{"product_id":"bartlett-designs-isbn-9780470772799","title":"Bartlett Designs","description":"\u003ci\u003eBartlett Designs: Speculating with Architecture\u003c\/i\u003e communicates a new message about the importance of inventive and well-designed architecture and its relevance to the wider public. Highly visual, this unique resource features full-color images showcasing the newest generation of designers. Visually stunning, the text is richly illustrated with drawings and both computer-aided and hand-crafted models. It demonstrates to both professionals and the interested public the Bartlett School of Architecture's continued interest in cutting-edge aesthetics, while also engaging with core issues, such as sustainability, housing, and the design of public urban space.  Bartlett Designs (Iain Borden).  \u003cp\u003eA Colourworks Royal Victoria Docks, London (Johan Berglund).\u003c\/p\u003e \u003cp\u003eAll the Fun of the Circus (David Roy)\u003c\/p\u003e \u003cp\u003eAllegorical House and Registry Office, Mexico City (Costa Elia).\u003c\/p\u003e \u003cp\u003eAuction House, London (Tom Holberton).\u003c\/p\u003e \u003cp\u003eAural Experience (Jacob Paskins).\u003c\/p\u003e \u003cp\u003eBankrupts’ Institute, Venice (Ben Clement).\u003c\/p\u003e \u003cp\u003eBasilica of San Clemente, Rome (Kenny Tsui).\u003c\/p\u003e \u003cp\u003eBerlin Infection (Peter Kidger).\u003c\/p\u003e \u003cp\u003eBiotechnology of Breakfast (Sacha Leong).\u003c\/p\u003e \u003cp\u003eBlossoming of Perspective (Penelope Haralambidou).\u003c\/p\u003e \u003cp\u003eCamden Market Council, London (Dean Pike).\u003c\/p\u003e \u003cp\u003eCapacitor, Lea Valley, London (Yumi Saito).\u003c\/p\u003e \u003cp\u003eCarbon Casino (Richard Bevan).\u003c\/p\u003e \u003cp\u003eCasino, Brownsea Island, Poole (mark Ng).\u003c\/p\u003e \u003cp\u003eCathedral and Catacomb for a Cultural Treasure (Kevin Bai).\u003c\/p\u003e \u003cp\u003eCinema and Lecture Theatres, Venice (Christopher Wong).\u003c\/p\u003e \u003cp\u003eClothed House (Zoe Quick).\u003c\/p\u003e \u003cp\u003eCollections of a Mud Lark (Sarah Bromley).\u003c\/p\u003e \u003cp\u003eContinua (Neil Spiller, Simon Herron and Susanne Isa).\u003c\/p\u003e \u003cp\u003eCortical Plasticity (Dan Farmer).\u003c\/p\u003e \u003cp\u003eCosmic House, Trafalgar Square, London (Tim Norman).\u003c\/p\u003e \u003cp\u003eCulture (Ben Campkin and cj Lim).\u003c\/p\u003e \u003cp\u003eDeath Academy (James Hampton).\u003c\/p\u003e \u003cp\u003eDigital Poetics (Marjan Colletti).\u003c\/p\u003e \u003cp\u003eDog Racing Track, Baku (Rhys Cannon).\u003c\/p\u003e \u003cp\u003eDoing Un-doing Over-doing Re-doing (Sophie Handler).\u003c\/p\u003e \u003cp\u003eDomestic Sedimentary Space (Lisa Silver).\u003c\/p\u003e \u003cp\u003eDrawing On Chance (Yeoryia Manolopaulou).\u003c\/p\u003e \u003cp\u003eDreaming of Flight (Tristan Wigfall).\u003c\/p\u003e \u003cp\u003eEfflorescent Drawing Device (Ryan Martin).\u003c\/p\u003e \u003cp\u003eElements, Kai Tak City (Jan Kattein).\u003c\/p\u003e \u003cp\u003eEmperor’s Castle, Tokyo (Thomas Hillier).\u003c\/p\u003e \u003cp\u003eEnglish Tropical Garden, Isles of Scilly (Thomas Dunn).\u003c\/p\u003e \u003cp\u003eEnvironmental Parasite, London (Jacobus Strauss).