{"product_id":"lead-in-glassy-materials-in-cultural-heritage-isbn-9781789450767","title":"Lead in Glassy Materials in Cultural Heritage","description":"\u003cp\u003eAlthough the development of lead crystal was a major step in the history of glass in the late 17th century, the presence of lead in vitreous matrices (glass and glazes) is much older, dating back to the second millennium BCE.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLead in Glassy Materials in Cultural Heritage\u003c\/i\u003e traces the history of these skills and also looks at the most recent developments in materials science concerning the role played by lead in the properties of glass, including coloring. It develops an understanding of weathering processes and notions of the durability of leaded glass. It also examines public health issues and current recommended standards for the use of lead in industrial glass.\u003c\/p\u003e \u003cp\u003eThis multidisciplinary book is intended for a wide audience: art and technical historians, museum curators, restorers, materials specialists, manufacturers and engineers.\u003c\/p\u003e \u003cp\u003eForeword by Isabelle Pallot-Frossard xv\u003c\/p\u003e \u003cp\u003eForeword by Daniel R Neuville xvii\u003c\/p\u003e \u003cp\u003eIntroduction xix\u003cbr\u003e\u003ci\u003ePatrice LEHUÉDÉ and Anne BOUQUILLON\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 1 Overview and Specific Techniques for the Analysis of Lead Glasses and Glaze 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eChapter 1 Overview 3\u003cbr\u003e\u003ci\u003ePatrice LEHUÉDÉ\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e1.1 Advantages brought by lead 3\u003c\/p\u003e \u003cp\u003e1.2 Difficulties related to the use of lead oxide 14\u003c\/p\u003e \u003cp\u003e1.3 Conclusion 15\u003c\/p\u003e \u003cp\u003e1.4 References 15\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 2 Lead Isotopes for the Study of Ancient Glass 19\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAlicia VAN HAM-MEERT and Patrick DEGRYSE\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2.1 Lead isotope chemistry 19\u003c\/p\u003e \u003cp\u003e2.2 The use of lead isotopes in archaeology 19\u003c\/p\u003e \u003cp\u003e2.3 Lead isotopic analysis of glassy material 21\u003c\/p\u003e \u003cp\u003e2.4 O, Sr, Nd and B isotopes for studying archaeological glass 28\u003c\/p\u003e \u003cp\u003e2.5 Conclusion and future perspectives 30\u003c\/p\u003e \u003cp\u003e2.6 Acknowledgments 31\u003c\/p\u003e \u003cp\u003e2.7 References 31\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 2 Structure of Lead Glasses: Influence on their Properties, Including Color 35\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 3 Structure and Properties of Lead Silicate Glasses 37\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eDaniel CAURANT, Gilles WALLEZ, Odile MAJÉRUS, Gauthier ROISINE and Thibault CHARPENTIER\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3.1 Introduction 37\u003c\/p\u003e \u003cp\u003e3.2 Lead and lead oxides 40\u003c\/p\u003e \u003cp\u003e3.3 Crystal phases and glasses of the SiO2-PbO system 46\u003c\/p\u003e \u003cp\u003e3.4 Glasses of the SiO2-PbO-R2O system (R = Na, K) 72\u003c\/p\u003e \u003cp\u003e3.5 Glasses of the SiO2-PbO-Al2O3 system 76\u003c\/p\u003e \u003cp\u003e3.6 Conclusion 83\u003c\/p\u003e \u003cp\u003e3.7 References 84\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 4 Optical Properties and Coloration of Lead Silicate Glasses 93\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eOdile MAJÉRUS, Adèle MUNOZ-BONGRAND and Daniel CAURANT\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4.1 Physical bases of optical properties and the origins of glass color 94\u003c\/p\u003e \u003cp\u003e4.2 Optical properties and color of transparent SiO2-PbO-M2O glasses 99\u003c\/p\u003e \u003cp\u003e4.3 SiO2-PbO-M2O glasses colored by transition ions 102\u003c\/p\u003e \u003cp\u003e4.4 