{"product_id":"hollywood-film-1963-1976-isbn-9781405188289","title":"Hollywood Film 1963-1976","description":"\u003ci\u003eHollywood 1963-1976\u003c\/i\u003e chronicles the upheaval and innovation that took place in the American film industry during an era of pervasive cultural tumult. Exploring the many ideologies embraced by an increasingly diverse Hollywood, Casper offers a comprehensive canon, covering the period's classics as well as its brilliant but overlooked masterpieces.  \u003cul\u003e \u003cli\u003eA broad overview and analysis of one of American film's most important and innovative periods\u003c\/li\u003e \u003cli\u003eOffers a new, more expansive take on the accepted canon of the era\u003c\/li\u003e \u003cli\u003eIncludes films expressing ideologies contrary to the misremembered leftist slant\u003c\/li\u003e \u003cli\u003eExplores and fully contextualizes the dominant genres of the 60s and 70s\u003c\/li\u003e \u003c\/ul\u003e  Acknowledgments.  \u003cp\u003eList of Illustrations.\u003c\/p\u003e \u003cp\u003eForeword\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I:\u003c\/b\u003e \u003cb\u003eCultural Overview: The Years of Revolution and Reaction, 1963–76:\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1. Major Historical Events.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCivil Rights Legislation and Protests.\u003c\/p\u003e \u003cp\u003eThe Vietnam War.\u003c\/p\u003e \u003cp\u003eLaw and Order.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eRealpolitik.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2. Economic Situation.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eExpanse and Contraction.\u003c\/p\u003e \u003cp\u003eDownturn.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3. Societal Issues.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe New Left, the Counterculture, Neo-Conservatism, and the Silent Majority.\u003c\/p\u003e \u003cp\u003eEcology, Good Health, and Fitness.\u003c\/p\u003e \u003cp\u003eScientific\/Technological Advances.\u003c\/p\u003e \u003cp\u003eConglomerate Ascendancy.\u003c\/p\u003e \u003cp\u003eMedia Society.\u003c\/p\u003e \u003cp\u003eCrime.\u003c\/p\u003e \u003cp\u003eReligion.\u003c\/p\u003e \u003cp\u003eA Sense of Confusion, Impotence, and Cynicism, and a Wave of Nostalgia.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II: Business:\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4. Production–Distribution.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eShowmen, Caretakers, and Conglomerates.\u003c\/p\u003e \u003cp\u003eThe Practices of the Seven Major Studios: Lesser Movies, Higher Costs, Independent\/Runaway Production, Sources, Stars, Sequels\/Series, Mainstreaming Exploitation, “The Big Kill,” “The Youth Movie,” “A Film By,” Diversification.\u003c\/p\u003e \u003cp\u003eCompetition: Minor and New Studios.\u003c\/p\u003e \u003cp\u003eThe Financial Bloodbath.\u003c\/p\u003e \u003cp\u003eAdditional Practices: Downsizing, Negative Pickup, Co-Production\/Distribution, Tax Breaks\/Shelters.\u003c\/p\u003e \u003cp\u003eStill Other Gambits: The Nostalgic Wave and The “Special Event” Movie.\u003c\/p\u003e \u003cp\u003eDistribution.\u003c\/p\u003e \u003cp\u003eBlack Groundswell.\u003c\/p\u003e \u003cp\u003eAcademy Awards.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5. Exhibition and the New Audience.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eExhibition.\u003c\/p\u003e \u003cp\u003eThe New Audience.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III: Technology:\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6. Color, Screen Shapes, Sound, Special Effects, and Production Refinements.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eColor.\u003c\/p\u003e \u003cp\u003eScreen Shapes.\u003c\/p\u003e \u003cp\u003eSound.\u003c\/p\u003e \u003cp\u003eSpecial Effects.\u003c\/p\u003e \u003cp\u003eProduction Refinements.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV: Style:.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7. Documentary and Documentary Realism.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e8. TV and TV Theatrical.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e9. Modernism, TV Programming\/Commercials, the Avant-Garde, and Expressive Stylization\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eLiterary Design.\u003c\/p\u003e \u003cp\u003ePerformance.\u003c\/p\u003e \u003cp\u003eVisual Design.\u003c\/p\u003e \u003cp\u003eComposition.\u003c\/p\u003e \u003cp\u003eTemporal Design.\u003c\/p\u003e \u003cp\u003eSound Design.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V: Censorship:.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e10. Issues, Solutions, and Problems.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSubsidiary Syndrome.