\u003c\/p\u003e \u003cp\u003eFabrication (Bob Shell, Mark Smout and Marjan Colletti).\u003c\/p\u003e \u003cp\u003eFish Farm, Camargue (Massimo Minale).\u003c\/p\u003e \u003cp\u003eFloating City 2030 (Anthony Lau).\u003c\/p\u003e \u003cp\u003eFlood House, Rhine Delta (Matthew Butcher).\u003c\/p\u003e \u003cp\u003eFlotsam and Jetsam (Michael Garnett).\u003c\/p\u003e \u003cp\u003eFunerary Landscape (Asif Khan).\u003c\/p\u003e \u003cp\u003eGlobal Warming Causes Frozen Music to Melt (Bethany Wells).\u003c\/p\u003e \u003cp\u003eGout Clinic, Swindon (Michael Aling).\u003c\/p\u003e \u003cp\u003eGreasy Spoon Café, Lincoln’s Inn Fields (David Gouldstone).\u003c\/p\u003e \u003cp\u003eGulliver (Joerg Majer).\u003c\/p\u003e \u003cp\u003eHooke’s Invisible Monument (Matt Wilkinson).\u003c\/p\u003e \u003cp\u003eHorseriders’ Hostel, Paracutin (Agnieszka Glowacka).\u003c\/p\u003e \u003cp\u003eHotel Room (Dora Sweijd).\u003c\/p\u003e \u003cp\u003eIcelandic Parliament, Thingvellir (Ben Ridley).\u003c\/p\u003e \u003cp\u003eImagination (Jack Spencer Ashworth).\u003c\/p\u003e \u003cp\u003eInhabitable Flesh of Architecture (Marcos Cruz).\u003c\/p\u003e \u003cp\u003eInhabiting Infrastructures, Levittown (John Ashton).\u003c\/p\u003e \u003cp\u003eInstallation Projects (Year 1).\u003c\/p\u003e \u003cp\u003eInstrumental Architectures (Kyle Buchanan).\u003c\/p\u003e \u003cp\u003eIntensive Care Installation (Ian David).\u003c\/p\u003e \u003cp\u003eInteraction (Marcos Cruz and Stephen Gage).\u003c\/p\u003e \u003cp\u003eInteractive Devices (Phillip Waind).\u003c\/p\u003e \u003cp\u003eIntimate Encounter (Lilian Chee).\u003c\/p\u003e \u003cp\u003eIsland Works (Harriet Lee).\u003c\/p\u003e \u003cp\u003eJames Bond Tableau (Doug Hodgson, Imran Jahn, Emma James, Arati Khanna and Poppy Kirkwood).\u003c\/p\u003e \u003cp\u003eLand of Scattered Seeds (John Puttick).\u003c\/p\u003e \u003cp\u003eLandscape (Laura Allen and Yeoryia Manolopoulou).\u003c\/p\u003e \u003cp\u003eLondon After the Rain (Ben Olszyna-Marzys).\u003c\/p\u003e \u003cp\u003eLiving Tower, New York (Rory Harmer).\u003c\/p\u003e \u003cp\u003eLuxor by Horse (Dimitrios Argyros).\u003c\/p\u003e \u003cp\u003eMade in China (Jimmy Hung).\u003c\/p\u003e \u003cp\u003eMagicians’ Theatre, Rome (Sara Shafiei).\u003c\/p\u003e \u003cp\u003eMinistry of Pestilence (Kate Davies).\u003c\/p\u003e \u003cp\u003eMobile Appliances for the Hells Angels (Caspar Rodgers).\u003c\/p\u003e \u003cp\u003eNano-Prosthetics (Glen Tomlin).\u003c\/p\u003e \u003cp\u003eNarration (Jonathan Hill and Jane Rendell).\u003c\/p\u003e \u003cp\u003eNational Park of the Interior (John Norman).\u003c\/p\u003e \u003cp\u003eObservatory and Ticket Office, Foro Romano, Rome (Ben Cowd).\u003c\/p\u003e \u003cp\u003eOne Million Square Feet of Love (Nicholas Henderson).\u003c\/p\u003e \u003cp\u003eOpera House, Gibraltar (Harriet Lee).\u003c\/p\u003e \u003cp\u003eOpium Refinery, London (Owen Jones).\u003c\/p\u003e \u003cp\u003ePalais Idéal (Bastian Glassner).\u003c\/p\u003e \u003cp\u003eParliament Building, Hong Kong (Andrew Stanforth).\u003c\/p\u003e \u003cp\u003ePatent Office and Archive, London (Luke Chandresinghe).\u003c\/p\u003e \u003cp\u003ePerceptual Observatory, Greenwich (Steve Westcott).\u003c\/p\u003e \u003cp\u003ePerformative Ecologies (Ruairi Glynn).