References 112\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 3 History and Evolution of Lead Glasses 115\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 5 Lead in the Recipes of the Middle Ages and Renaissance 117\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eMarco VERITÀ and Isabelle BIRON\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5.1 The first written sources mentioning the use of lead 117\u003c\/p\u003e \u003cp\u003e5.2 Recipes of translucent and opaque lead glasses from the Middle Ages and Renaissance 118\u003c\/p\u003e \u003cp\u003e5.3 Conclusion 127\u003c\/p\u003e \u003cp\u003e5.4 References 128\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 6 The First Lead Glasses 133\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eBernard GRATUZE\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6.1 Introduction 133\u003c\/p\u003e \u003cp\u003e6.2 Glasses of the Eastern Mediterranean from the second and first millennia BC 135\u003c\/p\u003e \u003cp\u003e6.3 Lead glasses in Asia starting with the second half of the first millennium BC 139\u003c\/p\u003e \u003cp\u003e6.4 Medieval lead glasses in Western Europe 141\u003c\/p\u003e \u003cp\u003e6.5 European lead glasses, from the beginning of the modern period until the invention of crystal glass 145\u003c\/p\u003e \u003cp\u003e6.6 Conclusion 148\u003c\/p\u003e \u003cp\u003e6.7 References 149\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 7 Lead in Glasses: Recent Times 155\u003c\/b\u003e\u003cbr\u003e\u003ci\u003ePatrice LEHUÉDÉ\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7.1 The adventure of lead crystal glass 155\u003c\/p\u003e \u003cp\u003e7.2 New colorants of lead glass 157\u003c\/p\u003e \u003cp\u003e7.3 The new opacifiers 160\u003c\/p\u003e \u003cp\u003e7.4 The new processes of crystal glass decoration 161\u003c\/p\u003e \u003cp\u003e7.5 New glassmaking techniques 164\u003c\/p\u003e \u003cp\u003e7.6 Conclusion 167\u003c\/p\u003e \u003cp\u003e7.7 References 168\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 8 Early Islamic Lead Glass 173\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eNadine SCHIBILLE\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8.1 Introduction 173\u003c\/p\u003e \u003cp\u003e8.2 Islamic lead silica glass (mina) from the Near East 175\u003c\/p\u003e \u003cp\u003e8.3 Lead slag glass from Šaqunda (Córdoba) 184\u003c\/p\u003e \u003cp\u003e8.4 Soda ash lead glass from al-Andalus 186\u003c\/p\u003e \u003cp\u003e8.5 Concluding remarks 191\u003c\/p\u003e \u003cp\u003e8.6 References 192\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 9 Lead in the Enamels of the Middle Ages and Renaissance 199\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eIsabelle BIRON and Marco VERITÀ\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9.1 Limoges champlevé enamels on copper from the Middle Ages 199\u003c\/p\u003e \u003cp\u003e9.2 The so-called Venetian enameled coppers of the Italian Renaissance 204\u003c\/p\u003e \u003cp\u003e9.3 References 211\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 4 History, Implementation and Evolution of Lead Glazes 213\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 10 History of Lead in Ancient Ceramic Materials 215\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAnne BOUQUILLON\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10.1 Introduction 215\u003c\/p\u003e \u003cp\u003e10.2 Properties and implementation of lead glazes 216\u003c\/p\u003e \u003cp\u003e10.3 The first lead glazes 218\u003c\/p\u003e \u003cp\u003e10.4 Dissemination and evolution of the lead glazing technique in the high Antiquity 224\u003c\/p\u003e \u003cp\u003e10.5 Hybridization of lead glazes with other ceramic traditions 229\u003c\/p\u003e \u003cp\u003e10.6 The importance of lead-rich glassy materials in the race for porcelain 231\u003c\/p\u003e \u003cp\u003e10.7 Innovations brought by Islamic potters of eighth to ninth