{"product_id":"everything-she-thought-she-wanted-isbn-9780143037002","title":"Everything She Thought She Wanted","description":"Elizabeth Buchan’s beloved bestsellers, \u003cb\u003eRevenge of the Middle-Aged Woman\u003c\/b\u003e and \u003cb\u003eThe Good Wife Strikes Back\u003c\/b\u003e, have made her an icon of upmarket women’s fiction. Taking her characteristic wit and emotional resonance to a new level, her latest novel focuses on two lives separated by forty years of history. In 1959, a forty-something married mother finds herself immersed in a surprisingly passionate affair with a younger man, while in the present, a professional woman faces a daunting choice between her blossoming career and her husband’s desire for children. Mirroring each other in surprising ways, these twin stories offer a deliciously readable funny and moving look at the battle of the sexes across time—and deliver another smart, nuanced novel for Elizabeth Buchan’s growing fans.\"Honestly explores the difficulties of marriage . . . while at the same time depicting the difficult moments of motherhood along with the quiet joys.” —\u003cb\u003eThe Washington Post\u003c\/b\u003e\u003cp\u003e\"We all have secret pleasures. For this reader, English author Elizabeth Buchan spells delight. What makes Buchan such a joy to read is her ability to take familiar material and probe it for new insights. For well-done domestic drama, there's only one writer for this reader: Elizabeth Buchan.\" —\u003cb\u003eDierdre Donahue\u003c\/b\u003e, \u003cb\u003eUSA Today\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003eElizabeth Buchan is the author of several highly acclaimed and bestselling books of fiction, including the bestselling \u003cb\u003eRevenge of the Middle-Aged Woman\u003c\/b\u003e, \u003cb\u003eThe Good Wife Strikes Back\u003c\/b\u003e, \u003cb\u003eEverything She Thought She Wanted\u003c\/b\u003e, and \u003cb\u003eConsider the Lily\u003c\/b\u003e.Chapter Two:\u003cp\u003eSiena\u003c\/p\u003e\u003cp\u003eI must have fallen asleep, for I found myself watching a dream television documentary about Bill and Lola's orchard. It had been transformed into an industrial factory field, patrolled by machine dragons. I was busy writing out headings in my notebook. Under 'Birdsong', I entered 'None'. Under 'Butterflies', 'None'. I added: 'No scutter of life in the grasses.; When I looked up at the trees they were hung with tidy, obedient, brightly coloured same-sized apples.\u003c\/p\u003e\u003cp\u003eConfused, I woke up, rolled across to Charlie and slid my arm, oh, so gently, round his waist. Instantly I knew he was awake. 'I think I was having a nightmare about GM apples,' I said. 'They all looked the same.'\u003c\/p\u003e\u003cp\u003eSilence.\u003c\/p\u003e\u003cp\u003e'America's my big chance,' I said quietly. 'I might never get another. It will only be a one-off.'\u003c\/p\u003e\u003cp\u003e'If it works,' Charlie murmured, 'it will not be a one-off.'\u003c\/p\u003e\u003cp\u003eA girl may dream. First series, third series...tenth series. Club and first class, weekends in the Hamptons, interesting people, interesting ideas, a new look at a different set-up...So many possibilities were scrambling to take up residence in my head. 'It's difficult to turn down such an offer.'\u003c\/p\u003e\u003cp\u003e'Yup,' he agreed, with the same controlled articulation, but he was not agreeing.\u003c\/p\u003e\u003cp\u003e'You wouldn't pass it up.'\u003c\/p\u003e\u003cp\u003e'OK, Siena,' he said quietly. 'How do we resolve this?'\u003c\/p\u003e\u003cp\u003eMore silence.\u003c\/p\u003e\u003cp\u003eCharlie has learnt the art of holding silence in court, silences filled with more meaning than any words, but I was not so good at them.\u003c\/p\u003e\u003cp\u003e'When do we have children, Siena, when do you think?'\u003c\/p\u003e\u003cp\u003e'Charlie, as soon as there's a gap in my schedule, then we can have a try. I'm so sorry but a book, an idea, a programme, a project, has come up...The magazine wants a weekly column, not a monthly...I must concentrate on that.'