{"product_id":"renaissance-poetry-isbn-9780631230106","title":"Renaissance Poetry","description":"This concise collection of Renaissance poetry includes selections from the works of Wyatt, Sidney, Marlow, Shakespeare, Jonson, Donne, Herbert and Milton. \u003cbr\u003e \u003cul\u003e \u003cli style=\"list-style: none\"\u003e\n\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eContains a selection of the most significant Renaissance Poetry.\u003cbr\u003e \u003c\/li\u003e \u003cli\u003ePlaces traditional favourites are alongside less well-known titles, reflecting the ways in which the literary canon has changed in recent years.\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eIncludes a succinct introduction, which gives readers a sense of how poetry developed during the period.\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eIdeal for readers seeking a first introduction to the classic texts of English literature.\u003c\/li\u003e \u003c\/ul\u003e  Series Editor's Preface. \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eAcknowledgements.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1. Edmund Spenser (?1552-99):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eEpithalamion\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eProthalamion\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eThe Faerie Queene.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e1. The bower of Bliss (II. xii.).\u003c\/p\u003e \u003cp\u003e2. The garden of Adonis (III. vi.).\u003c\/p\u003e \u003cp\u003e3. Mutability claims to rule the world (VII. vii.).\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2. Sir Walter Ralegh (?1552-1618):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Nymph's Reply to the Shepherd\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3. Fulke Greville, Lord Brooke (1554-1628):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eCaelica.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eSonnet 69 (‘When all this All doth pass from age to age').\u003c\/p\u003e \u003cp\u003eSonnet 86 (‘The earth with thunder torn, with fire blasted').\u003c\/p\u003e \u003cp\u003eSonnet 99 (‘Down in the depth of mine iniquity').\u003c\/p\u003e \u003cp\u003eSonnet 100 (‘In night when colours all to black are cast').\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4. Sir Philip Sidney (1554-86):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eCertain Sonnets.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eSonnet 31 (‘Thou blind man's mark, thou fool's self-chosen snare').\u003c\/p\u003e \u003cp\u003eSonnet 32 (‘Leave me, O love which reachest but to dust').\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eAstrophil and Stella.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eSonnet 1 (‘Loving in truth, and fain in verse my love to show').\u003c\/p\u003e \u003cp\u003eSonnet 27 (‘Because I oft, in dark abstracted guise').\u003c\/p\u003e \u003cp\u003eSonnet 31 (‘With how sad steps, O moon, thou climb'st the skies!').\u003c\/p\u003e \u003cp\u003eSonnet 34 (‘Come, let me write. And to what end? To ease').\u003c\/p\u003e \u003cp\u003eSonnet 39 (‘Come sleep! O sleep, the certain knot of peace').\u003c\/p\u003e \u003cp\u003eSonnet 45 (‘Stella oft sees the very face of woe').\u003c\/p\u003e \u003cp\u003eSonnet 54 (‘Because I breathe not love to every one').\u003c\/p\u003e \u003cp\u003eSonnet 94 (‘Grief find the words, for thou hast made my brain').\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5. Michael Drayton (1563-1631):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eIdea.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eSonnet 6 (‘How many paltry, foolish, painted things').\u003c\/p\u003e \u003cp\u003eSonnet 13 (‘You're not alone when you are still alone').\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6. Christopher Marlowe (1564-93):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Passionate Shepherd to his Love\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7. William Shakespeare (1564-1616):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eSonnets\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eSonnet 1 (‘From fairest creatures we desire increase').\u003c\/p\u003e \u003cp\u003eSonnet 2 (‘When forty winters shall besiege thy brow').\u003c\/p\u003e \u003cp\u003eSonnet 12 (‘When I do count the clock that tells the time').\u003c\/p\u003e \u003cp\u003eSonnet 18 (‘Shall I compare thee to a summer's day?').\u003c\/p\u003e \u003cp\u003eSonnet 29 (‘When in disgrace with fortune and men's eyes').\u003c\/p\u003e \u003cp\u003eSonnet 30 (‘When to the sessions of sweet silent thought').\u003c\/p\u003e \u003cp\u003eSonnet 55 (‘Not marble, not the gilded monuments').\u003c\/p\u003e \u003cp\u003eSonnet 60 (‘Like as the waves make towards the pebbled shore').\u003c\/p\u003e \u003cp\u003eSonnet 64 (‘When I have seen by Time's fell hand defaced').\u003c\/p\u003e \u003cp\u003eSonnet 71 (‘No longer mourn for me when I am dead').\u003c\/p\u003e \u003cp\u003eSonnet 73 (‘That time of year thou mayst in me behold').\u003c\/p\u003e \u003cp\u003eSonnet 90 (‘Then hate me when thou wilt; if ever, now').\u003c\/p\u003e \u003cp\u003eSonnet 91 (‘Some glory in their birth, some in their skill').\u003c\/p\u003e \u003cp\u003eSonnet 94 (‘They that have power to hurt and will do none').\u003c\/p\u003e \u003cp\u003eSonnet 96 (‘Some say thy fault is youth, some wantonness').\u003c\/p\u003e \u003cp\u003eSonnet 110 (‘Alas,tis true, I have gone here and there').\u003c\/p\u003e \u003cp\u003eSonnet 115 (‘Those lines that I before have writ, do lie').\u003c\/p\u003e \u003cp\u003eSonnet 116 (‘Let me not to the marriage of true minds').\u003c\/p\u003e \u003cp\u003eSonnet 121 (‘Tis better to be vile than vile esteemed').\u003c\/p\u003e \u003cp\u003eSonnet 129 (‘The expense of spirit in a waste of shame').\u003c\/p\u003e \u003cp\u003eSonnet 130 (‘My mistress' eyes are nothing like the sun').\u003c\/p\u003e \u003cp\u003eSonnet 138 (‘When my love swears that she is made of truth').\u003c\/p\u003e \u003cp\u003eSonnet 139 (‘O call me not to justify the wrong').\u003c\/p\u003e \u003cp\u003eSonnet 140 (‘Be wise as thou art cruel, do not press').\u003c\/p\u003e \u003cp\u003eSonnet 141 (‘In faith, I do not love thee with mine eyes').\u003c\/p\u003e \u003cp\u003eSonnet 147 (‘My love is as a fever, longing still').\u003c\/p\u003e \u003cp\u003eSonnet 148 (‘Oh me! What eyes hath Love put in my head').\u003c\/p\u003e \u003cp\u003e\u003cb\u003e8. Thomas Campion (1567-1620):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCherry-Ripe\u003c\/i\u003e (‘There is a garden in her face').\u003c\/p\u003e \u003cp\u003e\u003cb\u003e9. John Donne (1572-1631):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove's Deity\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSong\u003c\/i\u003e (‘Go and catch a falling star').\u003c\/p\u003e \u003cp\u003e\u003ci\u003eWoman's Constancy\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Flea\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Bait\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Will\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Sun Rising\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Computation\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Lecture upon the Shadow\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove's Alchemy\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Ecstasy\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Good-Morrow\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAir and Angels\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Prohibition\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove's Infiniteness\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove's Growth\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Anniversary\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Canonization\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Valediction: Of Weeping\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Valediction: Forbidding Mourning\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Funeral\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Relic\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTwicknam Garden.