{"product_id":"internationalizing-cultural-studies-isbn-9780631236245","title":"Internationalizing Cultural Studies","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eInternationalizing Cultural Studies\u003c\/i\u003e is an unprecedented resource that introduces and consolidates cultural studies literature from diverse locales and intellectual traditions.\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eContains forty-four contemporary essays that introduce and pluralize cultural studies work from diverse locales and intellectual traditions\u003c\/li\u003e \u003cli\u003eCovers regions the world over, including Asia, Europe, and Africa\u003c\/li\u003e \u003cli\u003eOrganizes material around key themes such as race and ethnicity, transnationalism, gender and sexual cultures, media production and consumption, urban life, popular practices, techno-cultures, and visual cultures\u003c\/li\u003e \u003cli\u003eIncludes expert introductions from an international panel of editors, and facilitates customization of content for course use\u003c\/li\u003e \u003c\/ul\u003e  Alternative Table of Contents – Speaking Positions. \u003cp\u003eAlternative Table of Contents – Localities.\u003c\/p\u003e \u003cp\u003ePreface: How to Use this Book.\u003c\/p\u003e \u003cp\u003eAcknowledgments.\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003e1. INTRODUCTION.\u003c\/p\u003e \u003cp\u003eAckbar Abbas and John Nguyet Erni.\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART I: TECHNO-CULTURES\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIntroduction\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eJ. Macgregor Wise\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e2. Science as a Reason of State.\u003c\/p\u003e \u003cp\u003eAshis Nandy.\u003c\/p\u003e \u003cp\u003e3. Biotechnological Development and the Conservation of Biodiversity.\u003c\/p\u003e \u003cp\u003eVandana Shiva.\u003c\/p\u003e \u003cp\u003e4. Recycling Modernity: Pirate Electronic Cultures in India.\u003c\/p\u003e \u003cp\u003eRavi Sundaram.\u003c\/p\u003e \u003cp\u003e5. Karaoke in East Asia: Modernization, Japanization, or Asianization?.\u003c\/p\u003e \u003cp\u003eAkiko Otake \u0026amp; Shuhei Hosokawa.\u003c\/p\u003e \u003cp\u003e6. Techno-Being.\u003c\/p\u003e \u003cp\u003eViktor Mazin.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART II: Performance and Culture\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eDella Pollock.\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003e7. Health Theatre in a Hmong Refugee Camp: Performance, Communication and Culture.\u003c\/p\u003e \u003cp\u003eDwight Conquergood.\u003c\/p\u003e \u003cp\u003e8. The Answerability of Memory: ‘Saving’ Khmer Classical Dance.\u003c\/p\u003e \u003cp\u003eJudith Hamera.\u003c\/p\u003e \u003cp\u003e9. The Fool.\u003c\/p\u003e \u003cp\u003eSmadar Lavie.\u003c\/p\u003e \u003cp\u003e10. East Asian Bouquet: Ethnicity and Gender in the Wartime Japanese Revue Theatre.\u003c\/p\u003e \u003cp\u003eJennifer Robertson.\u003c\/p\u003e \u003cp\u003e11. The Theatre of Operations: Performing Nation-ness in the Public Sphere.\u003c\/p\u003e \u003cp\u003eDiana Taylor.\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART III: GENDER AND SEXUALITY\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eCindy Patton.\u003c\/p\u003e \u003cp\u003e12. Frontier City Berlin: The Post War Politics.\u003c\/p\u003e \u003cp\u003eErica Carter.\u003c\/p\u003e \u003cp\u003e13. Gender-Bending in Paradise: Doing ‘Female’ and ‘Male’ in Japan.\u003c\/p\u003e \u003cp\u003eJennifer Robertson.\u003c\/p\u003e \u003cp\u003e14. The Marriage of Feminism and Islamism in Egypt: Selective Repudiation as a Dynamic of Postcolonial Cultural Politics.\u003c\/p\u003e \u003cp\u003eLila Abu-Lughod.\u003c\/p\u003e \u003cp\u003e15. Freeing South Africa: The ‘modernization’ of male-male sexuality in Soweto.\u003c\/p\u003e \u003cp\u003eDonald L. Donham.\u003c\/p\u003e \u003cp\u003e16. Very Close to yinfu and ënu, Or How Prefaces Matter for JPM (1695) and Enu Shu (Taipei, 1995).\u003c\/p\u003e \u003cp\u003eDing Naifei.