{"product_id":"designing-interiors-isbn-9781118024645","title":"Designing Interiors","description":"After its publication in 1992, \u003ci\u003eDesigning Interiors\u003c\/i\u003e became a hugely successful reference tool and designing textbook. In \u003ci\u003eDesigning Interiors, Second Edition\u003c\/i\u003e, updates on trends in sustainability and green design, building codes, universal design, and building information models amplify the already invaluable interior design tricks of trade. Design professors Rosemary and Otie Kilmer provide a fuller design history that incorporates non-Western design and dynamic color illustrations that flesh out technical concepts.  \u003cp\u003ePREFACE  xix\u003c\/p\u003e \u003cp\u003eAcknowledgements  xxiii\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART ONE: THE HISTORICAL AND THEORETICAL BASES OF DESIGN\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 1 Interior Design, an Introduction 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCurrent Issues in Design 1\u003c\/p\u003e \u003cp\u003eUniversal Design 1\u003c\/p\u003e \u003cp\u003eGlobalization 2\u003c\/p\u003e \u003cp\u003eSustainable Design 2\u003c\/p\u003e \u003cp\u003eHistorical Overview 4\u003c\/p\u003e \u003cp\u003eBefore the Nineteenth Century 5\u003c\/p\u003e \u003cp\u003eThe Nineteenth and Twentieth Centuries: Decorating and Integrated Design 7\u003c\/p\u003e \u003cp\u003eInterior Design as a Profession 9\u003c\/p\u003e \u003cp\u003eThe Interior Designer 9\u003c\/p\u003e \u003cp\u003eAllied Professions 11\u003c\/p\u003e \u003cp\u003eProfessional Societies 12\u003c\/p\u003e \u003cp\u003eEntering the Field of Interior Design 14\u003c\/p\u003e \u003cp\u003eAcademic Preparation 14\u003c\/p\u003e \u003cp\u003eWork Experience and Internships 15\u003c\/p\u003e \u003cp\u003eCareer Opportunities 15\u003c\/p\u003e \u003cp\u003eLicensing Interior Designers 16\u003c\/p\u003e \u003cp\u003eFor Further Reading 16\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 2 The Origins of Design 17\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Meaning and Essence of Design 18\u003c\/p\u003e \u003cp\u003eOriginality in Design 19\u003c\/p\u003e \u003cp\u003eFunctional and Visual Design Concepts 20\u003c\/p\u003e \u003cp\u003eThe Development of Design 22\u003c\/p\u003e \u003cp\u003eContext, Container, and Contents 22\u003c\/p\u003e \u003cp\u003eDesign and Style 23\u003c\/p\u003e \u003cp\u003eDesign History 24\u003c\/p\u003e \u003cp\u003eAncient Design 24\u003c\/p\u003e \u003cp\u003eThe Middle Ages 29\u003c\/p\u003e \u003cp\u003eThe Renaissance, 1400–1700 32\u003c\/p\u003e \u003cp\u003eBaroque and Rococo, 1580–1760 39\u003c\/p\u003e \u003cp\u003eEarly American Architecture and Interiors 44\u003c\/p\u003e \u003cp\u003eThe Neoclassic Period and Other Revivals 49\u003c\/p\u003e \u003cp\u003eThe Victorian Era, 1830–1901 55\u003c\/p\u003e \u003cp\u003eNon-European Architecture and Interiors 56\u003c\/p\u003e \u003cp\u003eAfrica—Prehistory to the Present 56\u003c\/p\u003e \u003cp\u003eIslamic Design—622 to the Present 57\u003c\/p\u003e \u003cp\u003eChina—4000 BC to AD 1912 60\u003c\/p\u003e \u003cp\u003eJapan—Prehistory to the Present 62\u003c\/p\u003e \u003cp\u003eIndia—2500 BC to the Nineteenth Century 62\u003c\/p\u003e \u003cp\u003ePre-Columbian Era—300 BC to AD 1570 63\u003c\/p\u003e \u003cp\u003eNote 64\u003c\/p\u003e \u003cp\u003eFor Further Reading 64\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 3 The Evolution of Modern Design 65\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eNew