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Nocturnal upon St Lucy's Day, being the Shortest Day\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo his Mistress Going to Bed\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eHoly Sonnett.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eSonnet 6 (‘Death be not proud, though some have called thee').\u003c\/p\u003e \u003cp\u003eSonnet 10 (‘Batter my heart, three-personed God, for thee').\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGood Friday, 1613. Riding Westward\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Hymn to God the Father\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHymn to God, my God, in my Sickness\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e10. Ben Jonson (?1573-1637):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eEpigrams.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn Court-Worm\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn my First Daughter\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn my First Son\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn Gut\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eThe Forest.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Penshurst\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Sir Robert Wroth\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSong. To Celia\u003c\/i\u003e (‘Drink to me only with thine eyes').\u003c\/p\u003e \u003cp\u003e\u003ci\u003eEpistle. To Katharine, Lady Aubigny\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eUnderwoods.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Celebration of Charis in ten lyric pieces\u003c\/i\u003e (extract).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHer Triumph\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMy Picture, left in Scotland\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAn Epitaph on Master Vincent Corbet\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo the Immortal Memory and Friendship of that Noble Pair, Sir Lucius Cary and Sir H. Morison.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAn Elegy. On the Lady Jane Pawlet, Marchioness of Winton\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eCynthia's Revels.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSlow, slow, fresh fount\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e11. Robert Herrick (1591-1674):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eHesperides.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Argument of his Book\u003c\/i\u003e (‘I sing of brooks, of blossoms, birds, and bowers').\u003c\/p\u003e \u003cp\u003e\u003ci\u003eWhen he would have his Verses Read\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eDelight in Disorder\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo the Virgins, to Make Much of Time\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eUpon Julia's Clothes\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Funeral Rites of the Rose\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Daisies, not to shut so soon\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCherry-Ripe\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHis Cavalier\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Difference betwixt Kings and Subjects\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eKings and Tyrants\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSlavery\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIll Government\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHis Return to London\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e12. Henry King (1592-1669):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Exequy\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e13. George Herbert (1593-1633):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eThe Temple.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Pulley\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eChurch Monuments\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eRedemption\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eNature\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePrayer\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Pilgrimage\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eArtillery\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Collar\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Flower\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e14. John Milton (1608-74):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eL'Allegro\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIl Penseroso\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLycidas\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn the Lord General Fairfax at the Siege of Colchester\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo the Lord General Cromwell\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Sir Henry Vane the Younger\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn the Late Massacre in Piedmont\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn his Blindness\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Cyriack Skinner\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo the Same\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn his Deceased Wife\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e15. Andrew Marvell (1621-78):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Garden\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn a Drop of Dew\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Mower against Gardens\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Coronet\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Dialogue between the Soul and Body\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eBermudas\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Nymph complaining for the Death of her Fawn\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Picture of Little T.C. in a Prospect of Flowers\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo his Coy Mistress\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAn Horatian Ode upon Cromwell's Return from Ireland\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e16. Henry Vaughan (1621-95):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eSilex Scintillans.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Seed growing Secretly\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Night\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Morning Watch\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eRegeneration.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Retreat\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSilence, and stealth of days!\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe World\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eI walked the other day (to spend my hour)\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThey are all gone into the world of light!\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e17. Thomas Traherne (1637-74):.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eEden\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eInnocence\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMy Spirit\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eIndex of titles and first lines.\u003c\/p\u003e \u003cb\u003eDuncan Wu\u003c\/b\u003e is a Fellow of St Catherine's College, Oxford, and University Lecturer in English Literature.  Authors represented in this concise collection of Renaissance poetry include Wyatt, Sidney, Marlow, Shakespeare, Jonson, Donne, Herbert and Milton.\u003cbr\u003e \u003cp\u003eFor further details, downloadable sample material and related titles, visit the Blackwell Essential Literature Website at http:\/\/www.blackwellpublishing.com\/bel\u003c\/p\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47989943206117,"sku":"NP9780631230106","price":27.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780631230106.jpg?v=1761785981","url":"https:\/\/k12savings.com\/es\/products\/renaissance-poetry-isbn-9780631230106","provider":"K12savings","version":"1.0","type":"link"}