\u003c\/p\u003e \u003cp\u003eTwo-Version Ploy.\u003c\/p\u003e \u003cp\u003eDilemma: \u003ci\u003eThe Pawnbroker\u003c\/i\u003e (AA, 1965).\u003c\/p\u003e \u003cp\u003eTurning Point: \u003ci\u003eWho’s Afraid of Virginia Woolf?\u003c\/i\u003e (WB, 1966).\u003c\/p\u003e \u003cp\u003eThe 1966 Production Code Guidelines and the “SMA” Category.\u003c\/p\u003e \u003cp\u003eRatings System.\u003c\/p\u003e \u003cp\u003eEnlightenment of the Legion of Decency.\u003c\/p\u003e \u003cp\u003eDivorce: Hollywood and the Church.\u003c\/p\u003e \u003cp\u003eCity\/State Censorship and the Liberalization of the Supreme Court.\u003c\/p\u003e \u003cp\u003eCity\/State Censorship vs. Hollywood.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VI: Genre:.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e11. Adventure.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e12. Biography.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e13. Historical Spectacle.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e14. Comedy.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eBlack Comedy.\u003c\/p\u003e \u003cp\u003eFarce.\u003c\/p\u003e \u003cp\u003eParody.\u003c\/p\u003e \u003cp\u003eSocial Satire.\u003c\/p\u003e \u003cp\u003eRomantic Comedy.\u003c\/p\u003e \u003cp\u003eFamily Comedy.\u003c\/p\u003e \u003cp\u003eFantasy Comedy.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e15. Horror and Science Fiction.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eHorror.\u003c\/p\u003e \u003cp\u003eScience Fiction.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e16. Melodrama.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFamily Melodrama.\u003c\/p\u003e \u003cp\u003eRoad Film and Biker Film.\u003c\/p\u003e \u003cp\u003eFemale Melodrama.\u003c\/p\u003e \u003cp\u003eMale Melodrama.\u003c\/p\u003e \u003cp\u003eRomance Melodrama.\u003c\/p\u003e \u003cp\u003eBuddy Film.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e17. Musical.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMusical Comedy and Musical Drama.\u003c\/p\u003e \u003cp\u003eMusical Biography.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e18. Social Problem Film and Courtroom Drama.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSocial Problem Film.\u003c\/p\u003e \u003cp\u003eCourtroom Drama\u003c\/p\u003e \u003cp\u003e\u003cb\u003e19. Suspense Thriller.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSpy Thriller: WWII\/Cold War.\u003c\/p\u003e \u003cp\u003eCrime.\u003c\/p\u003e \u003cp\u003eVigilante.\u003c\/p\u003e \u003cp\u003eCaper.\u003c\/p\u003e \u003cp\u003eConspiracy.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e20. War\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e21. Western.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCoda: Postmodern Hollywood, 1977.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAppendix: Hierarchical Order of Ten Box-Office Stars, 1963–76.\u003c\/p\u003e \u003cp\u003eBibliography.\u003c\/p\u003e \u003cp\u003eIndex.\u003c\/p\u003e \"I highly recommend this book to any film student or person interested in Hollywood films of the 60s and 70s. This text will definitely become a go-to reference as I continue my studies..\" (Breitbart.com, 2011) \u003cp\u003e\u003cb\u003eDrew Casper\u003c\/b\u003e is the Alma and Alfred Hitchcock Chair of American Film at the University of Southern California's School of Cinematic Arts. He is the author of \u003ci\u003ePostwar Hollywood, 1946-1962\u003c\/i\u003e (Blackwell, 2007), \u003ci\u003eIntroduction to Film Reader\u003c\/i\u003e (2007), \u003ci\u003eStanley Donen\u003c\/i\u003e (1983), and \u003ci\u003eVincente Minnelli and the Film Musical\u003c\/i\u003e (1977). He has contributed on many DVD commentaries for documentaries of classic and contemporary Hollywood films.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHollywood 1963-1976: Years of Revolution and Reaction\u003c\/i\u003e is a comprehensive study of one of the most tumultuous eras in American film, chronicling the collapse of the studio system, the rise of the auteur, and the birth of the blockbuster. Drew Casper's maximalist review draws wide and varied examples from an expanded canon to discuss technological innovations, changing standards of censorship, and the broad spectrum of ideologies that found their way onto the reel, mirroring the nation's own divided and frequently schizophrenic politics.\u003c\/p\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47989367472357,"sku":"NP9781405188289","price":42.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781405188289.jpg?v=1761783838","url":"https:\/\/k12savings.com\/es\/products\/hollywood-film-1963-1976-isbn-9781405188289","provider":"K12savings","version":"1.0","type":"link"}