Technology and Innovative Design 65\u003c\/p\u003e \u003cp\u003eMichael Thonet, 1796–1871 65\u003c\/p\u003e \u003cp\u003eShaker Furniture, 1747–c1860 66\u003c\/p\u003e \u003cp\u003eThe Arts and Crafts Movement, 1860–1900 67\u003c\/p\u003e \u003cp\u003eArt Nouveau, 1890–1905 68\u003c\/p\u003e \u003cp\u003eThe Vienna Secession Movement, 1897–1911 72\u003c\/p\u003e \u003cp\u003eThe Twentieth Century 73\u003c\/p\u003e \u003cp\u003ePioneers of Modernism 73\u003c\/p\u003e \u003cp\u003ede Stijl, 1917–1931 77\u003c\/p\u003e \u003cp\u003eBauhaus, 1919–1933 77\u003c\/p\u003e \u003cp\u003eInternational Style 79\u003c\/p\u003e \u003cp\u003eArt Deco, 1925–1940 80\u003c\/p\u003e \u003cp\u003eModernism 80\u003c\/p\u003e \u003cp\u003eEarly Modernism, 1930–1950 81\u003c\/p\u003e \u003cp\u003eMiddle Modernism, 1950–1970 86\u003c\/p\u003e \u003cp\u003eDesign Trends in the Millennium 95\u003c\/p\u003e \u003cp\u003eFuture Developments 101\u003c\/p\u003e \u003cp\u003eGlobalization 101\u003c\/p\u003e \u003cp\u003eInteractive Design 102\u003c\/p\u003e \u003cp\u003eEnvironmental Responsibility in Design 102\u003c\/p\u003e \u003cp\u003eMore for Less 104\u003c\/p\u003e \u003cp\u003eSocial Responsibility 104\u003c\/p\u003e \u003cp\u003eUser Participation 105\u003c\/p\u003e \u003cp\u003eFor Further Reading 106\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 4 The Basic Theories of Design Composition 107\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDesign Approaches 107\u003c\/p\u003e \u003cp\u003eStructural Design 107\u003c\/p\u003e \u003cp\u003eDecorative or Applied Design 108\u003c\/p\u003e \u003cp\u003eNaturalistic Design 108\u003c\/p\u003e \u003cp\u003eOrganic Design 109\u003c\/p\u003e \u003cp\u003eGeometric Design 110\u003c\/p\u003e \u003cp\u003eAbstract Design 113\u003c\/p\u003e \u003cp\u003eMetamorphic Design 113\u003c\/p\u003e \u003cp\u003eThe Elements of Design 113\u003c\/p\u003e \u003cp\u003eSpace 114\u003c\/p\u003e \u003cp\u003eLine 123\u003c\/p\u003e \u003cp\u003eForm 124\u003c\/p\u003e \u003cp\u003eShape 124\u003c\/p\u003e \u003cp\u003eTexture 128\u003c\/p\u003e \u003cp\u003eTime 131\u003c\/p\u003e \u003cp\u003eThe Principles of Design 133\u003c\/p\u003e \u003cp\u003eBalance 133\u003c\/p\u003e \u003cp\u003eRhythm 137\u003c\/p\u003e \u003cp\u003eEmphasis 138\u003c\/p\u003e \u003cp\u003eProportion 138\u003c\/p\u003e \u003cp\u003eScale 139\u003c\/p\u003e \u003cp\u003eUnity and Harmony 139\u003c\/p\u003e \u003cp\u003eVariety 142\u003c\/p\u003e \u003cp\u003eFor Further Reading 142\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 5 Color and Light 143\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eLight Sources 143\u003c\/p\u003e \u003cp\u003eModifiers of Light 146\u003c\/p\u003e \u003cp\u003eHuman Vision and Perception 147\u003c\/p\u003e \u003cp\u003eColor Theory and Systems 148\u003c\/p\u003e \u003cp\u003eAdditive Method of Mixing Light 148\u003c\/p\u003e \u003cp\u003eSubtractive Method of Mixing Light 149\u003c\/p\u003e \u003cp\u003ePaint-Color Mixing 149\u003c\/p\u003e \u003cp\u003eColor Properties 150\u003c\/p\u003e \u003cp\u003eColor Systems 150\u003c\/p\u003e \u003cp\u003eColor Schemes 158\u003c\/p\u003e \u003cp\u003ePsychology of Color 165\u003c\/p\u003e \u003cp\u003eColor Perception 166\u003c\/p\u003e \u003cp\u003eColor Application in Interiors 167\u003c\/p\u003e \u003cp\u003eCommunicating Color Decisions 172\u003c\/p\u003e \u003cp\u003eNote 175\u003c\/p\u003e \u003cp\u003eFor Further Reading 175\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART TWO: PLANNING RESIDENTIAL