{"product_id":"digital-drawing-for-landscape-architecture-isbn-9781118693186","title":"Digital Drawing for Landscape Architecture","description":"\u003cb\u003eCombine traditional techniques with modern media for more communicative renderings\u003c\/b\u003e  \u003cp\u003e\u003ci\u003eDigital Drawing for Landscape Architecture: Contemporary Techniques and Tools for Digital Representation in Site Design, Second Edition\u003c\/i\u003e bridges the gap between traditional analog and new digital tools by applying timeless concepts of representation to enhance design work in digital media. The book explores specific techniques for creating landscape designs, including digitally rendered plans, perspectives, and diagrams, and the updated second edition offers expanded coverage of newer concepts and techniques. Readers will gain insight into the roles of different drawings, with a clear emphasis on presenting a solid understanding of how diagram, plan, section, elevation, and perspective work together to present a comprehensive design approach.\u003c\/p\u003e \u003cp\u003eDigital rendering is faster, more efficient, and more flexible than traditional rendering techniques, but the design principles and elements involved are still grounded in hand-rendering techniques. \u003ci\u003eDigital Drawing for Landscape Architecture\u003c\/i\u003e exploits both modalities to help designers create more beautiful, accurate, and communicative drawings in a professional studio environment. This second edition contains revised information on plan rendering techniques, camera matching workflow, and color selection, along with brand new features, like:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eTime-based imagery and tools\u003c\/li\u003e \u003cli\u003eWorkflow integration techniques\u003c\/li\u003e \u003cli\u003ePhotoshop and Illustrator task automation\u003c\/li\u003e \u003cli\u003eOver 400 updated images, plus over 50 new examples of award-winning work\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eThe book takes a tutorial-based approach to digital rendering, allowing readers to start practicing immediately and get up to speed quickly. Communication is a vital, but often overlooked component of the design process, and designers rely upon their drawings to translate concepts from idea to plan. \u003ci\u003eDigital Drawing for Landscape Architecture\u003c\/i\u003e provides the guidance landscape designers need to create their most communicative renderings yet.\u003c\/p\u003e \u003cp\u003eForeword\u003cbr\u003e\u003cbr\u003ePreface\u003cbr\u003e\u003cbr\u003eAcknowledgments\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePart 1: Concepts\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 1: Introduction\/Overview\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eSoftware\u003cbr\u003e\u003cbr\u003eWorkspace\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 2: Analog and Digital Rendering Comparisons\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eEfficiency and Editability\u003cbr\u003e\u003cbr\u003eCommonalities and Parallels\u003cbr\u003e\u003cbr\u003eHybrid Techniques\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 3: Basic Overview of Digital Concepts\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eRaster-Based Programs\u003cbr\u003e\u003cbr\u003eResolution in Raster Images\u003cbr\u003e\u003cbr\u003eUpsampling and Downsampling\u003cbr\u003e\u003cbr\u003eVector Images\u003cbr\u003e\u003cbr\u003eUsing Raster Images in Vector-Based Programs\u003cbr\u003e\u003cbr\u003eColor\u003cbr\u003e\u003cbr\u003eAdjustment Layers\u003cbr\u003e\u003cbr\u003eMasks and Channels\u003cbr\u003e\u003cbr\u003eSmart Objects\u003cbr\u003e\u003cbr\u003eBlending Modes\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePart 2: Workflows\u003cbr\u003e\u003cbr\u003eChapter 4: Digital Drawings in the Design Process\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eApplications for Specific Tasks\u003cbr\u003e\u003cbr\u003eMoving between Analog and Digital Techniques\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 5: Setting up the Document\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eDrawings at Multiple Sizes\u003cbr\u003e\u003cbr\u003eHow Drawings Move through the Digital Workflow\u003cbr\u003e\u003cbr\u003eSetting the Image Size\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 6: Base Imagery and Scaling\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eAerial Photography\u003cbr\u003e\u003cbr\u003eObtaining the Aerial Photograph\u003cbr\u003e\u003cbr\u003eTiling Aerial Photographs in Photoshop\u003cbr\u003e\u003cbr\u003eManual Method\u003cbr\u003e\u003cbr\u003eTiling Photographs with Photomerge\u003cbr\u003e\u003cbr\u003eScaling the Aerial Photograph\u003cbr\u003e\u003cbr\u003eCalculator Method\u003cbr\u003e\u003cbr\u003eScale by Reference Method\u003cbr\u003e\u003cbr\u003ePixel Conversion Method\u003cbr\u003e\u003cbr\u003eAdjusting the Hue, Saturation, and Lightness of Base Imagery\u003cbr\u003e\u003cbr\u003eUsing CAD Linework as a Base\u003cbr\u003e\u003cbr\u003eExporting