\u003c\/p\u003e\u003cp\u003e'Siena, time is ticking past...'\u003c\/p\u003e\u003cp\u003e'I promise to think about it.'\u003c\/p\u003e\u003cp\u003eDid he believe me? Probably not, for I had ducked and woven so often through the aforementioned thickets.\u003c\/p\u003e\u003cp\u003eCharlie sat up in bed and switched on the light. He cupped my cheek in his hand. 'Do you mind me pointing out that you will be thirty-six next birthday?'\u003c\/p\u003e\u003cp\u003e'Ouch.'\u003c\/p\u003e\u003cp\u003eHe reached for the glass by the bed and took a sip. I imagined the water trickling down his throat to a stomach churned by our late-night conversation.\u003c\/p\u003e\u003cp\u003e'Charlie, I don’t want to lose all the ground I've made.'\u003c\/p\u003e\u003cp\u003e'But you'll gain,' he said, and stroked my cheek. 'You'll be a beautiful, wonderful mother.'\u003c\/p\u003e\u003cp\u003eA flicker of impatience shocked me. That kind of thing was so easy to say — and took no account of my instinctive cowardice. I drew a deep breath. 'I'm frightened, Charlie.'\u003c\/p\u003e\u003cp\u003e'But I'm here.' He put down the glass and sent me a grin: so wry, it was almost bitter, definitely mocking and...boyish. Like the son he craved. All I wanted was to make Charlie happy, which seemed simple enough. Except that it wasn't.\u003c\/p\u003e\u003cp\u003eHe bent over me, trying for the hundredth time to find out what held me back, trying to understand. 'Do you know what I think, Siena?'\u003c\/p\u003e\u003cp\u003e'You're going to tell me.'\u003c\/p\u003e\u003cp\u003e'I think men are the new women. It's one of the by-products and ironies of feminism.'\u003c\/p\u003e\u003cp\u003eJoke.\u003c\/p\u003e\u003cp\u003eMy hand trembled a little as I turned off the light. The bedroom was plunged into darkness. Charlie touched my thigh. 'Consider...' (Whenever Charlie said, 'Consider,' I had a mental picture of him in his gown and wig, leaning on the court lectern with his bundle of documents, each significant step in the argument marked with a different-coloured Post-it.) '...you want to be at the top of your profession. I want a happy marriage and two point four children sitting at a table eating bowls of cereal, a drawer stuffed with drying-up cloths and a cat sleeping on the boiler. So I must be a new woman.'\u003c\/p\u003e\u003cp\u003eJay, my first husband, had been a great one for not putting things off. He did not put off marrying me — 'Why wait, honey?' — neither did he put off divorcing me — 'Why wait, Siena ?' He had a point: he lived by the principle that all of us could go under a bus within the hour. He did not take note of the cool transition before dawn, or the ambiguous dusk in the evening. With Jay, it was either night or day. Charlie was so much cleverer, more subtle, infinitely more embracing of the nuances of mind and spirit.\u003c\/p\u003e\u003cp\u003eI was too upset by our conversation to sleep, which had happened a lot lately. The result was dark circles under the eyes and a wholesale application of Touche Éclat (NB: no girl should be without it).\u003c\/p\u003e\u003cp\u003eThe dark was not the soft velvet Guinness black as it sometimes was, but jet ink. Experience had taught me that I would have to wait patiently, with burning eyes, until dawn diluted it to grey.\u003c\/p\u003e\u003cp\u003e'Time is running out.' Charlie’s voice, by my ear, startled me. 'It is...' He was placing his lawyer's finger on my 'thirty-five (but nearly thirty-six) which is twenty-five, these days, really' condition.\u003c\/p\u003e\u003cp\u003e'I know.'\u003c\/p\u003e\u003cp\u003e'Our children would be beautiful...perfect.'\u003c\/p\u003e\u003cp\u003e'They're not accessories,' I flashed at him.\u003c\/p\u003e\u003cp\u003e'Probably better if they were,' he came back, just as fast. 'You put a lot of energy and care into accessories.'