AND COMMERCIAL SPACES\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 6 Design As a Process 177\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Design Process: The Sequential Steps 178\u003c\/p\u003e \u003cp\u003eCommit (Accept the Problem) 181\u003c\/p\u003e \u003cp\u003eState (Define the Problem) 181\u003c\/p\u003e \u003cp\u003eCollect (Gather the Facts) 182\u003c\/p\u003e \u003cp\u003eAnalyze 183\u003c\/p\u003e \u003cp\u003eIdeate 185\u003c\/p\u003e \u003cp\u003eChoose (Select the Best Option) 189\u003c\/p\u003e \u003cp\u003eImplement (Take Action) 191\u003c\/p\u003e \u003cp\u003eEvaluate (Critically Review) 195\u003c\/p\u003e \u003cp\u003eNotes 196\u003c\/p\u003e \u003cp\u003eFor Further Reading 196\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 7 Programming Interior Spaces 197\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eValues in Programming 199\u003c\/p\u003e \u003cp\u003eThe Programming Process: The Sequential Steps 200\u003c\/p\u003e \u003cp\u003eEstablish the Goals 200\u003c\/p\u003e \u003cp\u003eResearch, Gather, and Analyze Facts 200\u003c\/p\u003e \u003cp\u003eSpecify Needs 205\u003c\/p\u003e \u003cp\u003eEvaluate 210\u003c\/p\u003e \u003cp\u003eOrganize and Decide 211\u003c\/p\u003e \u003cp\u003ePresent Conclusions 212\u003c\/p\u003e \u003cp\u003eNotes 214\u003c\/p\u003e \u003cp\u003eFor Further Reading 214\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 8 Space Planning of Residential Interiors 217\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction to Space Planning 217\u003c\/p\u003e \u003cp\u003eSpace Planners and Interior Design 217\u003c\/p\u003e \u003cp\u003eCategories of Interior Spaces 218\u003c\/p\u003e \u003cp\u003ePlanning Residential Spaces 221\u003c\/p\u003e \u003cp\u003ePlanning Guidelines 222\u003c\/p\u003e \u003cp\u003eSpace Organization 224\u003c\/p\u003e \u003cp\u003eClosed Planning 224\u003c\/p\u003e \u003cp\u003eOpen Planning 225\u003c\/p\u003e \u003cp\u003eInterior Zoning 227\u003c\/p\u003e \u003cp\u003eGroup\/Social Spaces 227\u003c\/p\u003e \u003cp\u003ePrivate Zones 233\u003c\/p\u003e \u003cp\u003eTransitional Spaces and Circulation 249\u003c\/p\u003e \u003cp\u003eSpecial Housing Needs 253\u003c\/p\u003e \u003cp\u003eAccessibility and Adaptable Housing 253\u003c\/p\u003e \u003cp\u003eHousing for the Elderly 254\u003c\/p\u003e \u003cp\u003eFor Further Reading 254\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 9 Space Planning of Commercial Interiors 255\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eOffice Design 255\u003c\/p\u003e \u003cp\u003eHistorical Development 256\u003c\/p\u003e \u003cp\u003eSpatial Organization 260\u003c\/p\u003e \u003cp\u003eFinancial Institutions 268\u003c\/p\u003e \u003cp\u003eSpatial Organization 269\u003c\/p\u003e \u003cp\u003eRetail Design 271\u003c\/p\u003e \u003cp\u003eSpatial Organization 274\u003c\/p\u003e \u003cp\u003eHospitality Design 275\u003c\/p\u003e \u003cp\u003eRestaurants 275\u003c\/p\u003e \u003cp\u003eHotels, Motels, Inns, Bed \u0026amp; Breakfast, Hostels 278\u003c\/p\u003e \u003cp\u003eTheaters, Concert Halls, Auditoriums, Arenas 280\u003c\/p\u003e \u003cp\u003eRecreational 281\u003c\/p\u003e \u003cp\u003eHealthcare Design 281\u003c\/p\u003e \u003cp\u003eInstitutional, Public, Government, and Other Facilities 283\u003c\/p\u003e \u003cp\u003eSchools, Colleges, and Universities 283\u003c\/p\u003e \u003cp\u003ePublic and Government 284\u003c\/p\u003e \u003cp\u003eReligious 284\u003c\/p\u003e \u003cp\u003eIndustrial and Transportation 284\u003c\/p\u003e \u003cp\u003eSpecialized Interiors 284\u003c\/p\u003e \u003cp\u003eFor Further Reading 285\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART THREE: THE EXTERIOR AND INTERIOR ENVIRONMENTS\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 10 Environmental Concerns, Codes, and Regulations 287\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe Total Environment: Influences on Interiors 287\u003c\/p\u003e \u003cp\u003eEnvironmental Planning 288\u003c\/p\u003e \u003cp\u003eLand Use and Development 289\u003c\/p\u003e \u003cp\u003eUrban Planning 290\u003c\/p\u003e \u003cp\u003eCluster Planning 290\u003c\/p\u003e \u003cp\u003eSpecialized Planning 292\u003c\/p\u003e \u003cp\u003eNew Towns 292\u003c\/p\u003e \u003cp\u003eZoning 293\u003c\/p\u003e \u003cp\u003eForm Determinants for Buildings 294\u003c\/p\u003e \u003cp\u003eSite Planning 294\u003c\/p\u003e \u003cp\u003eSite Analysis 295\u003c\/p\u003e \u003cp\u003eBuilding Siting and Design 296\u003c\/p\u003e \u003cp\u003eBuilding Codes 296\u003c\/p\u003e \u003cp\u003eBuilding Codes and Interiors 297\u003c\/p\u003e \u003cp\u003eFire Resistance, Safety, and Fire Protection 299\u003c\/p\u003e \u003cp\u003eAccessibility 300\u003c\/p\u003e \u003cp\u003eBarrier-Free Access 302\u003c\/p\u003e \u003cp\u003eGeneral Guidelines 302\u003c\/p\u003e \u003cp\u003eHistoric Preservation, Restoration, and Adaptive Reuse 305\u003c\/p\u003e \u003cp\u003eBackground 306\u003c\/p\u003e \u003cp\u003eLandmarks: Districts and Buildings 306\u003c\/p\u003e \u003cp\u003eHistoric Buildings and Interiors 306\u003c\/p\u003e \u003cp\u003eFor Further Reading 307\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 11 Interior Environmental Control and Support Systems 309\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eEnergy Conservation and Climate Control 309\u003c\/p\u003e \u003cp\u003eThe Human Comfort Zone 310\u003c\/p\u003e \u003cp\u003eSolar Energy and Interiors 317\u003c\/p\u003e \u003cp\u003eElectrical Systems for Buildings 323\u003c\/p\u003e \u003cp\u003eWater Use in Buildings 328\u003c\/p\u003e \u003cp\u003eMechanical Conveying Systems 331\u003c\/p\u003e \u003cp\u003eAcoustics 332\u003c\/p\u003e \u003cp\u003eFor Further Reading 335\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 12 Lighting for Interiors 337\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eNatural Light 338\u003c\/p\u003e \u003cp\u003eControlling Daylight 339\u003c\/p\u003e \u003cp\u003eArtificial Light 340\u003c\/p\u003e \u003cp\u003eThe Measurement of Light 340\u003c\/p\u003e \u003cp\u003eArtificial Light Sources 343\u003c\/p\u003e \u003cp\u003eIncandescent Lamps 343\u003c\/p\u003e \u003cp\u003eElectric Discharge Sources 346\u003c\/p\u003e \u003cp\u003eColor Appearance of Light 353\u003c\/p\u003e \u003cp\u003eLighting Needs and Application 354\u003c\/p\u003e \u003cp\u003eLighting for Special Groups 355\u003c\/p\u003e \u003cp\u003eGeneral or Ambient Lighting 355\u003c\/p\u003e \u003cp\u003eTask Lighting 356\u003c\/p\u003e \u003cp\u003eAccent or Special-Emphasis Lighting 356\u003c\/p\u003e \u003cp\u003eLighting Fixtures and Techniques 357\u003c\/p\u003e \u003cp\u003eManufactured Luminaires 357\u003c\/p\u003e \u003cp\u003eSpatially Integrated Lighting Systems 359\u003c\/p\u003e \u003cp\u003ePortable Lighting Fixtures 361\u003c\/p\u003e \u003cp\u003eElectrical Controls for Lighting 362\u003c\/p\u003e \u003cp\u003eInterior Applications of Lighting 363\u003c\/p\u003e \u003cp\u003eOffice Lighting 363\u003c\/p\u003e \u003cp\u003eRetail Lighting 367\u003c\/p\u003e \u003cp\u003eRestaurant Lighting 