\u003c\/p\u003e \u003cp\u003ePerformed City (Abigail Yeates).\u003c\/p\u003e \u003cp\u003ePerfumery and Exercise Facility (Tom Holberton).\u003c\/p\u003e \u003cp\u003ePie Shop, Bloomsbury, London (Ian Laurence, Karl Normanton and Frances Taylor).\u003c\/p\u003e \u003cp\u003ePilgrimage Chapel, Rome (Jay Williams).\u003c\/p\u003e \u003cp\u003ePostcards from Dorothy (Cynthia Leung).\u003c\/p\u003e \u003cp\u003eProcess (Colin Fournier and Christine Hawley).\u003c\/p\u003e \u003cp\u003eProsthetic Mythologies (Kate Davies and Emmanuel Vercruysse).\u003c\/p\u003e \u003cp\u003eReflexive Lagoon (Irini Androutsopoulou).\u003c\/p\u003e \u003cp\u003eRemote Prosthetics (Michael Wihart).\u003c\/p\u003e \u003cp\u003eResonant Observatory, UCL (Tim Barwell).\u003c\/p\u003e \u003cp\u003eRetirement Home, Newcastle-upon-Tyne (Luke Pearson).\u003c\/p\u003e \u003cp\u003eRobert Street Cabinet (Umut Yamac).\u003c\/p\u003e \u003cp\u003eSalammbô (Martha Markopoulou).\u003c\/p\u003e \u003cp\u003eSalt Youth Hostel, (James Daykin).\u003c\/p\u003e \u003cp\u003eScape (Eva Christina Sommeregger).\u003c\/p\u003e \u003cp\u003eScriptwriters’ Retreat, Barcelona (Sarah Custance).\u003c\/p\u003e \u003cp\u003eSeismological Research Centre, Porto (John Craske).\u003c\/p\u003e \u003cp\u003eShip Cultivation, Epping Forest, London (Christian Kerrigan).\u003c\/p\u003e \u003cp\u003eSocial Club and Distillery (John Oliver).\u003c\/p\u003e \u003cp\u003eSonic Feedback Machine (Richard Roberts).\u003c\/p\u003e \u003cp\u003eSpectral Turn Around Venice (Luke Jones).\u003c\/p\u003e \u003cp\u003eStations of the Cross, St Ignatius of Loyola, Rome (Melissa Clinch).\u003c\/p\u003e \u003cp\u003eStolen Kiss (Fiona Sheppard).\u003c\/p\u003e \u003cp\u003eStrange Ducks (Simon Kennedy).\u003c\/p\u003e \u003cp\u003eSymphonic Canon, Valletta (Pascal Bronner).\u003c\/p\u003e \u003cp\u003eSynthetic Syncretism (Tobias Klein).\u003c\/p\u003e \u003cp\u003eTextile Reading Room (Lucy Leonard).\u003c\/p\u003e \u003cp\u003eThe Graduation, UCL (Ian Laurence and Karl Normanton).\u003c\/p\u003e \u003cp\u003eThe Trial (Dan Brady).\u003c\/p\u003e \u003cp\u003eTherapeutic Park, Shanghai (Masaki Kakizoe and Kenny Tsui).\u003c\/p\u003e \u003cp\u003eTimes Square Tower, New York (Jonathan Mizzi).\u003c\/p\u003e \u003cp\u003eToward a Material Poetics (Kristen Kreider).\u003c\/p\u003e \u003cp\u003eToy City, Shanghai (Nat Keast).\u003c\/p\u003e \u003cp\u003eTube Driver’s House, Brighton (Dale Elliott).\u003c\/p\u003e \u003cp\u003eTuneable City (Melissa Appleton).\u003c\/p\u003e \u003cp\u003eTwenty-Three Box Brownie Cameras (Daniel Swift Gibbs).\u003c\/p\u003e \u003cp\u003eUncle Toby’s Garden (Catherine Irvine).\u003c\/p\u003e \u003cp\u003eUnfolding Mobile Architecture (Daniel Hall).\u003c\/p\u003e \u003cp\u003e(Un)Natural History Society, London (Anton Ambrose).\u003c\/p\u003e \u003cp\u003eUrbanisms (Nic Clear and Iain Borden).\u003c\/p\u003e \u003cp\u003eWatching, Waiting (Alex McAsian).\u003c\/p\u003e \u003cp\u003eWeights and Measures Institute: le Concombre (Gregory Jones).\u003c\/p\u003e \u003cp\u003eWhale House, Madeira (Aaron Lim).\u003c\/p\u003e \u003cp\u003eWhirl of Wonders! Josie Kane).\u003c\/p\u003e \u003cp\u003eWhisky Distillery, Arizona (Richard Hardy).