\u003c\/p\u003e\u003cp\u003eCalfskin or crocodile? Plastic or canvas?\u003c\/p\u003e\u003cp\u003e'Not worthy, Charlie.'\u003c\/p\u003e\u003cp\u003e'You're right. Sorry.' Abruptly, he sat up in bed, switched on the light. 'Siena. Open those big blue eyes of yours and take a look. You must think.' He looked down into them, searching for the Siena he wanted. 'Please, please, let's be sure we don't make a mistake.'\u003c\/p\u003e\u003cp\u003eThe trouble with seeing was that it meant you had to do something about it.\u003c\/p\u003e\u003cp\u003eI reached up and brushed his hair off his forehead. 'Can we go to sleep, Charlie, please?'\u003c\/p\u003e\u003cp\u003eWithout another word, he switched off the light, lay down and turned his back.\u003c\/p\u003e\u003cp\u003eCharlie was right, but all I could see were the wardrobes of Lucy Thwaite and her trapped sisters waiting to imprison me in their sad smells and capacious misery.\u003c\/p\u003e\u003cp\u003eSoon Charlie's even breaths indicated that he was asleep, and I was glad — he needed it. I matched my breaths to his, a silly habit but it made me feel close to him, running parallel in a way that was impossible during the day.\u003c\/p\u003e\u003cp\u003eThere we were, then, breathing in tandem, the heads of a household of two.\u003c\/p\u003e\u003cp\u003eThank God, I slept.\u003c\/p\u003e\u003cp\u003eWhen Charlie woke as the alarm clock performed its morning aerobics, I was ready with a cup of tea for him.\u003c\/p\u003e\u003cp\u003eHe struggled upright, groaned, and dropped his head into his hands. 'Were you a hospital matron in a previous life? Time?'\u003c\/p\u003e\u003cp\u003e'Get-up time.' I sat on the bed and waited for him to surface properly. 'Hope today goes well.'\u003c\/p\u003e\u003cp\u003eHe blew on his tea. 'So do I.'\u003c\/p\u003e\u003cp\u003eI watched him assemble himself for the day: clearing his head, straightening his limbs. Today the death of a baby would have to be accounted for. The case was going to be a long haul and the shadows cast by it were long and full of sorrow. I knew that Charlie would suffer if (a) his client was found guilty, (b) she had done it. The two points were not necessarily linked, and vice versa.\u003c\/p\u003e\u003cp\u003eI hated to think of Charlie suffering, so I switched subjects. 'I'll be talking to India.'\u003c\/p\u003e\u003cp\u003e'I expected you would.'\u003c\/p\u003e\u003cp\u003eIn the background, the phone rang in my office. I tensed, as if poised for flight. It would be the first of many calls and might be important, perhaps something I should sort out now, this minute.\u003c\/p\u003e\u003cp\u003eCharlie read my thoughts. 'It can wait, Siena.'\u003c\/p\u003e\u003cp\u003e'But maybe not.'\u003c\/p\u003e\u003cp\u003eFor answer he took my hand and teased each finger straight. 'Sometimes I think we're addicted to work.'\u003c\/p\u003e\u003cp\u003eThe answer-phone clicked on.\u003c\/p\u003e\u003cp\u003eCharlie swung out of bed — long, strong, masculine legs, feet planted squarely on the floor — and padded into the bathroom. The radio was switched on, water ran, and I noticed that rain was lashing the window. I had forgotten to put on my slippers and my feet were icy. I inspected them. The nails were painted a pale pink, but it was time for a pedicure — the varnish had chipped. The palm-top diary was on the bedside table, and I 'leafed' through it. Maybe I could snatch one between lunch and the weekly visit to Fashion, This Week?\u003c\/p\u003e\u003cp\u003eAgain the phone in my office rang. Click went the answer-phone. With an effort, I stopped myself running into the office and closing the door against the unanswered questions.\u003c\/p\u003e\u003cp\u003eA naked Charlie came back into the room, and dressed with his back to me. 'Are you going to stay there all day?'\u003c\/p\u003e\u003cp\u003eThe Cellophane crackled as he unpacked his laundered shirt.