\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART IV: MEDIA PRODUCTION AND CONSUMPTION\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eToby Miller.\u003c\/p\u003e \u003cp\u003e17. Hizballah’s Virtual Civil Society.\u003c\/p\u003e \u003cp\u003eJanine Abboushi Dallal.\u003c\/p\u003e \u003cp\u003e18. Towards a Semiotic Inquiry into the Television Message.\u003c\/p\u003e \u003cp\u003eUmberto Eco.\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003e19. Looking for My Penis: The Eroticized Asian in Gay Video Porn.\u003c\/p\u003e \u003cp\u003eRichard Fung.\u003c\/p\u003e \u003cp\u003e20. From the Public to the Private: The ‘Americanization’ of Spectators.\u003c\/p\u003e \u003cp\u003eNéstor García-Canclini.\u003c\/p\u003e \u003cp\u003e21. Embedded Aesthetics: Creating a Discursive Space for Indigenous Media.\u003c\/p\u003e \u003cp\u003eFaye Ginsburg.\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART V: POPULAR PRACTICES\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eJohn Nguyet Erni.\u003c\/p\u003e \u003cp\u003e22. The World of the Yoruba Taxi Driver: An Interpretative Approach to Vehicle Slogans.\u003c\/p\u003e \u003cp\u003eOlatunde Bayo Lawuyi.\u003c\/p\u003e \u003cp\u003e23. Doing Verbal Play: Creative Work of Cantonese Working Class Schoolboys in Hong Kong.\u003c\/p\u003e \u003cp\u003eAngel Lin.\u003c\/p\u003e \u003cp\u003e24. Love Letters and Amanuenses: Beginning the Cultural History of the Working Class Private Sphere in Southern Africa, 1900-1933.\u003c\/p\u003e \u003cp\u003eKeith Breckenridge.\u003c\/p\u003e \u003cp\u003e25. Live Life More Selfishly: An On-line Gay Advice Column in Japan.\u003c\/p\u003e \u003cp\u003eMark McLelland.\u003c\/p\u003e \u003cp\u003e26. African Cuisines: Recipes for Nation-Building?.\u003c\/p\u003e \u003cp\u003eIgor Cusack.\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART VI: RACE, ETHNICITY AND NATION\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eWimal Dissanayake.\u003c\/p\u003e \u003cp\u003e27. Racisms.\u003c\/p\u003e \u003cp\u003eKwame Anthony Appiah.\u003c\/p\u003e \u003cp\u003e28. Race and Social Theory.\u003c\/p\u003e \u003cp\u003eCornel West.\u003c\/p\u003e \u003cp\u003e29. The End of Anti-racism.\u003c\/p\u003e \u003cp\u003ePaul Gilroy.\u003c\/p\u003e \u003cp\u003e30. Whose Imagined Communities?.\u003c\/p\u003e \u003cp\u003ePartha Chatterjee.\u003c\/p\u003e \u003cp\u003e31. Patriotism and Its Futures.\u003c\/p\u003e \u003cp\u003eArjun Appadurai.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART VII: VISUAL CULTURES\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eDominic Pettman.\u003c\/p\u003e \u003cp\u003e32. Visual Culture and the Place of Modernity.\u003c\/p\u003e \u003cp\u003eSudeep Dasgupta.\u003c\/p\u003e \u003cp\u003e33. Popular Culture on a Global Scale: A Challenge for Cultural Studies?.\u003c\/p\u003e \u003cp\u003eSimon During.\u003c\/p\u003e \u003cp\u003e34. The Abject Artefacts of Memory: The 1997 Museum of Modern Art New York Exhibition of Photographs from Cambodia’s Genocide.\u003c\/p\u003e \u003cp\u003eRachel Hughes.\u003c\/p\u003e \u003cp\u003e35. Sex Machine: Global Hypermasculinity and Images of the Asian Woman in Modernity.\u003c\/p\u003e \u003cp\u003eL. H. M. Ling.\u003c\/p\u003e \u003cp\u003e36. De-Eurocentrizing Cultural Studies: Some Proposals.\u003c\/p\u003e \u003cp\u003eRobert Stam \u0026amp; Ella Shohat.\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART VIII: GLOBAL DIASPORAS\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003ePing-hui Liao.\u003c\/p\u003e \u003cp\u003e37. Exodus.\u003c\/p\u003e \u003cp\u003eBenedict Anderson.\u003c\/p\u003e \u003cp\u003e38. Diaspora.\u003c\/p\u003e \u003cp\u003eJames Clifford.\u003c\/p\u003e \u003cp\u003e39. Out Here and Over There: Queerness and Diaspora in Asian American Studies.\u003c\/p\u003e \u003cp\u003eDavid Eng.\u003c\/p\u003e \u003cp\u003e40. Situating Accented Cinema.\u003c\/p\u003e \u003cp\u003eHamid Nacify.\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART IX: CITIES AND THE URBAN IMAGINARY\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eAckbar Abbas.\u003c\/p\u003e \u003cp\u003e41. Cultural Intersections: Re-visioning Architecture and the City in the Twentieth Century.