368\u003c\/p\u003e \u003cp\u003eHealthcare Facilities Lighting 369\u003c\/p\u003e \u003cp\u003eLighting Codes and Regulations 370\u003c\/p\u003e \u003cp\u003eFor Further Reading 372\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART FOUR: INTERIOR MATERIALS, ARCHITECTURAL SYSTEMS, FINISHES, AND COMPONENTS\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 13 Materials—Characteristics and Applications 373\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction to Selecting Materials 373\u003c\/p\u003e \u003cp\u003eMaterials, Environmental Concerns, and Sustainability 373\u003c\/p\u003e \u003cp\u003eNatural Materials 375\u003c\/p\u003e \u003cp\u003eConverted Materials 375\u003c\/p\u003e \u003cp\u003eArtificial Materials 375\u003c\/p\u003e \u003cp\u003eMaterial Selection 375\u003c\/p\u003e \u003cp\u003eWood 376\u003c\/p\u003e \u003cp\u003ePhysical Properties 376\u003c\/p\u003e \u003cp\u003eHardwoods and Softwoods 379\u003c\/p\u003e \u003cp\u003eWood Layering 380\u003c\/p\u003e \u003cp\u003eDesigning with Wood 383\u003c\/p\u003e \u003cp\u003eWood Finishes 386\u003c\/p\u003e \u003cp\u003eMasonry 388\u003c\/p\u003e \u003cp\u003eStone 388\u003c\/p\u003e \u003cp\u003eBrick 390\u003c\/p\u003e \u003cp\u003eConcrete Masonry Units 392\u003c\/p\u003e \u003cp\u003eGlass Block 395\u003c\/p\u003e \u003cp\u003eConcrete 395\u003c\/p\u003e \u003cp\u003eCement Manufacturing 395\u003c\/p\u003e \u003cp\u003ePlaster, Stucco, and Synthetic Mixtures 395\u003c\/p\u003e \u003cp\u003eCeramics 397\u003c\/p\u003e \u003cp\u003eEarthenware and Stoneware 397\u003c\/p\u003e \u003cp\u003ePorcelain and China 398\u003c\/p\u003e \u003cp\u003eCeramic Tiles 398\u003c\/p\u003e \u003cp\u003eGlass 399\u003c\/p\u003e \u003cp\u003eManufactured Glass 399\u003c\/p\u003e \u003cp\u003eArchitectural Glass 400\u003c\/p\u003e \u003cp\u003eDecorative Glass 402\u003c\/p\u003e \u003cp\u003eMetals 402\u003c\/p\u003e \u003cp\u003eFerrous (Iron-Bearing) Metals 404\u003c\/p\u003e \u003cp\u003eNonferrous Metals 405\u003c\/p\u003e \u003cp\u003eFinishing and Coating Metals 405\u003c\/p\u003e \u003cp\u003ePlastics 405\u003c\/p\u003e \u003cp\u003eThermoplastics and Thermoset Plastic 406\u003c\/p\u003e \u003cp\u003ePlastic Fabrication 406\u003c\/p\u003e \u003cp\u003ePlastic Laminates 407\u003c\/p\u003e \u003cp\u003eSolid Surface Materials 408\u003c\/p\u003e \u003cp\u003eCarbon Fiber 408\u003c\/p\u003e \u003cp\u003eTextiles 408\u003c\/p\u003e \u003cp\u003eSelection and Application of Fabrics 409\u003c\/p\u003e \u003cp\u003eFibers 411\u003c\/p\u003e \u003cp\u003eYarns 413\u003c\/p\u003e \u003cp\u003eTextile Construction 414\u003c\/p\u003e \u003cp\u003eTextile Colorants 416\u003c\/p\u003e \u003cp\u003eFabric Finishes 417\u003c\/p\u003e \u003cp\u003eTextiles for Interiors 419\u003c\/p\u003e \u003cp\u003eMiscellaneous Materials 420\u003c\/p\u003e \u003cp\u003eRubber, Cork, and Leather 420\u003c\/p\u003e \u003cp\u003ePaint and Related Coatings 421\u003c\/p\u003e \u003cp\u003eFor Further Reading 422\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 14 Architectural Systems and Interior Finishes 423\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSustainable Architecture and Engineering 423\u003c\/p\u003e \u003cp\u003eBuilding Shell and Structural Systems 424\u003c\/p\u003e \u003cp\u003eStructural Design 424\u003c\/p\u003e \u003cp\u003eStructural Characteristics of Materials 424\u003c\/p\u003e \u003cp\u003eBasic Structural Elements 424\u003c\/p\u003e \u003cp\u003eStructural Systems 431\u003c\/p\u003e \u003cp\u003eFloor Systems 431\u003c\/p\u003e \u003cp\u003eWood Floor Systems 433\u003c\/p\u003e \u003cp\u003eSteel Floor Systems 433\u003c\/p\u003e \u003cp\u003eConcrete Floor Systems 434\u003c\/p\u003e \u003cp\u003eSpecialized Floor Systems 434\u003c\/p\u003e \u003cp\u003eFloor Finishes and Specification Criteria 434\u003c\/p\u003e \u003cp\u003eHard Flooring 435\u003c\/p\u003e \u003cp\u003eResilient Flooring 440\u003c\/p\u003e \u003cp\u003eSoft Floor Coverings 441\u003c\/p\u003e \u003cp\u003eWall Systems 449\u003c\/p\u003e \u003cp\u003eWall Construction 449\u003c\/p\u003e \u003cp\u003eWall Finishes and Specification Criteria 451\u003c\/p\u003e \u003cp\u003eCeiling Systems 458\u003c\/p\u003e \u003cp\u003eCeiling Construction 458\u003c\/p\u003e \u003cp\u003eCeiling Surface Materials 460\u003c\/p\u003e \u003cp\u003eFor Further Reading 462\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 15 Interior Components 463\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eStairs 463\u003c\/p\u003e \u003cp\u003eStair Construction and Design 463\u003c\/p\u003e \u003cp\u003eDoors 464\u003c\/p\u003e \u003cp\u003eDoor Types 464\u003c\/p\u003e \u003cp\u003eDoor Styles and Construction 468\u003c\/p\u003e \u003cp\u003eDoor Frames and Hardware 470\u003c\/p\u003e \u003cp\u003eWindows 471\u003c\/p\u003e \u003cp\u003eWindow Types 471\u003c\/p\u003e \u003cp\u003eWindow Construction 474\u003c\/p\u003e \u003cp\u003eInterior Window Treatments 476\u003c\/p\u003e \u003cp\u003eFunctional Considerations 476\u003c\/p\u003e \u003cp\u003eAesthetic Factors 477\u003c\/p\u003e \u003cp\u003eCost Factors 477\u003c\/p\u003e \u003cp\u003eTypes of Window Treatments 477\u003c\/p\u003e \u003cp\u003eCabinetry 482\u003c\/p\u003e \u003cp\u003eCabinet Specifications 483\u003c\/p\u003e \u003cp\u003eCabinet Construction 483\u003c\/p\u003e \u003cp\u003eCabinet Hardware 485\u003c\/p\u003e \u003cp\u003eCabinet Tops 486\u003c\/p\u003e \u003cp\u003eFireplaces 486\u003c\/p\u003e \u003cp\u003eFireplace Construction 486\u003c\/p\u003e \u003cp\u003eFireplace Types 488\u003c\/p\u003e \u003cp\u003eFireplace Locations 488\u003c\/p\u003e \u003cp\u003eFor Further Reading 489\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART FIVE: FURNITURE, FURNISHINGS, AND EQUIPMENT\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 16 Furniture 491\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDesigning with Furniture 491\u003c\/p\u003e \u003cp\u003eProgramming for Furniture 492\u003c\/p\u003e \u003cp\u003eSpace Planning and Furniture 492\u003c\/p\u003e \u003cp\u003eFurniture Plans and Panel Installation 493\u003c\/p\u003e \u003cp\u003eSelection Criteria for Furniture 494\u003c\/p\u003e \u003cp\u003eFunction 495\u003c\/p\u003e \u003cp\u003eFurniture for Special Groups 496\u003c\/p\u003e \u003cp\u003eDesign Characteristics 496\u003c\/p\u003e \u003cp\u003eLife-Cycle Assessments and Costs 498\u003c\/p\u003e \u003cp\u003eFurniture Types 498\u003c\/p\u003e \u003cp\u003eSeating 498\u003c\/p\u003e \u003cp\u003eTabular Units (Tables) 505\u003c\/p\u003e \u003cp\u003eSleeping Units 505\u003c\/p\u003e \u003cp\u003eStorage Units 506\u003c\/p\u003e \u003cp\u003eTask Units (Desks) 510\u003c\/p\u003e \u003cp\u003eSystems Furniture 512\u003c\/p\u003e \u003cp\u003eSpecialized Furniture 516\u003c\/p\u003e \u003cp\u003eFurniture Materials and Construction 517\u003c\/p\u003e \u003cp\u003eWood 517\u003c\/p\u003e \u003cp\u003eMetals 519\u003c\/p\u003e \u003cp\u003ePlastics 521\u003c\/p\u003e \u003cp\u003eUpholstered Furniture 521\u003c\/p\u003e \u003cp\u003eFor Further Reading 523\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 