\u003c\/p\u003e\u003cp\u003e'No.' I took my turn in the bathroom, which was steamy; the air-conditioner whined like an old dingbat. I got into the shower and ran it as hot as I could take, then cold. Good for cellulite, circulation and complexion.\u003c\/p\u003e\u003cp\u003eA fully dressed Charlie appeared at the doorway. 'Bye, darling.' He shot his shirt cuffs. He looked washed, brushed, clever and wily — the Charlie who appeared in court.\u003c\/p\u003e\u003cp\u003eThe other Charlie, the softie, the loving one, who told me he was mine, lived here.\u003c\/p\u003e\u003cp\u003eI couldn't bear to part with our differences still churning between us. I grabbed a towel and I kissed him and my damp hair dripped on to his suit.\u003c\/p\u003e\u003cp\u003eHe grasped me tight and kissed me back. 'I'll be late.'\u003c\/p\u003e\u003cp\u003eThe front door slammed.\u003c\/p\u003e\u003cp\u003eI loved being alone in the flat. The solitude felt safe. Here, I could stretch and settle like a cat. I enjoyed travelling — who didn’t? — but after a while, in Rome, Sydney or India, the call of where I belonged sounded in my ear. Lost in the Wild Wood, Mole in The Wind in the Willows lifted his face and sniffed the air: ‘Home...’ And so did I.\u003c\/p\u003e\u003cp\u003eEmbankment Court was a block of riverside flats, with a gym and a swimming-pool, necessities in our lifestyle. Our apartment had two bedrooms. 'One for the non-speaking nights,' I said, when Charlie and I originally inspected it.\u003c\/p\u003e\u003cp\u003e'On non-speaking nights, you'll be with me in our bed because if we have a disagreement we'll talk about it,' Charlie retorted, and ran his finger down my spine (which held up the practical discussions). The kitchen was small, which was not good, but the sitting room was huge, light and airy — a statement — and my office overlooked the river.\u003c\/p\u003e\u003cp\u003eIt was, of course, far too expensive and Charlie had last-minute doubts about it being too opulent, but I persuaded him that we could afford it. 'We'll manage,' I promised. 'I've got good money coming in.'\u003c\/p\u003e\u003cp\u003e'We don't need such a smart flat.'\u003c\/p\u003e\u003cp\u003e'You're allowed to live in a nice place,' I told him. 'Read my lips.'\u003c\/p\u003e\u003cp\u003eHe uttered a shout of laughter. 'I'd rather kiss 'em.'\u003c\/p\u003e\u003cp\u003eThat was all right, then.\u003c\/p\u003e\u003cp\u003eCrypto-ascetic as Charlie might be, I could not help noticing he enjoyed living in the flat — almost more than I did.\u003c\/p\u003e\u003cp\u003eThe river provided daily theatre. Sometimes its water was sullen and crushed. At others it reflected dazzling starbursts of light and movement. Adjectives clicked along my descriptive abacus: captivating, changeable, unreliable, dangerous, spoilt. Today it was calm, nondescript and benign.\u003c\/p\u003e\u003cp\u003eMy first call was to India. 'Just going to bell you,' she said. 'Got your diary?'\u003c\/p\u003e\u003cp\u003eI loved India, we were friends, but there was no question of my confiding to her any problems with Charlie. I reached for the palm-top. 'Go ahead.'\u003c\/p\u003e\u003cp\u003e'Deep breath, Siena...'\u003c\/p\u003e\u003cp\u003eTogether we roughed out the schedules for Fashion, This Week, a couple of appearances on afternoon television programmes and the trip to New York. The year was blocked out with frightening speed.\u003c\/p\u003e\u003cp\u003e'Now,' said India , 'I think it's about time you did a book.'\u003c\/p\u003e\u003cp\u003e'Oh, my God.'\u003c\/p\u003e\u003cp\u003e'No bleating,' said India , severely. 'Many girls would give their eye-teeth to be in your position. So wise up and let me put out some flyers.'