{"product_id":"pulitzer-prize-feature-stories-isbn-9780813825458","title":"Pulitzer Prize Feature Stories","description":"As Garlock relates in the preface, “The quality of the research, reporting and writing of these unique features is stunning. No two are written exactly the same way. But they all hold to one constant: strong emotions and content—powerful, touching, frightening, harrowing journalism.” \u003cbr\u003e \u003cp\u003eThe rules for winning a Pulitzer Prize in feature writing are simple, yet demanding: the prize is awarded for “a distinguished example of feature writing giving prime consideration to high literary quality and originality.” For over two decades, the Pulitzer has been given annually to journalists whose work best exemplifies those high ideals.\u003cbr\u003e \u003c\/p\u003e \u003cp\u003eThe second edition of \u003ci\u003ePulitzer Prize Feature Stories: America’s Best Writing\u003c\/i\u003e is an unabridged collection of this award-winning work, now covering 25 years. Editor David Garlock analyzes each story, and readers are given a glimpse at the circumstances surrounding the narrative. Each feature is followed by an insightful analysis by Garlock that probes the tactics the feature writer used in both writing and reporting the work. Journalism students and experienced professional writers will find \u003ci\u003ePulitzer Prize Feature Stories\u003c\/i\u003e an essential compendium of the best feature writing of the last quarter century.\u003c\/p\u003e  Preface. \u003cp\u003e1979 Mrs. Kelly's Monster (Jon Franklin, \u003ci\u003eThe Baltimore Evening Sun\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1980 Zepp's Last Stand (Madeline Blais, \u003ci\u003eThe Miami Herald\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1981 Death of a Playmate (Teresa Carpenter, \u003ci\u003eThe Village Voice\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1982 The Federal Beauracracy (Saul Pett, \u003ci\u003eAssociated Press\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1983 Toxic Shock (Nan Robertson, \u003ci\u003eThe New York Times\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1984 Making It Fly (Peter Rinearson, \u003ci\u003eThe Seattle Times\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1985 A Boy of Unusual Vision (Alice Steinbach, \u003ci\u003eThe Baltimore Sun\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1986 Life on the Land: An American Farm Family (John Camp, \u003ci\u003eSt. Paul Pioneer Press\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1987 How Super Are Our Supercarriers (Steve Twomey, \u003ci\u003eThe Philadelphia Inquirer\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1988. AIDS in the Heartland (Jacqui Banaszynski, \u003ci\u003eSt. Paul Pioneer Press\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1989 Being Black in South America (David Zucchino, \u003ci\u003eThe Philadelphia Inquirer\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1990 Adam \u0026amp; Megan (Dave Curtin, \u003ci\u003eColorado Springs Gazette Telegraph\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1991 A Gift Abandoned (Sheryl James, \u003ci\u003eThe St. Petersburg Times\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1992 Grady's Gift (Howell Raines, \u003ci\u003eThe New York times Magazine\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1993 The Stalking of Kristin (George Lardner Jr., \u003ci\u003eThe Washington Post\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1994 First Born, Fast Grown: The Manful Life of Nicholas, The Mississippi Reclaims Its True Domain Cruel Flood: It Tore at Graves, and at Hearts (Isabel Wilkerson, \u003ci\u003eThe New York Times\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1995 Against All Odds.\u003c\/p\u003e \u003cp\u003eClass Struggle (Ron Suskind, \u003ci\u003eThe Wall Street Journal\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1996 All She Has, $150,000, Is Going to a University.\u003c\/p\u003e \u003cp\u003eTerror in Oklahoma City at Ground Zero.\u003c\/p\u003e \u003cp\u003eWhere Alabama Inmates Fade into Old Age.