century: the place of lead glassy materials 231\u003c\/p\u003e \u003cp\u003e10.8 Soft-paste porcelains: lead glaze on translucent paste 239\u003c\/p\u003e \u003cp\u003e10.9 Lead-rich vitrified paints 240\u003c\/p\u003e \u003cp\u003e10.10 Conclusion 241\u003c\/p\u003e \u003cp\u003e10.11 References 242\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 11 Paste–Glaze Interaction 249\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eLaurent CORMIER and Marie GODET\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11.1 Context 249\u003c\/p\u003e \u003cp\u003e11.2 Paste–glaze interface 251\u003c\/p\u003e \u003cp\u003e11.3 Factors affecting the paste–glaze interface 252\u003c\/p\u003e \u003cp\u003e11.4 Cross-diffusion of chemical elements 256\u003c\/p\u003e \u003cp\u003e11.5 Morphology of the interface 259\u003c\/p\u003e \u003cp\u003e11.6 Identification of crystalline phases at the interface 260\u003c\/p\u003e \u003cp\u003e11.7 Interface as an indicator of elaboration processes 267\u003c\/p\u003e \u003cp\u003e11.8 Influence of interface on the physical properties 271\u003c\/p\u003e \u003cp\u003e11.9 Conclusion 274\u003c\/p\u003e \u003cp\u003e11.10 References 275\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 12 Weathering of Ancient Lead Glazes 279\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAnne BOUQUILLON\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12.1 Slightly weathered glazes 280\u003c\/p\u003e \u003cp\u003e12.2 Weak iridescences and pinholes 282\u003c\/p\u003e \u003cp\u003e12.3 Advanced weathering in the context of burial 285\u003c\/p\u003e \u003cp\u003e12.4 Protection of lead-glazed weathered objects by sol-gel methods 289\u003c\/p\u003e \u003cp\u003e12.5 Conclusion 291\u003c\/p\u003e \u003cp\u003e12.6 References 292\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 5 Weathering of Lead Glasses and Standards 295\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 13 Lead Leaching in Industrial Crystal Glasses: Role of Chemical Composition, Structure and Surface Treatments 297\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eFrédéric ANGELI, Léa BRUNSWIC, Thibault CHARPENTIER and Stéphane GIN\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13.1 Influence of lead content on crystal glass structure 300\u003c\/p\u003e \u003cp\u003e13.2 Leaching mechanisms of lead glasses 305\u003c\/p\u003e \u003cp\u003e13.3 Industrial surface treatments limiting lead release by crystal glass 322\u003c\/p\u003e \u003cp\u003e13.4 Conclusion 325\u003c\/p\u003e \u003cp\u003e13.5 References 326\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 14 Lead in Glass: Standards and Regulations 331\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eDenis LALART and Xavier CAPILLA\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14.1 Lead uses in glassworks 331\u003c\/p\u003e \u003cp\u003e14.2 Regulations related to lead 333\u003c\/p\u003e \u003cp\u003e14.3 Food contact 336\u003c\/p\u003e \u003cp\u003e14.4 Conclusion 338\u003c\/p\u003e \u003cp\u003e14.5 References 339\u003c\/p\u003e \u003cp\u003eList of Authors 341\u003c\/p\u003e \u003cp\u003eIndex 345\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAnne Bouquillon\u003c\/b\u003e is a research engineer in charge of studies on ceramics and plaster at C2RMF, France. She is editor-in-chief of the journal Techné.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePatrice Lehuédé \u003c\/b\u003eis former head of the Microanalysis Department at Saint-Gobain Recherche, France. He was a research associate at C2RMF from 2007 to 2020.\u003c\/p\u003e","brand":"Wiley-ISTE","offers":[{"title":"Default Title","offer_id":47989514535141,"sku":"NP9781789450767","price":165.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781789450767.jpg?v=1761784413","url":"https:\/\/k12savings.com\/es\/products\/lead-in-glassy-materials-in-cultural-heritage-isbn-9781789450767","provider":"K12savings","version":"1.0","type":"link"}