\u003c\/p\u003e\u003cp\u003eI wised up. Afterwards I worked through a pile of magazines that were delivered each week. It was my business to know what was going on in my neck of the woods and the magazines were the voices — soft-focus but ruthless, pretty but pretty tough — that issued invitations to step into a Never-never Land of perfect food, perfect surroundings and perfect clothes. I glanced over at the letter I had pinned to the noticeboard and managed to reread: '...our outer covering is of little significance compared to what is within.' Perhaps as we, the magazine readers, plodded towards an aspirational heaven of distressed houses and gardens and fragrant, purposeful wardrobes, the writer of that letter had spotted a flaw in the blueprint.\u003c\/p\u003e\u003cp\u003eI leafed through one magazine that used cheaper paper and did not concern itself with the cutting edge or frills but concentrated on traditional fare — recipes for quick cheese meals, advice on how to lose weight without dieting, a hundred and one uses for Tupperware — and my attention was caught by an interview with a woman who had gone in search of her mother, who had given her up for adoption over four decades ago: 'My name is Kathleen but I didn't know who I was...'\u003c\/p\u003e\u003cp\u003eKathleen had found her mother who, it turned out, unmarried and disgraced, had been made to part with her baby. The photographs accompanying the piece showed the birth-mother as a teenager, in the tightly cinched skirt, buttoned blouse and hat of the fifties. The clothes far better suited to an older woman than to the girl who wore them badly. They imposed certain inflexible requirements on their wearer: a rigour of suspender belts, whalebone and modesty.\u003c\/p\u003e\u003cp\u003eI touched the young, frightened, bewildered face with a fingertip. I had so many choices, and she had been permitted so few.\u003c\/p\u003e\u003cp\u003eI checked my watch.\u003c\/p\u003e\u003cp\u003eRunning late.\u003c\/p\u003e\u003cp\u003eThe offices of Fashion, This Week hummed. A fleet of messengers whisked in and out of Reception and girls manoeuvred racks of clothes in and out of the lifts. Journalists in serious black talked into their mobile phones. The fashion brigade looked icy in cut-off trousers, and photographers wore uniform leather. The girl who was employed to maintain the plants in the atrium was cleaning the leaves of the ficus one by one.\u003c\/p\u003e\u003cp\u003eOn the third floor, I picked my way over piles of clothes, dodged racks and discovered Jenni ranting into the phone. 'Why the hell do we have to use freelancers?' she was saying. 'They cause more trouble, more work, and we're perfectly capable of doing it ourselves, much better, actually.' She glanced up, saw me and reddened. 'Speak later,' she muttered, and terminated the conversation.\u003c\/p\u003e\u003cp\u003eTo say that Jenni disapproved of the freelancer was an under-estimation. Freelancers were a threat, a nuisance and a slur on the internal team's creativity.\u003c\/p\u003e\u003cp\u003e'Hi,' I said, amused.\u003c\/p\u003e\u003cp\u003eJenni recovered her composure. 'Lucy Thwaite rang. She wants to duck out.'\u003c\/p\u003e\u003cp\u003e'Hell. Why?'\u003c\/p\u003e\u003cp\u003eJenni examined a cuticle. 'You're the one who'll know. What do you want to do about the photographer? And who do you want to use as back-up? This is an arse, Siena.'\u003c\/p\u003e\u003cp\u003eShe was right.\u003c\/p\u003e\u003cp\u003eOf course, Lucy's defection might have been my fault, which was what Jenni was implying. Her anxiety was infectious (and easily caught): she was worried that a glitch like this would reflect badly on her and it didn't take too many mistakes at Fashion, This Week before an outsider was transformed into an unemployed outsider.\u003c\/p\u003e\u003cp\u003e'Let me phone her.' I dialled the number. 'Is that Lucy? Hallo, this is Siena Grant.' In the background, I heard a couple of the children screaming at each other.\u003c\/p\u003e\u003cp\u003e'Excuse me,' said Lucy, and pitched her voice a professional decibel over the children’s. 'Stop it, you lot.' She returned to the phone. 'Look, I don't think this is going to do me any good, or you.'\u003c\/p\u003e\u003cp\u003eI took a deep breath. 