the CAD Linework as a PDF\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 7: Source Imagery\/Entourage\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eSelections\u003cbr\u003e\u003cbr\u003eManual Methods\u003cbr\u003e\u003cbr\u003ePartial Selections\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 8: Managing Large Files\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eFlattening Layers\u003cbr\u003e\u003cbr\u003eSaving Layer Groups for Flattening\u003cbr\u003e\u003cbr\u003ePrinting Issues\u003cbr\u003e\u003cbr\u003eIllustrator Techniques\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 9: Automation\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eRecording Actions in Photoshop\u003cbr\u003e\u003cbr\u003ePlaying Actions in Photoshop\u003cbr\u003e\u003cbr\u003eBatch Processing in Adobe Bridge\u003cbr\u003e\u003cbr\u003eBatch Rename in Bridge\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePart 3: Design Diagrams\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eExamples 01\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 10: Setting up an Illustrator Drawing\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eDocument Size\/Color Mode\u003cbr\u003e\u003cbr\u003eBased Programs for Design Diagrams\u003cbr\u003e\u003cbr\u003eImporting an Aerial Photo into Illustrator\u003cbr\u003e\u003cbr\u003eLink versus Embed\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 11: Linework in Illustrator\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eShape Tools\u003cbr\u003e\u003cbr\u003ePen Tool\u003cbr\u003e\u003cbr\u003eEditing Tools\u003cbr\u003e\u003cbr\u003eAppearance of Lines and Shapes\u003cbr\u003e\u003cbr\u003eStroke Weight and Dashed Lines\u003cbr\u003e\u003cbr\u003eTransparency\u003cbr\u003e\u003cbr\u003eAppearance Palette\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 12: Custom Linework\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eCreating a Pattern Brush from Shapes\u003cbr\u003e\u003cbr\u003eAltering the Pattern Brush\u003cbr\u003e\u003cbr\u003eUpdating the Pattern Brush with New Shapes\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 13: Additional Diagramming Tools\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eBlend Tool\u003cbr\u003e\u003cbr\u003eTransform Each\u003cbr\u003e\u003cbr\u003eLive Paint\u003cbr\u003e\u003cbr\u003eLive Trace\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 14: Symbols\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eCreating Symbols from Custom Artwork\u003cbr\u003e\u003cbr\u003eUpdating\/Replacing Symbols\u003cbr\u003e\u003cbr\u003eManaging Symbols\u003cbr\u003e\u003cbr\u003eCreating Clipping Masks for Image Symbols\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 15: Text, Leaders, and Page Layout\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eText Tools\u003cbr\u003e\u003cbr\u003ePoint Text\u003cbr\u003e\u003cbr\u003eParagraph Text\u003cbr\u003e\u003cbr\u003eDifferences between Point Text and Paragraph Text\u003cbr\u003e\u003cbr\u003eFormatting Text\u003cbr\u003e\u003cbr\u003eCustom Type Tools\u003cbr\u003e\u003cbr\u003eCreating Text with a Clipping Mask\u003cbr\u003e\u003cbr\u003eLeaders\u003cbr\u003e\u003cbr\u003eEffects versus Filters\u003cbr\u003e\u003cbr\u003eLayout\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 16: Exploded Axonometric Diagrams\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eCreating an Exploded Axonometric Diagram\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 17: Time Based Imagery\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eLoading and Image Sequence\u003cbr\u003e\u003cbr\u003eTweening Between Layer States\u003cbr\u003e\u003cbr\u003eLayer Stacks\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePart 4: Plan\/Section Renderings\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eExamples 02\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 18: Importing PDF Linework\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003ePDF Linework\u003cbr\u003e\u003cbr\u003eAdjusting the Appearance of Linework\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 19: Applying Color to a Plan Rendering\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eTechnique 1: Applying Color with the Paint Bucket Tool\u003cbr\u003e\u003cbr\u003eTechnique 2: Applying Color Using Adjustment Layers\u003cbr\u003e\u003cbr\u003eSaving Channels\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 20: Shading Techniques\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eSelecting Fills\u003cbr\u003e\u003cbr\u003eSaving Selections\u003cbr\u003e\u003cbr\u003eAutomating the Shading of Edges\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 21: Creating Textures\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eCreating a Texture from an Existing Photograph\u003cbr\u003e\u003cbr\u003eCreating a Seamless Pattern Using the Offset Filter\u003cbr\u003e\u003cbr\u003eCreating the Pattern and Applying It to the Rendering\u003cbr\u003e\u003cbr\u003ePaint Bucket and Pattern Stamp\u003cbr\u003e\u003cbr\u003ePattern