17 Furnishings and Equipment 525\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFurnishings 525\u003c\/p\u003e \u003cp\u003eAccessories 527\u003c\/p\u003e \u003cp\u003eArtwork 529\u003c\/p\u003e \u003cp\u003ePlants 536\u003c\/p\u003e \u003cp\u003eSignage and Graphics 540\u003c\/p\u003e \u003cp\u003eEquipment 544\u003c\/p\u003e \u003cp\u003eResidential Equipment 545\u003c\/p\u003e \u003cp\u003eOffice Equipment 545\u003c\/p\u003e \u003cp\u003eHealthcare Equipment 546\u003c\/p\u003e \u003cp\u003eHospitality Equipment 546\u003c\/p\u003e \u003cp\u003eRetail Equipment 546\u003c\/p\u003e \u003cp\u003eInstitutional Equipment 546\u003c\/p\u003e \u003cp\u003eFor Further Reading 547\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePART SIX: ASPECTS OF PROFESSIONAL PRACTICE\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 18 Design Communication 549\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDrawing as Design Communication 552\u003c\/p\u003e \u003cp\u003eArchitectural Graphics 553\u003c\/p\u003e \u003cp\u003eArchitectural Drawings 553\u003c\/p\u003e \u003cp\u003eThree-Dimensional Drawings 566\u003c\/p\u003e \u003cp\u003eDigital Media for Design Communication 573\u003c\/p\u003e \u003cp\u003ePhotography 574\u003c\/p\u003e \u003cp\u003eVideos 574\u003c\/p\u003e \u003cp\u003eModels as Design Communication 574\u003c\/p\u003e \u003cp\u003eConceptual Models 575\u003c\/p\u003e \u003cp\u003eStudy Models 575\u003c\/p\u003e \u003cp\u003ePresentation Models 575\u003c\/p\u003e \u003cp\u003eBuilding the Model 575\u003c\/p\u003e \u003cp\u003eMaterials, Techniques, and Reproduction 578\u003c\/p\u003e \u003cp\u003eDrawing Papers and Boards 578\u003c\/p\u003e \u003cp\u003eDrawing and Lettering Aids 578\u003c\/p\u003e \u003cp\u003eBlueprints and Photographic Reproduction 578\u003c\/p\u003e \u003cp\u003eOral and Written Communication 578\u003c\/p\u003e \u003cp\u003eOral Dialogue 578\u003c\/p\u003e \u003cp\u003eWritten Communication 579\u003c\/p\u003e \u003cp\u003eComputers in Interior Design 580\u003c\/p\u003e \u003cp\u003eComputer Digital Manipulation 580\u003c\/p\u003e \u003cp\u003eDatabases and Spreadsheets 580\u003c\/p\u003e \u003cp\u003eWord Processing 581\u003c\/p\u003e \u003cp\u003ePutting the Presentation Together 581\u003c\/p\u003e \u003cp\u003eFor Further Reading 582\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCHAPTER 19 The Professional Practice of Interior Design—Business and Management 583\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eInterior Design as a Business 583\u003c\/p\u003e \u003cp\u003eResidential and Nonresidential Practice 583\u003c\/p\u003e \u003cp\u003eSpecialization 584\u003c\/p\u003e \u003cp\u003eTypes of Services Offered 584\u003c\/p\u003e \u003cp\u003eEntering the Business World 584\u003c\/p\u003e \u003cp\u003eBusiness Operations 585\u003c\/p\u003e \u003cp\u003eTypes of Business Organizations 585\u003c\/p\u003e \u003cp\u003eOperational Goals and Objectives 586\u003c\/p\u003e \u003cp\u003eMarketing, Public Relations, Ethics 590\u003c\/p\u003e \u003cp\u003eBusiness Consultants 590\u003c\/p\u003e \u003cp\u003eFees and Compensation 591\u003c\/p\u003e \u003cp\u003eContractual Agreements 591\u003c\/p\u003e \u003cp\u003eBookkeeping and Accounting 594\u003c\/p\u003e \u003cp\u003eProject Management 594\u003c\/p\u003e \u003cp\u003eDesign Teams and Staff Organization 596\u003c\/p\u003e \u003cp\u003eProject Consultants and Resources 597\u003c\/p\u003e \u003cp\u003eThe Client’s Budget and Costs 598\u003c\/p\u003e \u003cp\u003eProject Scheduling 