\u003c\/p\u003e \u003cp\u003eWordrobe (Olivia Gordon).\u003c\/p\u003e \u003cp\u003eSummer Show.\u003c\/p\u003e \u003cp\u003eIndex.\u003c\/p\u003e \u003cp\u003eBartlett Designs (IainBorden).\u003c\/p\u003e \u003cp\u003eAColourworks Royal Victoria Docks, London (Johan Berglund).\u003c\/p\u003e \u003cp\u003eAll the Fun of the Circus (David Roy)\u003c\/p\u003e \u003cp\u003eAllegorical House and Registry Office, Mexico City (Costa Elia).\u003c\/p\u003e \u003cp\u003eAuction House, London (Tom Holberton).\u003c\/p\u003e \u003cp\u003eAural Experience (Jacob Paskins).\u003c\/p\u003e \u003cp\u003eBankrupts’ Institute, Venice (Ben Clement).\u003c\/p\u003e \u003cp\u003eBasilica of San Clemente, Rome (Kenny Tsui).\u003c\/p\u003e \u003cp\u003eBerlin Infection (Peter Kidger).\u003c\/p\u003e \u003cp\u003eBiotechnology of Breakfast (Sacha Leong).\u003c\/p\u003e \u003cp\u003eBlossoming of Perspective (Penelope Haralambidou).\u003c\/p\u003e \u003cp\u003eCamden Market Council, London (Dean Pike).\u003c\/p\u003e \u003cp\u003eCapacitor, Lea Valley, London (Yumi Saito).\u003c\/p\u003e \u003cp\u003eCarbon Casino (Richard Bevan).\u003c\/p\u003e \u003cp\u003eCasino, Brownsea Island, Poole (mark Ng).\u003c\/p\u003e \u003cp\u003eCathedral and Catacomb for a Cultural Treasure (Kevin Bai).\u003c\/p\u003e \u003cp\u003eCinema and Lecture Theatres, Venice (Christopher Wong).\u003c\/p\u003e \u003cp\u003eClothed House (Zoe Quick).\u003c\/p\u003e \u003cp\u003eCollections of a Mud Lark (Sarah Bromley).\u003c\/p\u003e \u003cp\u003eContinua (Neil Spiller, Simon Herron and Susanne Isa).\u003c\/p\u003e \u003cp\u003eCortical Plasticity (Dan Farmer).\u003c\/p\u003e \u003cp\u003eCosmic House, Trafalgar Square, London (Tim Norman).\u003c\/p\u003e \u003cp\u003eCulture (Ben Campkin and cj Lim).\u003c\/p\u003e \u003cp\u003eDeath Academy (James Hampton).\u003c\/p\u003e \u003cp\u003eDigital Poetics (Marjan Colletti).\u003c\/p\u003e \u003cp\u003eDog Racing Track, Baku (Rhys Cannon).\u003c\/p\u003e \u003cp\u003eDoing Un-doing Over-doing Re-doing (Sophie Handler).\u003c\/p\u003e \u003cp\u003eDomestic Sedimentary Space (Lisa Silver).\u003c\/p\u003e \u003cp\u003eDrawing On Chance (Yeoryia Manolopaulou).\u003c\/p\u003e \u003cp\u003eDreaming of Flight (Tristan Wigfall).\u003c\/p\u003e \u003cp\u003eEfflorescent Drawing Device (Ryan Martin).\u003c\/p\u003e \u003cp\u003eElements, Kai Tak City (Jan Kattein).\u003c\/p\u003e \u003cp\u003eEmperor’s Castle, Tokyo (Thomas Hillier).\u003c\/p\u003e \u003cp\u003eEnglish Tropical Garden, Isles of Scilly (Thomas Dunn).\u003c\/p\u003e \u003cp\u003eEnvironmental Parasite, London (Jacobus Strauss).\u003c\/p\u003e \u003cp\u003eFabrication (Bob Shell, Mark Smout and Marjan Colletti).\u003c\/p\u003e \u003cp\u003eFish Farm, Camargue (Massimo Minale).\u003c\/p\u003e \u003cp\u003eFloating City 2030 (Anthony Lau).\u003c\/p\u003e \u003cp\u003eFlood House, Rhine Delta (Matthew Butcher).\u003c\/p\u003e \u003cp\u003eFlotsam and Jetsam (Michael Garnett).\u003c\/p\u003e \u003cp\u003eFunerary Landscape (Asif Khan).\u003c\/p\u003e \u003cp\u003eGlobal Warming Causes Frozen Music to Melt (Bethany Wells).\u003c\/p\u003e \u003cp\u003eGout Clinic, Swindon (Michael Aling).\u003c\/p\u003e \u003cp\u003eGreasy Spoon Café, Lincoln’s Inn Fields (David Gouldstone).