{"product_id":"contemporary-debates-in-aesthetics-and-the-philosophy-of-art-isbn-9781405102391","title":"Contemporary Debates in Aesthetics and the Philosophy of Art","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eContemporary Debates in Aesthetics and the Philosophy of Art\u003c\/i\u003e features pairs of newly commissioned essays by some of the leading theorists working in the field today.\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eBrings together fresh debates on eleven of the most controversial issues in aesthetics and the philosophy of art\u003c\/li\u003e \u003cli\u003eTopics addressed include the nature of beauty, aesthetic experience, artistic value, and the nature of our emotional responses to art.\u003c\/li\u003e \u003cli\u003eEach question is treated by a pair of opposing essays written by eminent scholars, and especially commissioned for the volume.\u003c\/li\u003e \u003cli\u003eLively debate format sharply defines the issues, and paves the way for further discussion.\u003c\/li\u003e \u003cli\u003eWill serve as an accessible introduction to the major topics in aesthetics, while also capturing the imagination of professional philosophers\u003c\/li\u003e \u003c\/ul\u003e  Acknowledgments. \u003cp\u003eNotes on Contributors.\u003c\/p\u003e \u003cp\u003eIntroduction: A Conceptual Map of Issues in Aesthetics and the Philosophy of Art (Matthew Kieran).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eHOW ARE ARTISTIC EXPERIENCE AND VALUE INTER-RELATED?\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e1. Aesthetic Empiricism and the Challenge of Fakes and Ready-mades (Gordon Graham).\u003c\/p\u003e \u003cp\u003e2. Against Enlightened Empiricism (David Davies).\u003c\/p\u003e \u003cp\u003eReferences and Suggested Reading.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIN WHAT DOES TRUE BEAUTY CONSIST?\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e3. Beauty and Ugliness in and out of Context (Marcia Muelder Eaton).\u003c\/p\u003e \u003cp\u003e4. Terrible Beauties (Carolyn Korsmeyer).\u003c\/p\u003e \u003cp\u003eReferences and Suggested Reading.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWHAT IS THE NATURE OF AESTHETIC EXPERIENCE?\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e5. Aesthetic Experience: A Question of Content (Noël Carroll).\u003c\/p\u003e \u003cp\u003e6. The Aesthetic State of Mind (Gary Iseminger).\u003c\/p\u003e \u003cp\u003eReferences and Suggested Reading.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSHOULD WE VALUE WORKS AS ART FOR WHAT WE CAN LEARN FROM THEM?\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e7. Art and Cognition (Berys Gaut).\u003c\/p\u003e \u003cp\u003e8. Cognitive Values in the Arts: Marking the Boundaries (Peter Lamarque).\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eHOW DO PICTURES REPRESENT?\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e9. The Speaking Image: Visual Communication and the Nature of Depiction (Robert Hopkins).\u003c\/p\u003e \u003cp\u003e10. The Domain of Depiction (Dominic McIver Lopes).\u003c\/p\u003e \u003cp\u003eReferences and Suggested Reading.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWHAT CONSTITUTES ARTISTIC EXPRESSION?\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e11. Artistic Expression and the Hard Case of Pure Music (Stephen Davies).\u003c\/p\u003e \u003cp\u003e12. Musical Expressiveness as Hearability-as-Expression (Jerrold Levinson).\u003c\/p\u003e \u003cp\u003eReferences and Suggested Reading.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIN WHAT WAYS IS THE IMAGINATION INVOLVED IN ENGAGING WITH ARTWORKS?\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e13. Anne Brontë and the Uses of Imagination (Gregory Currie).\u003c\/p\u003e \u003cp\u003e14. Imagine That! (Jonathan M. Weinberg and Aaron Meskin).\u003c\/p\u003e \u003cp\u003eReferences and Suggested Reading.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCAN EMOTIONAL RESPONSES TO FICTION BE GENUINE AND RATIONAL?