{"product_id":"canadian-poetry-from-the-beginnings-through-the-first-world-war-isbn-9780771093647","title":"Canadian Poetry from the Beginnings Through the First World War","description":"This is the only anthology to present a full history of Canadian poetry — from the early 1600s through the expansiveness of poetic activity during the 18th and 19th centuries and into the flourishing first decades of the 20th century. The editors have compiled works from over 50 poets, including the verse of Isabella Valancy Crawford, Bliss Carman, Archibald Lampman and Duncan Campbell Scott, and several long narrative poems, including Oliver Goldsmith's \"The Rising Village\" and Crawford's \"Malcolm's Katie.\"\u003cb\u003ePart One: Foundations\u003c\/b\u003e\u003cbr\u003eRobert Hayman (1575–1629)\u003cbr\u003efrom \u003ci\u003eQuodlibets \u003c\/i\u003e\u003cbr\u003e \u003cbr\u003eHenry Kelsey (1667?–1724)\u003cbr\u003erhymed prologue to his \u003ci\u003eJournals \u003c\/i\u003e\u003cbr\u003e \u003cbr\u003eDonncha Rua Mac Conmara (c. 1716–1810)\u003cbr\u003eDonncha Rua i dTalamh an Éisc \u003cbr\u003e \u003cbr\u003eAnonymous (1745)\u003cbr\u003eNathaniel’s Tilt \u003cbr\u003e \u003cbr\u003eAnonymous (1750)\u003cbr\u003eNova Scotia. A New Ballad \u003cbr\u003e \u003cbr\u003eJoseph Stansbury (1740–1809)\u003cbr\u003eTo Cordelia \u003cbr\u003e \u003cbr\u003eDeborah How Cottnam (“Portia”) (1728–1806)\u003cbr\u003eOn Being Asked What Recollection Was \u003cbr\u003eA piece for a Sampler \u003cbr\u003e \u003cbr\u003eHenry Alline (1748–1784)\u003cbr\u003efrom \u003ci\u003eHymns and Spiritual Songs\u003c\/i\u003e\u003cbr\u003eBook I, Hymn LII: The conduct of most sailors \u003cbr\u003eBook III, Hymn VI: Sion comforted, or religion reviving \u003cbr\u003e \u003cbr\u003eJacob Bailey (1731–1808)\u003cbr\u003e[Verse Against the New Lights] \u003cbr\u003e \u003cbr\u003eAnne Hecht (\u003ci\u003efl. \u003c\/i\u003e1786)\u003cbr\u003eAdvice to Mrs. Mowat \u003cbr\u003e \u003cbr\u003eRoger Viets (1738–1811)\u003cbr\u003e\u003ci\u003eAnnapolis-Royal \u003c\/i\u003e\u003cbr\u003e \u003cbr\u003eJonathan Odell (1737–1818)\u003cbr\u003eOur thirty-ninth Wedding day \u003cbr\u003eThe Comet of 1811 \u003cbr\u003eThe Battle of Queen’s Town, Upper Canada \u003cbr\u003e \u003cbr\u003eGriselda Tonge (c. 1803–1825)\u003cbr\u003eTo My Dear Grandmother, on her 80th Birth Day \u003cbr\u003e \u003cbr\u003eOliver Goldsmith (1794–1861)\u003cbr\u003e\u003ci\u003eThe Rising Village \u003c\/i\u003e\u003cbr\u003e \u003cbr\u003eAnonymous (1829)\u003cbr\u003eCanadian Boat-Song \u003cbr\u003e \u003cbr\u003eAnonymous (1838)\u003cbr\u003eThe Fight at Montgomery’s \u003cbr\u003e \u003cbr\u003eM. Ethelind Sawtell (\u003ci\u003efl. \u003c\/i\u003e1840–1851)\u003cbr\u003eAchievements of a Volunteer Corps \u003cbr\u003eThe Indian’s Refusal \u003cbr\u003e \u003cbr\u003eDouglas Huyghue (“Eugene”) (1816–1891)\u003cbr\u003eThe Miner’s Tale \u003cbr\u003e \u003cbr\u003eGeorge William Gillespie (\u003ci\u003ed. \u003c\/i\u003e1847)\u003cbr\u003eThe Canadian Dominie’s Lament \u003cbr\u003eLines on Canada \u003cbr\u003eCanadian Woodsman’s Farewell to His Log House \u003cbr\u003e \u003cbr\u003eGeorge Copway (Kah-ge-ga-gah-bowh) (1818–1869)\u003cbr\u003e[Once More I See My Fathers’ Land] \u003cbr\u003e[War Song] (1847) \u003cbr\u003e[War Song] (1850) \u003cbr\u003e \u003cbr\u003eCharles Sangster (1822–1893)\u003cbr\u003eOn Queenston Heights \u003cbr\u003e\u003ci\u003efrom \u003c\/i\u003eSonnets, Written in the Orillia Woods \u003cbr\u003eMidnight Sonnet 1874–’75 \u003cbr\u003e \u003cbr\u003eAlexander Mclachlan (1818–1896)\u003cbr\u003eWe Live in a Rickety House \u003cbr\u003eThe Anglo-Saxon \u003cbr\u003eYoung Canada Or Jack’s as Good as His Master \u003cbr\u003eThe Man Who Rose From Nothing \u003cbr\u003eCartha Again \u003cbr\u003e \u003cbr\u003ePamelia Vining Yule (1826–1897)\u003cbr\u003eThe Beech-Nut Gatherer \u003cbr\u003eThe Drunkard’s Child \u003cbr\u003e \u003cbr\u003eRosanna Eleanor Mullins Leprohon (1829–1879)\u003cbr\u003eHusband and Wife \u003cbr\u003eGiven and Taken \u003cbr\u003e \u003cbr\u003eCharles Heavysege (1816–1876)\u003cbr\u003esonnets from \u003ci\u003eJephtha’s Daughter \u003c\/i\u003e\u003cbr\u003e \u003cbr\u003eJames Anderson (1842–1923)\u003cbr\u003eThe Prospector’s Shanty \u003cbr\u003eSong of the Mine \u003cbr\u003e \u003cbr\u003eJohn Arthur Phillips (1842–1907)\u003cbr\u003eThe Factory Girl \u003cbr\u003e \u003cbr\u003eAnonymous (1873)\u003cbr\u003eA Popular Creed \u003cbr\u003e \u003cbr\u003eJames Mcintyre (1827–1906)\u003cbr\u003eOde on the Mammoth Cheese \u003cbr\u003e \u003cbr\u003eAgnes Maule Machar (“Fidelis”) (1837–1927)\u003cbr\u003eQuebec to Ontario: A Plea for the Life of Riel, September, 1885 \u003cbr\u003eRondeau \u003cbr\u003eOur Lads to the Front! \u003cbr\u003e \u003cbr\u003eCharles Mair (1838–1927)\u003cbr\u003e“The Song” from “The Last Bison” \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cb\u003ePart Two: Continuations\u003c\/b\u003e\u003cbr\u003eIsabella Valancy Crawford (1850–1887)\u003cbr\u003e“Love Me, Love My Dog” \u003cbr\u003eMarch \u003cbr\u003eLove’s Forget-Me-Not \u003cbr\u003eThe Dark Stag \u003cbr\u003eThe Canoe \u003cbr\u003eThe Hidden Room \u003cbr\u003e\u003ci\u003eMalcolm’s Katie: A Love Story \u003c\/i\u003e\u003cbr\u003e \u003cbr\u003eWilliam Wilfred Campbell (1860?–1918)\u003cbr\u003eIndian Summer \u003cbr\u003eThe Winter Lakes \u003cbr\u003eAugust Evening on the Beach, Lake Huron \u003cbr\u003eHow Spring Came (To the Lake Region) \u003cbr\u003eOn the Ledge \u003cbr\u003eThe Dread Voyage \u003cbr\u003eMorning on the Shore \u003cbr\u003eAt Even \u003cbr\u003eThe Lazarus of Empire \u003cbr\u003eBereavement of the Fields \u003cbr\u003e \u003cbr\u003eCharles G.D. Roberts (1860–1943)\u003cbr\u003eTo Fredericton in May-Time \u003cbr\u003eTantramar Revisited \u003cbr\u003eThe Poet Is Bidden to Manhattan Island \u003cbr\u003eAn Ode for the Canadian Confederacy \u003cbr\u003eThe Potato Harvest \u003cbr\u003eSeverance \u003cbr\u003eThe Mowing \u003cbr\u003eThe Flight of the Geese \u003cbr\u003eThe Winter Fields \u003cbr\u003eThe Pea-Fields \u003cbr\u003eThe Salt Flats \u003cbr\u003eAve! (An Ode for the Shelley Centenary, 1892) \u003cbr\u003eThe Herring Weir \u003cbr\u003eIn an Old Barn \u003cbr\u003eIn a City Room \u003cbr\u003eThe Fear of Love \u003cbr\u003eThe Skater \u003cbr\u003eHeat in the City \u003cbr\u003ePhilander’s Song \u003cbr\u003eGoing Over \u003cbr\u003eThe Iceberg \u003cbr\u003eAs Down the Woodland Ways \u003cbr\u003e \u003cbr\u003eBliss Carman (1861–1929)\u003cbr\u003eLow Tide on Avon \u003cbr\u003eLow Tide on Grand Pré \u003cbr\u003eA Windflower \u003cbr\u003eThe Eavesdropper \u003cbr\u003eA Sea Child \u003cbr\u003eThe Ships of St. John \u003cbr\u003eNoons of Poppy \u003cbr\u003eA Vagabond Song \u003cbr\u003eThe Lanterns of St. Eulalie \u003cbr\u003efrom \u003ci\u003eSappho: One Hundred Lyrics \u003c\/i\u003e\u003cbr\u003eBefore the Snow \u003cbr\u003eThe Ghost-yard of the Goldenrod \u003cbr\u003eWild Geese \u003cbr\u003eThe Winter Scene \u003cbr\u003eMay in the Selkirks \u003cbr\u003e \u003cbr\u003eArchibald Lampman (1862–1899)\u003cbr\u003eLove Doubt [The Growth of Love I] \u003cbr\u003eFor my Darling [The Growth of Love II] \u003cbr\u003eAmong the Timothy \u003cbr\u003eMorning on the Lièvre \u003cbr\u003eThe Railway Station \u003cbr\u003eIn November [sonnet] \u003cbr\u003eHeat \u003cbr\u003eA Night of Storm \u003cbr\u003eSolitude \u003cbr\u003eWinter Evening \u003cbr\u003eA January Morning \u003cbr\u003eEvening \u003cbr\u003eIn November \u003cbr\u003eAcross the Pea-Fields \u003cbr\u003eA Sunset on the Lower St. Lawrence [A Sunset at Les Eboulements] \u003cbr\u003eTo a Millionaire \u003cbr\u003eThe City of the End of Things \u003cbr\u003eWhite Pansies \u003cbr\u003eOn Lake Temiscamingue \u003cbr\u003e\u003ci\u003efrom \u003c\/i\u003eA Portrait in Six Sonnets \u003cbr\u003eIn the Wilds \u003cbr\u003eWinter Uplands \u003cbr\u003e \u003cbr\u003eDuncan Campbell Scott (1862–1947)\u003cbr\u003eOttawa \u003cbr\u003eAt the Cedars \u003cbr\u003eThe Onondaga Madonna \u003cbr\u003eWatkwenies \u003cbr\u003eNight Hymns on Lake Nipigon \u003cbr\u003eThe Forsaken \u003cbr\u003eDulse Gathering \u003cbr\u003eThe Wood Peewee \u003cbr\u003eThe Height of Land \u003cbr\u003eThe Closed Door \u003cbr\u003eTo a Canadian Aviator Who Died for His Country in France \u003cbr\u003eEn Route \u003cbr\u003eAt Gull Lake: August, 1810 \u003cbr\u003eChiostro Verde \u003cbr\u003e \u003cbr\u003eSophia Almon Hensley (1866–1946)\u003cbr\u003eRondeau – When Summer Comes \u003cbr\u003eSlack Tide \u003cbr\u003eTriumph \u003cbr\u003eGuiltless \u003cbr\u003eSomewhere in France \u003cbr\u003e \u003cbr\u003eSusan Frances Harrison (“Seranus”) (1859–1935)\u003cbr\u003eMarch \u003cbr\u003eInterim \u003cbr\u003eLes Chantiers \u003cbr\u003eSeptember \u003cbr\u003eNiagara in Winter \u003cbr\u003e \u003cbr\u003ePauline Johnson (1861–1913)\u003cbr\u003eRe-Voyage \u003cbr\u003eThe Song My Paddle Sings \u003cbr\u003eOjistoh \u003cbr\u003eMarshlands \u003cbr\u003eThe Idlers \u003cbr\u003eThe Corn Husker \u003cbr\u003eLow Tide at St. Andrews \u003cbr\u003eLullaby of the Iroquois \u003cbr\u003eSilhouette \u003cbr\u003eThe Train Dogs \u003cbr\u003e \u003cbr\u003eKate Simpson Hayes (1852–1943)\u003cbr\u003eRiel \u003cbr\u003ePrairie Verses \u003cbr\u003e \u003cbr\u003eAgnes Ethelwyn Wetherald (1857–1940)\u003cbr\u003eOctober \u003cbr\u003eThe Humming-bird \u003cbr\u003eJune Apples \u003cbr\u003eThe World Well Lost \u003cbr\u003eA Winter Picture \u003cbr\u003eEach to Her Own \u003cbr\u003eHester Prynne Speaks \u003cbr\u003e \u003cbr\u003eMarie Joussaye (1864?