598\u003c\/p\u003e \u003cp\u003eProfessionalism and Regulation in Interior Design 606\u003c\/p\u003e \u003cp\u003eFor Further Reading 606\u003c\/p\u003e \u003cp\u003eGlossary 607\u003c\/p\u003e \u003cp\u003eindex 619\u003c\/p\u003e  \u003cp\u003e\u003cb\u003eROSEMARY KILMER, ASID, IDEC, LEED® AP,\u003c\/b\u003e and \u003cb\u003eW. OTIE KILMER, AIA,\u003c\/b\u003e are both Professors Emeritis of interior design at Purdue University. Rosemary Kilmer has served on the Board of Directors for the NCIDQ exam. She is also a member of professional associations, as well as being an Accredited LEED Professional. W. Otie Kilmer has taught design and drawing for over 30 years. His successful career as an architect and interior designer has included work with high-profile international design firms. The authors lead their own design practice, Kilmer and Associates.\u003c\/p\u003e  \u003cp\u003e\u003cb\u003e\u003ci\u003eNow Updated!\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe classic introduction to interior design\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eHighly acclaimed, \u003ci\u003eDesigning Interiors\u003c\/i\u003e opened up the world of interior design for a generation of professionals. Now, the \u003ci\u003eSecond Edition\u003c\/i\u003e is poised to usher in a new era of design and a new generation of interior designers.\u003c\/p\u003e \u003cp\u003eThis comprehensive revision includes a brand new introduction to non-Western design, preparing readers to enter the profession in a global millennium. This new section on non-European interiors covers design and architecture in Africa, China, Japan, India, the Islamic world, and the Pre-Columbian Americas. Readers will also learn about European design from the Classical period through the Victorian age.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eDesigning Interiors\u003c\/i\u003e, Second Edition provides vital information on 21st century design trends and key issues related to building codes. Most importantly, \u003ci\u003eDesigning Interiors\u003c\/i\u003e covers the one issue no one can ignore today: sustainability. This \u003ci\u003eSecond Edition\u003c\/i\u003e provides detailed information on the sustainability concerns of wood, masonry, ceramics, plastics, and other materials.\u003c\/p\u003e \u003cp\u003eThis book introduces key fundamentals, including:\u003c\/p\u003e \u003cul\u003e \u003cli\u003ePrinciples of design\u003c\/li\u003e \u003cli\u003eColor and light\u003c\/li\u003e \u003cli\u003eThe design process and programming\u003c\/li\u003e \u003cli\u003eResidential \u0026amp; commercial interiors\u003c\/li\u003e \u003cli\u003eCodes and regulations\u003c\/li\u003e \u003cli\u003eMaterials, furniture, and lighting\u003c\/li\u003e \u003cli\u003eGlobalization and Social Responsibility\u003c\/li\u003e \u003cli\u003eBusiness management\u003c\/li\u003e \u003cli\u003eEnvironmentally responsive design\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eFor the big-picture understanding of 21st century demands, a complete grasp of sustainable architecture and interiors is vital—and also included in the \u003ci\u003eSecond Edition\u003c\/i\u003e of \u003ci\u003eDesigning Interiors\u003c\/i\u003e.\u003c\/p\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":47989049164005,"sku":"NP9781118024645","price":112.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781118024645.jpg?v=1761782583","url":"https:\/\/k12savings.com\/es\/products\/designing-interiors-isbn-9781118024645","provider":"K12savings","version":"1.0","type":"link"}