\u003c\/p\u003e \u003cp\u003eA Killer's Only Confidant: The Man Who Caught Susan Smith.\u003c\/p\u003e \u003cp\u003eAnother Battle of New Orleans: Mardi Gras (Rick Bragg, \u003ci\u003eThe New York Times\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1997 The Umpire's Sons (Lisa Pollak, \u003ci\u003eThe Baltimore Sun\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1998 Angels \u0026amp; Demons (Thomas French, \u003ci\u003eSt. Petersburg Times\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1999 Crime Scene: Beyond the Statistics, A Druggist Confronts the Reality of Robbery (Angelo B. Henderson, \u003ci\u003eWall Street Journal\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e2000 Crossing Over (J. R. Moehringer, \u003ci\u003eLos Angeles Times\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e2001 The Boy Behind The Mask (Tom Hallman, Jr., \u003ci\u003eThe Oregonian\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e2002 A Father's Pain, a Judge's Duty, and a Justice Beyond Their Reach (Barry Siegel, \u003ci\u003eLos Angeles Times\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e2003 Enrique's Journey (Sonia Nazario, \u003ci\u003eLos Angeles Times\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003eAcknowledgments.\u003c\/p\u003e \u003cb\u003eDavid Garlock\u003c\/b\u003e is a Senior Lecturer in Journalism and heads the magazine program in the School of Journalism in the College of Communication at the University of Texas. He’s a frequent speaker around the country on writing and has given numerous workshops for journalists and the public.  \"The quality of the research, reporting and writing of these unique features is stunning. No two are written exactly the same way. But they all hold to one constant: strong emotions and content—powerful, touching, frightening, harrowing journalism.\u003cbr\u003e —David Garlock in the Preface of \u003ci\u003ePulitzer Prize Feature Stories: America's Best Writing, 1979-2003, Second Edition\u003c\/i\u003e \u003cbr\u003e \u003cp\u003eThe second edition of \u003ci\u003ePulitzer Prize Feature Stories: America's Best Writing\u003c\/i\u003e is an unabridged collection of Pulitzer Prize winning work, now covering 25 years. Editor David Garlock analyzes each story, and readers are given a glimpse at the circumstances surrounding the narrative. Each feature is followed by an insightful analysis by Garlock that probes the tactics the feature writer used in both writing and reporting the work. Journalism students and experienced professional writers will find \u003ci\u003ePulitzer Prize Feature Stories\u003c\/i\u003e an essential compendium of the best feature writing of the last quarter century.\u003cbr\u003e \u003c\/p\u003e \u003cp\u003eSelections new to this edition:\u003cbr\u003e \u003c\/p\u003e \u003cul\u003e \u003cli style=\"list-style: none\"\u003e\n\u003cbr\u003e \u003c\/li\u003e \u003cli\u003e1998 — Thomas French,\u003ci\u003eSt. Petersburg Times\u003c\/i\u003e, \"Angels \u0026amp; Demons\"\u003cbr\u003e \u003c\/li\u003e \u003cli\u003e1999 — Angelo B. Henderson, \u003ci\u003eWall Street Journal\u003c\/i\u003e, \"Crime Scene\"\u003cbr\u003e \u003c\/li\u003e \u003cli\u003e2000 — J. R. Moehringer, \u003ci\u003eLos Angeles Times\u003c\/i\u003e, \"Crossing Over\"\u003cbr\u003e \u003c\/li\u003e \u003cli\u003e2001 — Tom Hallman, Jr., \u003ci\u003eThe Oregonian\u003c\/i\u003e, \"The Boy Behind The Mask\"\u003cbr\u003e \u003c\/li\u003e \u003cli\u003e2002 — Barry Siegel, \u003ci\u003eLos Angeles Times\u003c\/i\u003e, \u003ci\u003e\"\u003c\/i\u003eA Father's Pain\"\u003cbr\u003e \u003c\/li\u003e \u003cli\u003e2003 — Sonia Nazario, \u003ci\u003eLos Angeles Times\u003c\/i\u003e, \"Enrique's Journey\"\u003c\/li\u003e \u003c\/ul\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47989889663205,"sku":"NP9780813825458","price":72.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780813825458.jpg?v=1761785807","url":"https:\/\/k12savings.com\/es\/products\/pulitzer-prize-feature-stories-isbn-9780813825458","provider":"K12savings","version":"1.0","type":"link"}