\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e15. Genuine Rational Fictional Emotions (Tamar Szabó Gendler and Karson Kovakovich).\u003c\/p\u003e \u003cp\u003e16. The Challenge of Irrationalism and How Not To Meet It (Derek Matravers).\u003c\/p\u003e \u003cp\u003eReferences and Suggested Reading.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIS ARTISTIC INTENTION RELEVANT TO THE INTERPRETATION OF ART WORKS?\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e17. Interpretation and the Problem of the Relevant Intention (Robert Stecker).\u003c\/p\u003e \u003cp\u003e18. Art, Meaning, and Artist’s Meaning (Daniel O. Nathan).\u003c\/p\u003e \u003cp\u003eReferences and Suggested Reading.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eARE THERE GENERAL PRINCIPLES OF EVALUATION?\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e19. There are no Aesthetic Principles (Alan H. Goldman).\u003c\/p\u003e \u003cp\u003e20. Iron, Leather and Critical Principles (George Dickie).\u003c\/p\u003e \u003cp\u003eReferences and Suggested Reading.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWHAT ARE THE RELATIONS BETWEEN THE MORAL AND AESTHETIC VALUES OF ART?\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e21. Artistic Value and Opportunistic Moralism (Eileen John).\u003c\/p\u003e \u003cp\u003e22. Ethical Criticism and The Vice of Moderation (Daniel Jacobson).\u003c\/p\u003e \u003cp\u003eReferences and Suggested Reading.\u003c\/p\u003e \u003cp\u003eIndex.\u003c\/p\u003e  “These lively debates by some of today’s most prominent philosophers of art explore the multiple ways the arts engage our cognition, imagination, emotions, and even our moral sensibilities. The accessibility of these discussions makes them ideal for classroom use, while their range and depth make them equally of interest to philosophers who work in the field.” \u003ci\u003eSusan Feagin, Temple University\u003c\/i\u003e\u003cbr\u003e \u003cp\u003e\u003cbr\u003e \u003c\/p\u003e \u003cp\u003e“By virtue of its astute selection of topics and distinguished contributors, this volume will help to advance debate on a number of central issues in contemporary aesthetics. It also provides an excellent central text for a cutting-edge course on the subject.” \u003ci\u003ePaisley Livingston, Lingnan University\u003c\/i\u003e\u003c\/p\u003e \u003cb\u003eMatthew Kieran\u003c\/b\u003e is Senior Lecturer in Philosophy at the University of Leeds. He is author of \u003ci\u003eMedia Ethics: A Philosophical Approach \u003c\/i\u003e(1997) and \u003ci\u003eRevealing Art\u003c\/i\u003e (2005), and editor of \u003ci\u003eMedia Ethics \u003c\/i\u003e(1998) and \u003ci\u003eImagination, Philosophy and the Arts \u003c\/i\u003e(with Dominic Lopes, 2003).  \u003ci\u003eContemporary Debates in Aesthetics and the Philosophy of Art\u003c\/i\u003e features 22 original essays by leading authors in aesthetics and the philosophy of art. A pair of contrasting essays addresses each of eleven distinct issues, including the nature of beauty, aesthetic experience, artistic value, and the nature of our emotional responses to art.\u003cbr\u003e \u003cp\u003eThe contributions to this volume provide a thorough introduction to the major topics in contemporary aesthetics and the philosophy of art, in the distinctive format of philosophers engaging in head-to-head debate at a level accessible to the nonexpert.\u003cbr\u003e \u003c\/p\u003e \u003cp\u003eShowcasing original arguments for well-defined positions, as well as clear and concise statements of sophisticated philosophical views, this volume is an excellent resource for professional philosophers and students alike.\u003c\/p\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Default Title","offer_id":47988981235941,"sku":"NP9781405102391","price":140.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781405102391.jpg?v=1761782302","url":"https:\/\/k12savings.com\/es\/products\/contemporary-debates-in-aesthetics-and-the-philosophy-of-art-isbn-9781405102391","provider":"K12savings","version":"1.0","type":"link"}