'Lucy, if you're going back to work, it will help if you get some advice on looking your best. It does help, I promise you, and I've got some good ideas that I think will be perfect.' Jenni listened as I cajoled and persuaded. After a couple of minutes, I sensed a thaw at the other end of the line and when I hung up Lucy had agreed to honour the appointment at the photographer's studio the following day.\u003c\/p\u003e\u003cp\u003e'OK,' I reported to Jenni. 'She's up for it.'\u003c\/p\u003e\u003cp\u003e'Well done,' she said, trapped between the desire to avoid a crisis and her disappointment at being defrauded of a little Schadenfreude.\u003c\/p\u003e\u003cp\u003eWe returned to the problem of Lucy Thwaite and spent the next hour or so working out how to edge past the barriers that, as a put-upon mother of three, she had erected, and to clothe her so that her lovely skin and neckline showed to advantage while her stomach and hips were camouflaged. Once this was achieved, who knew where Lucy Thwaite would go next?\u003c\/p\u003e\u003cp\u003eAfter that Jenni and I checked photographs of next week's victim on the light box, marked them up and gave the all-clear to Production.\u003c\/p\u003e\u003cp\u003eI told Jenni she looked fabulous in her black trousers and wraparound jersey top and she actually gave me a smile when I left.\u003c\/p\u003e\u003cp\u003eI know that I have good taste but I cannot claim any credit for it since it was handed down to me by my parents. They came from families who, over the generations, had had time and money to develop and indulge it; the family houses and their contents were famous until recently when everything vanished: paintings, tapestries, trust funds and land.\u003c\/p\u003e\u003cp\u003eMy mother never talks about her family but my brother Richard and I were brought up in a small cottage close to our father's ancestral home, a beautiful Queen Anne mansion, which he had sold to a princeling from somewhere or other.\u003c\/p\u003e\u003cp\u003eMy mother derived huge amusement from the comic aspects of the situation and fired regular postcard bulletins to me in her overlarge handwriting. 'The orange trees died in the last frost, darling. No one took them in.' Or 'Mrs Fleet tells me the loo-roll holders are pure gold.' Or 'Guess what, Siena! A Porsche has been abandoned on the lawn.'\u003c\/p\u003e\u003cp\u003eMy father ignored the comedy. The wound of losing his family home never healed. From early on, I noticed that he took pains to avoid the big house: on his daily walks he made an extra loop to keep it out of sight. When I taxed him on this, he was genuinely surprised. 'Do I do that, Siena ? I don't mean to.'\u003c\/p\u003e\u003cp\u003eIt is intriguing to analyse what we mean and don't mean to do, and my father's unconscious response to his loss made me wonder if we had any say over ourselves at all.\u003c\/p\u003e\u003cp\u003eConsider (Charlie’s word). I love Charlie. I want to spend my life with him and do whatever it takes to make this possible. These are my conscious aims and desires. But what are the fears — of oblivion and obliteration? — the wayward desires, the goblins of selfishness and ego that prowl through my subconscious to prevent me doing this?\u003c\/p\u003e\u003cp\u003e'I used to search for my baby,' said Kathleen's mother, in that magazine article. 'Everywhere. I looked into prams, I looked at babies on the bus. Sometimes, I stood outside the local school playground, and thought: That could be my daughter. Everywhere I went, there was her shadow. They told me to forget I had ever had a baby, but that's impossible. Impossible.'\u003c\/p\u003e","brand":"Penguin Books","offers":[{"title":"Default Title","offer_id":46302152589541,"sku":"NP9780143037002","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780143037002.jpg?v=1767726487","url":"https:\/\/k12savings.com\/es\/products\/everything-she-thought-she-wanted-isbn-9780143037002","provider":"K12savings","version":"1.0","type":"link"}