Overlay\u003cbr\u003e\u003cbr\u003eManaging Patterns\u003cbr\u003e\u003cbr\u003eTexturing with Filters\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 22: Brushes\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eStandard Brushes\u003cbr\u003e\u003cbr\u003eCustom Brushes\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 23: Plan Symbols with Smart Objects\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eCreating Smart Objects\u003cbr\u003e\u003cbr\u003eDuplicating and Editing Smart Objects\u003cbr\u003e\u003cbr\u003eManaging Smart Objects\u003cbr\u003e\u003cbr\u003eSmart Filters\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 24: Creating a Section Elevation\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eMethods\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePart 5: Perspectives\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eExamples 03\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 25: Creating a Base for a Perspective Drawing\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eComposition\u003cbr\u003e\u003cbr\u003eVirtual Cameras\u003cbr\u003e\u003cbr\u003eExporting and Rendering\u003cbr\u003e\u003cbr\u003eDetail\u003cbr\u003e\u003cbr\u003eColor\u003cbr\u003e\u003cbr\u003eContrast\u003cbr\u003e\u003cbr\u003eBrightness\u003cbr\u003e\u003cbr\u003e(2D) Photoshop Adjustment Layers, Opacity, and Screening\u003cbr\u003e\u003cbr\u003e(2D\/3D) Z-Depth\u003cbr\u003e\u003cbr\u003e(3D) Atmosphere\/Environment\u003cbr\u003e\u003cbr\u003eUnderstanding Level of Detail\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 26: Camera Match 3D Object to Site Photo\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eCamera Match with 3ds Max 2014\u003cbr\u003e\u003cbr\u003eMatch Photo with Google SketchUp\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 27: Create a Photoshop Perspective Collage\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eMethods\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 28: Developing a Perspective Image in Photoshop from a 3D Model \u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eBase Model\u003cbr\u003e\u003cbr\u003eAdding Site Context\u003cbr\u003e\u003cbr\u003eTextures\u003cbr\u003e\u003cbr\u003eAdding Vegetation\u003cbr\u003e\u003cbr\u003eAdding Scale Figures\u003cbr\u003e\u003cbr\u003eBibliography\u003cbr\u003e\u003cbr\u003eIndex\u003c\/p\u003e  \u003cp\u003e\u003cb\u003eBRADLEY CANTRELL\u003c\/b\u003e is Principal of Visual Logic and Associate Professor of Architectural Technology at the Harvard Graduate School of Design.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWES MICHAELS\u003c\/b\u003e is a Principal at Spackman Mossop Michaels Landscape Architecture and an Associate Professor of Landscape Architecture at Louisiana State University.\u003c\/p\u003e  \u003cp\u003e\u003cb\u003eThe ASLA award-winning guide to digital rendering, updated with the latest software capabilities\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eDigital Drawing for Landscape Architecture, Second Edition\u003c\/i\u003e bridges the gap between analog and digital tools, employing timeless concepts of representation to enhance digital design. This second edition includes new information on time-based imagery and tools, integration techniques, and automation, with over fifty new examples. All screen images have been updated to align with the latest software releases, providing an up-to-the-minute tutorial for creating digitally rendered plans, elevations, perspectives, and diagrams.\u003c\/p\u003e \u003cp\u003eDigital rendering is faster, more efficient, and more flexible than traditional rendering techniques. This award-winning resource provides comprehensive guidance toward the techniques and tools most commonly used, with a reader-friendly tutorial approach.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eCompare analog and digital renderings, and learn the basics of digital drawing\u003c\/li\u003e \u003cli\u003eDesign a custom workflow, with guidance toward scaling, automation, and more\u003c\/li\u003e \u003cli\u003eDiagram with linework, symbols, and text, plus more advanced techniques\u003c\/li\u003e \u003cli\u003eBuild renderings and elevations using textures, brushes, and different shading and blending techniques\u003c\/li\u003e \u003cli\u003eCreate drawings from models, or develop a 3D object from a site photo\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eDigital tools have largely replaced pens and markers, but traditional concepts still apply. For maximizing efficiency without sacrificing quality, \u003ci\u003eDigital Drawing for Landscape Architecture, Second Edition\u003c\/i\u003e provides practical guidance and expert insight.\u003c\/p\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":47989065122021,"sku":"NP9781118693186","price":56.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781118693186.jpg?v=1761782649","url":"https:\/\/k12savings.com\/es\/products\/digital-drawing-for-landscape-architecture-isbn-9781118693186","provider":"K12savings","version":"1.0","type":"link"}