{"product_id":"multispace-isbn-9781394163540","title":"Multispace","description":"\u003cp\u003e\u003cb\u003eGuest-edited by Owen Hopkins\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMultispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office \u003ci\u003eand\u003c\/i\u003e in a meeting with 20 people; when we are cycling down a country lane whilst racing against thousands of others who also use the Strava app; when we are watching a TV show while live tweeting; or, perhaps most literally, when wandering around the local park looking for creatures that only appear on a smartphone screen.\u003c\/p\u003e \u003cp\u003eA fundamental question of this \u003ci\u003eAD \u003c\/i\u003eis why the phenomena that multispace describes are of concern to architects. The answer is that multispace points to a situation that is at root an architectural one. Offering both a collective and highly personalised experience, static and dynamically customisable, and above all at the same time public \u003ci\u003eand\u003c\/i\u003e private, multispace lies at the centre of a set of tensions, concerns and preoccupations at the core of our conception of architecture as theory and practice. It is the messy space between, with rough and uneven edges that are constantly shifting.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eContributors:\u003c\/b\u003e Aleksandra Belitskaja, Alice Bucknell, Jesse Damiani, Wendy Fok, Andrew Kovacs, Lara Lesmes and Fredrik Hellberg, Micaela Mantegna, Holly Nielsen, Giacomo Pala, Paula Strunden, Lucia Tahan, and Francesca Torello and Joshua Bard.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFeatured architects and artists:\u003c\/b\u003e iheartblob, Ibiye Campis, Office Kovacs, Space Popular and Liam Young.\u003c\/p\u003e \u003cp\u003eAbout the Guest-Editor 5\u003cbr\u003e\u003ci\u003eOwen Hopkins\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIntroduction Architects in Multispace 6\u003cbr\u003e\u003ci\u003eOwen Hopkins\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eThe Portal Galleries: Researching Portals in Fiction from the 19th Century to the Present 14\u003cbr\u003e\u003ci\u003eLara Lesmes and Fredrik Hellberg\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eThe Home as an Infinite Screen 22\u003cbr\u003e\u003ci\u003eLucia Tahan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eHidden Infrastructures: From ‘Spy-Hubs’ to Hollow Buildings that Conceal the New Digital 30\u003cbr\u003e\u003ci\u003eWendy W Fok\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eArchitecture in Postreality: Emerging Approaches to Space in Hybrid Realities 38\u003cbr\u003e\u003ci\u003eJesse Damiani\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTouching, Licking, Tasting: Performing Multisensory Spatial Perception Through Extended-Reality Models 48\u003cbr\u003e\u003ci\u003ePaula Strunden\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eMultipurpose Domesticity: Labour, Leisure and Kitchen Tables 56\u003cbr\u003e\u003ci\u003eHolly Nielsen\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eConjunctions: Or, Space as Oxymoron 64\u003cbr\u003e\u003ci\u003eGiacomo Pala\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eCelebrating the Glitch: The Multispatial Work of Ibiye Camp 72\u003cbr\u003e\u003ci\u003eOwen Hopkins\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eArchitecture is Interface: Latent Virtuality from Antiquity to Zoom 78\u003cbr\u003e\u003ci\u003eJoshua Bard and Francesca Torello\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eVery Big Art: Follies, the Public and Multispace 86\u003cbr\u003e\u003ci\u003eAndrew Kovacs\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eWays of Worlding: Building Alternative Futures in Multispace 94\u003cbr\u003e\u003ci\u003eAlice Bucknell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eThe Anti-Metaverse: Multispace and the Intersections of Reality 104\u003cbr\u003e\u003ci\u003eMicaela Mantegna and Marcelo Rinesi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eAll At Once – From Zoom Fatigue to Immersive Digital Experiences: Why Architecture Must Adapt 112\u003cbr\u003e\u003ci\u003eSasha Belitskaja\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eShifting Contexts: Liam Young's Prototypes of Architectural Futures 122\u003cbr\u003e\u003ci\u003eOwen Hopkins\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eFrom Another Perspective – The Haçienda Must Be Built 128\u003cbr\u003e\u003ci\u003eNeil Spiller\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eContributors 134\u003c\/p\u003e \u003cb\u003eOwen Hopkins \u003c\/b\u003eis an architectural writer and curator. He is Director of the Farrell Centre at Newcastle University. Previously he was Senior Curator of Exhibitions and Education at Sir John Soane’s Museum and before that Architecture Programme Curator at the Royal Academy of Arts. He is curator of numerous exhibitions including most recently \u003ci\u003eLanglands \u0026amp; Bell: Degrees of Truth \u003c\/i\u003e(2020). A frequent commentator on architecture in the press, on radio and TV, he is author of seven books, including \u003ci\u003eThe Museum: From its Origins to the 21st Century \u003c\/i\u003e(2021), \u003ci\u003ePostmodern Architecture: Less is a\u003c\/i\u003e \u003ci\u003eBore \u003c\/i\u003e(2020), \u003ci\u003eLost Futures \u003c\/i\u003e(2017), \u003ci\u003eMavericks \u003c\/i\u003e(2016) and \u003ci\u003eFrom the Shadows \u003c\/i\u003e(2015), and editor of a further eight books \/ journal special issues \/ digital publications. He lectures internationally and is a regular guest critic at architecture schools as well as a judge for several architecture awards. \u003cp\u003e\u003cb\u003eGuest-edited by Owen Hopkins\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMultispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office \u003ci\u003eand\u003c\/i\u003e in a meeting with 20 people; when we are cycling down a country lane whilst racing against thousands of others who also use the Strava app; when we are watching a TV show while live tweeting; or, perhaps most literally, when wandering around the local park looking for creatures that only appear on a smartphone screen.\u003c\/p\u003e \u003cp\u003eA fundamental question of this \u003ci\u003eAD \u003c\/i\u003eis why the phenomena that multispace describes are of concern to architects. The answer is that multispace points to a situation that is at root an architectural one. Offering both a collective and highly personalised experience, static and dynamically customisable, and above all at the same time public \u003ci\u003eand\u003c\/i\u003e private, multispace lies at the centre of a set of tensions, concerns and preoccupations at the core of our conception of architecture as theory and practice. It is the messy space between, with rough and uneven edges that are constantly shifting.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eContributors:\u003c\/b\u003e Aleksandra Belitskaja, Alice Bucknell, Jesse Damiani, Wendy Fok, Andrew Kovacs, Lara Lesmes and Fredrik Hellberg, Micaela Mantegna, Holly Nielsen, Giacomo Pala, Paula Strunden, Lucia Tahan, and Francesca Torello and Joshua Bard.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFeatured architects and artists:\u003c\/b\u003e iheartblob, Ibiye Campis, Office Kovacs, Space Popular and Liam Young.\u003c\/p\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":47989663596773,"sku":"NP9781394163540","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781394163540.jpg?v=1761785011","url":"https:\/\/k12savings.com\/es\/products\/multispace-isbn-9781394163540","provider":"K12savings","version":"1.0","type":"link"}