\u003c\/p\u003e \u003cp\u003eZeynep Çelik.\u003c\/p\u003e \u003cp\u003e42. Grassrooting the Space of Flows.\u003c\/p\u003e \u003cp\u003eManuel Castells.\u003c\/p\u003e \u003cp\u003e43. The Generic City.\u003c\/p\u003e \u003cp\u003eRem Koolhaas.\u003c\/p\u003e \u003cp\u003e44. Scene X: The Development of the X-Urban City.\u003c\/p\u003e \u003cp\u003eMario Gandelsonas.\u003c\/p\u003e \u003cp\u003e45. On the Political Economy of the Fake.\u003c\/p\u003e \u003cp\u003eZiauddin Sardar\u003c\/p\u003e  \u003ci\u003e“This book is an important step forward for cultural studies. It is a significant effort to re-present cultural studies as a truly international endeavor. With its coverage of cultural studies’ enormous geographical diversity, and the range of its speaking positions, it will hopefully reshape the ways we think about and teach cultural studies.”\u003c\/i\u003e \u003cb\u003eLawrence Grossberg, University of North Carolina at Chapel Hill\u003c\/b\u003e\u003cbr\u003e \u003cp\u003e\u003ci\u003e\"A-List authors and impressive analysis. This major collection captures the international scope and ambition of cultural studies and alerts us to vital new directions in the field. A must-have book.\"\u003c\/i\u003e -- \u003cb\u003eJohn Hartley\u003ci\u003e,\u003c\/i\u003e Queensland University of Technology\u003c\/b\u003e\u003cbr\u003e \u003c\/p\u003e \u003cp\u003e\u003ci\u003e\"\u003c\/i\u003eInternationalizing Cultural Studies \u003ci\u003eis a big, rich, innovative book: conceptually capacious, methodologically diverse, multiple in sites, sophisticated in linkages, well-organized for use, it just calls out for pedagogical application at those global\/local pressure points where critical theory gets tested and transformed. This is a powerful work de-centering the global, agitating the local. Drawing on a far-flung trans-disciplinary team, Abbas and Erni have collated exemplary work, highlighted emergent tactics, sites, and paradigm shifts in a beautiful collection that will help frame debates, topics, methods and new trajectories of field-formation in the coming years and across various institutional and disciplinary frameworks\u003c\/i\u003e.\" -- \u003cb\u003eRob Wilson, University of California at Santa Cruz\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAckbar Abbas\u003c\/b\u003e is Professor of Comparative Literature at the University of Hong Kong.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eJohn Nguyet Erni\u003c\/b\u003e is Associate Professor of Media and Cultural Studies and Coordinator of Graduate Studies in the Department of English and Communication, City University of Hong Kong.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eInternationalizing Cultural Studies\u003c\/i\u003e is an unprecedented resource that introduces and consolidates existing key and important writings in cultural studies literature from different regions of the world. The editors have designed the readings to challenge practitioners in the West and beyond to redefine cultural studies as a truly global movement.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eContains 44 contemporary essays that introduce diverse intellectual traditions of cultural studies\u003c\/li\u003e \u003cli\u003eIncludes lively and accessible introductions from an international panel of expert editors\u003c\/li\u003e \u003cli\u003eFeatures worldwide coverage, including Asia, Europe, and Africa\u003c\/li\u003e \u003cli\u003eOrganizes material around key themes to aid disciplinary discussion – including race and ethnicity, transnationalism, gender and sexual cultures, media production and consumption, urban life, popular practices, technocultures, and visual cultures\u003c\/li\u003e \u003cli\u003eOffers shape – for the first time in one volume – to this complex and diverse field\u003c\/li\u003e \u003c\/ul\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47989450408165,"sku":"NP9780631236245","price":51.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780631236245.jpg?v=1761784147","url":"https:\/\/k12savings.com\/es\/products\/internationalizing-cultural-studies-isbn-9780631236245","provider":"K12savings","version":"1.0","type":"link"}