, but which meddles in anything it fancies—permissible wages and prices, what clothes may be worn, the way banks operate, so on and on. The Ten certainly include murder within their jurisdiction.\u003c\/p\u003e\u003cp\u003eThe Maestro eyed his visitor angrily. “The name of the victim?”\u003c\/p\u003e\u003cp\u003e“Lucia da Bergamo.”\u003c\/p\u003e\u003cp\u003e“Your relationship to the deceased?”\u003c\/p\u003e\u003cp\u003eVioletta’s smiles normally brighten the room, but this one brought enough pathos to make a songbird weep. “She was my mentor.”\u003c\/p\u003e\u003cp\u003e“She was a . . . courtesan?” That he did not choose one of the word’s many vulgar synonyms I found mildly encouraging.\u003c\/p\u003e\u003cp\u003e“She was.”\u003c\/p\u003e\u003cp\u003e“Dying is a hazard of your trade. Women who earn their bread in bed are always at risk. Why should this one be any different?”\u003c\/p\u003e\u003cp\u003eI spread my hands and shrugged hugely to tell Violetta  that the case was hopeless. In his present mood, the Maestro would not shift himself to investigate a murdered pope, let alone a courtesan.\u003c\/p\u003e\u003cp\u003eShe raised a perfectly shaped eyebrow. “She still had all her clothes on, and also her jewels.”\u003c\/p\u003e\u003cp\u003eThat was certainly unusual, and the Maestro took a moment to respond.\u003c\/p\u003e\u003cp\u003e“When and where did she die?”\u003c\/p\u003e\u003cp\u003e“She was last seen three weeks ago, January fourteenth. Her body was found floating in the lagoon about a week later.”\u003c\/p\u003e\u003cp\u003e“Bah! What the fish left of her body, you mean. It is impossible! No witnesses, of course? No clues or leads? Has her last customer been identified?”\u003c\/p\u003e\u003cp\u003eStony-faced, Violetta said, “I did not hear the news until three days ago, and some of it only this morning. No to all of your questions.”\u003c\/p\u003e\u003cp\u003e“Impossible. Ask the recording angel on Judgment Day.” He bent to his book again.\u003c\/p\u003e\u003cp\u003e“You are the greatest clairvoyant in Europe.”\u003c\/p\u003e\u003cp\u003eHe did not reply.\u003c\/p\u003e\u003cp\u003e“Clairvoyance only reveals the future,” I said softly. “Not the past.”\u003c\/p\u003e\u003cp\u003eVioletta ignored my remark. “Lucia left me everything she had, and I will gladly pay it as a reward for the capture and execution of her killer.”\u003c\/p\u003e\u003cp\u003eThe Maestro raised his head like a hound that has scented its quarry. “And how much is that?”\u003c\/p\u003e\u003cp\u003eVioletta-Aspasia looked close to tears. “Depending on how much the house sells for, the notary told me he thought it would amount to about 1,470 ducats.”\u003c\/p\u003e\u003cp\u003eNostradamus painfully twisted around to stare at me, no doubt wondering if I had stage-managed this conversation. I had no difficulty in looking suitably startled. A courtesan with such a fortune was almost as amazing as another one offering to give it all away. Giorgio, our gondolier, would  need a century to earn that much, because his wages are limited by law to his board and fifteen ducats a year.\u003c\/p\u003e\u003cp\u003eObviously Lucia had been a \u003ci\u003ecortigiana onesta\u003c\/i\u003e like Violetta, an honored courtesan, one who entertains men with her wit and culture. Sex is not the least of her attractions, but it is far from the only one and not necessarily the greatest. Men are drawn to Venice from all over Europe by the beauty and skill of our courtesans. The state permits them to ply their trade and then taxes them exorbitantly.\u003c\/p\u003e\u003cp\u003e“Alfeo!” Nostradamus snapped.\u003c\/p\u003e\u003cp\u003e“Master?”\u003c\/p\u003e\u003cp\u003e“Warn Mama that we have a guest for dinner and tell Bruno I need him.” Although he rarely displays it, Nostradamus does have a sense of humor; sometimes he can even laugh at himself.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e 2\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e T\u003c\/b\u003ehe dining room on the upper floor of Ca’ Barbolano can seat fifty. The Maestro and I dine there in splendor every day, with silver tableware on damask tablecloths under grandiose Burano chandeliers. I dine, he nibbles. The palace belongs to \u003ci\u003esier\u003c\/i\u003e Alvise Barbolano, who is richer than Midas and a similar age. The old man lets the Maestro stay on the top floor rent free in return for some trifling services, including business astrological advice, trading clairvoyance, and effective roach poison. The Barbolanos live below us, on the \u003ci\u003epiano nobile\u003c\/i\u003e. Below that are two mezzanine apartments, occupied by the Marciana brothers and their respective families; they are of the citizen class, partners with \u003ci\u003esier\u003c\/i\u003e  Barbolano in an import-export business.\u003c\/p\u003e\u003cp\u003eI once suggested to the Maestro that he obtain a chair on wheels, but he does not need it while he has Bruno, who is a mute, a little larger than Michelangelo’s \u003ci\u003eDavid\u003c\/i\u003e. He happily lifted Nostradamus, chair and all, and carried him through to the dining room. He loves to be useful.\u003c\/p\u003e","brand":"Ace","offers":[{"title":"Default Title","offer_id":46300083388645,"sku":"NP9780441016785","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780441016785.jpg?v=1767738039","url":"https:\/\/k12savings.com\/es\/products\/the-alchemists-pursuit-isbn-9780441016785","provider":"K12savings","version":"1.0","type":"link"}