–1949)\u003cbr\u003eOnly a Working Girl \u003cbr\u003eTwo Poets \u003cbr\u003e \u003cbr\u003eFrancis Sherman (1871–1926)\u003cbr\u003eIn Memorabilia Mortis \u003cbr\u003eThe Last Storm \u003cbr\u003eThe Watch \u003cbr\u003eTo Doctor John Donne \u003cbr\u003eSo, After All, When All Is Said and Done \u003cbr\u003e \u003cbr\u003eF.G. Scott (1861–1944)\u003cbr\u003eThe Unnamed Lake \u003cbr\u003eThe Penalty \u003cbr\u003eCall Back Our Dead \u003cbr\u003e \u003cbr\u003eFrances Jones Bannerman (1855–1944)\u003cbr\u003eWolf-Head \u003cbr\u003eLove Belated \u003cbr\u003eI Would Not, Dear \u003cbr\u003e \u003cbr\u003eMay Austin Low (1863–1958)\u003cbr\u003eThe Coming of the \u003ci\u003eRoslyn Castle \u003c\/i\u003e\u003cbr\u003e \u003cbr\u003eMarjorie Pickthall (1883–1922)\u003cbr\u003ePersephone Returning to Hades \u003cbr\u003eA Mother in Egypt \u003cbr\u003ePère Lalemant \u003cbr\u003eThe Green Month \u003cbr\u003eThe Pool \u003cbr\u003eInheritance \u003cbr\u003eThe Wife \u003cbr\u003e \u003cbr\u003eRobert Service (1874–1958)\u003cbr\u003eThe Shooting of Dan McGrew \u003cbr\u003eThe Stretcher-Bearer \u003cbr\u003eMy Cross \u003cbr\u003e \u003cbr\u003eChief K’hhalserten Sepass (1841?–1943)\u003cbr\u003eThe Beginning of the World \u003cbr\u003e \u003cbr\u003eJohn Mccrae (1872–1918)\u003cbr\u003eIn Flanders Fields \u003cbr\u003e \u003cbr\u003eHelena Coleman (1860–1953)\u003cbr\u003eOh, Not When April Wakes the Daffodils \u003cbr\u003eConvocation Hall \u003cbr\u003eWhen First He Put the Khaki On \u003cbr\u003e \u003cbr\u003eFrank Prewett (1893–1962)\u003cbr\u003eThe Somme Valley, 1917 \u003cbr\u003eCard Game \u003cbr\u003eEpigram \u003cbr\u003eBurial Stones \u003cbr\u003eThe Soldier \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eAfterword \u003cbr\u003eCopy-Texts \u003cbr\u003eIndex of Authors and TitlesCAROLE GERSON is Professor Emerita in the English department at Simon Fraser University. She is co-editor of volume 3 (1918-1980) of \u003ci\u003eHistory of the Book in Canada\u003c\/i\u003e, author of \u003ci\u003eCanadian Women in Print, 1750-1918\u003c\/i\u003e, which won the Gabrielle Roy Prize for Canadian criticism, and co-author of \u003ci\u003eHearing More Voices: English-Canadian Women in Print and on the Air, 1914-1960 \u003c\/i\u003ewith Peggy Lynn Kelly. She is the recipient of the Marie Tremaine medal from the Bibliographical Society of Canada.\u003cbr\u003e\u003cbr\u003eGWENDOLYN DAVIES is Dean Emerita of Graduate Studies at the University of New Brunswick. She has authored, edited, and co-edited seven books, as well as over sixty book chapters and articles. She is the recipient of the Queen's Jubilee Medal for her contribution to Canadian Studies and has been made a Fellow of the Royal Society of Canada.","brand":"New Canadian Library","offers":[{"title":"Default Title","offer_id":46302666621157,"sku":"NP9780771093647","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780771093647.jpg?v=1767723332","url":"https:\/\/k12savings.com\/es\/products\/canadian-poetry-from-the-beginnings-through-the-first-world-war-isbn-9780771093647","provider":"K12savings","version":"1.0","type":"link"}