\u003c\/p\u003e \u003cp\u003eGulliver (Joerg Majer).\u003c\/p\u003e \u003cp\u003eHooke’s Invisible Monument (Matt Wilkinson).\u003c\/p\u003e \u003cp\u003eHorseriders’ Hostel, Paracutin (Agnieszka Glowacka).\u003c\/p\u003e \u003cp\u003eHotel Room (Dora Sweijd).\u003c\/p\u003e \u003cp\u003eIcelandic Parliament, Thingvellir (Ben Ridley).\u003c\/p\u003e \u003cp\u003eImagination (Jack Spencer Ashworth).\u003c\/p\u003e \u003cp\u003eInhabitable Flesh of Architecture (Marcos Cruz).\u003c\/p\u003e \u003cp\u003eInhabiting Infrastructures, Levittown (John Ashton).\u003c\/p\u003e \u003cp\u003eInstallation Projects (Year 1).\u003c\/p\u003e \u003cp\u003eInstrumental Architectures (Kyle Buchanan).\u003c\/p\u003e \u003cp\u003eIntensive Care Installation (Ian David).\u003c\/p\u003e \u003cp\u003eInteraction (Marcos Cruz and Stephen Gage).\u003c\/p\u003e \u003cp\u003eInteractive Devices (Phillip Waind).\u003c\/p\u003e \u003cp\u003eIntimate Encounter (Lilian Chee).\u003c\/p\u003e \u003cp\u003eIsland Works (Harriet Lee).\u003c\/p\u003e \u003cp\u003eJames Bond Tableau (Doug Hodgson, Imran Jahn, Emma James, Arati Khanna and Poppy Kirkwood).\u003c\/p\u003e \u003cp\u003eLand of Scattered Seeds (John Puttick).\u003c\/p\u003e \u003cp\u003eLandscape (Laura Allen and Yeoryia Manolopoulou).\u003c\/p\u003e \u003cp\u003eLondon After the Rain (Ben Olszyna-Marzys).\u003c\/p\u003e \u003cp\u003eLiving Tower, New York (Rory Harmer).\u003c\/p\u003e \u003cp\u003eLuxor by Horse (Dimitrios Argyros).\u003c\/p\u003e \u003cp\u003eMade in China (Jimmy Hung).\u003c\/p\u003e \u003cp\u003eMagicians’ Theatre, Rome (Sara Shafiei).\u003c\/p\u003e \u003cp\u003eMinistry of Pestilence (Kate Davies).\u003c\/p\u003e \u003cp\u003eMobile Appliances for the Hells Angels (Caspar Rodgers).\u003c\/p\u003e \u003cp\u003eNano-Prosthetics (Glen Tomlin).\u003c\/p\u003e \u003cp\u003eNarration (Jonathan Hill and Jane Rendell).\u003c\/p\u003e \u003cp\u003eNational Park of the Interior (John Norman).\u003c\/p\u003e \u003cp\u003eObservatory and Ticket Office, Foro Romano, Rome (Ben Cowd).\u003c\/p\u003e \u003cp\u003eOne Million Square Feet of Love (Nicholas Henderson).\u003c\/p\u003e \u003cp\u003eOpera House, Gibraltar (Harriet Lee).\u003c\/p\u003e \u003cp\u003eOpium Refinery, London (Owen Jones).\u003c\/p\u003e \u003cp\u003ePalais Idéal (Bastian Glassner).\u003c\/p\u003e \u003cp\u003eParliament Building, Hong Kong (Andrew Stanforth).\u003c\/p\u003e \u003cp\u003ePatent Office and Archive, London (Luke Chandresinghe).\u003c\/p\u003e \u003cp\u003ePerceptual Observatory, Greenwich (Steve Westcott).\u003c\/p\u003e \u003cp\u003ePerformative Ecologies (Ruairi Glynn).\u003c\/p\u003e \u003cp\u003ePerformed City (Abigail Yeates).\u003c\/p\u003e \u003cp\u003ePerfumery and Exercise Facility (Tom Holberton).\u003c\/p\u003e \u003cp\u003ePie Shop, Bloomsbury, London (Ian Laurence, Karl Normanton and Frances Taylor).\u003c\/p\u003e \u003cp\u003ePilgrimage Chapel, Rome (Jay Williams).\u003c\/p\u003e \u003cp\u003ePostcards from Dorothy (Cynthia Leung).\u003c\/p\u003e \u003cp\u003eProcess (Colin Fournier and Christine Hawley).\u003c\/p\u003e \u003cp\u003eProsthetic Mythologies (Kate Davies and Emmanuel Vercruysse).\u003c\/p\u003e \u003cp\u003eReflexive Lagoon (Irini Androutsopoulou).\u003c\/p\u003e \u003cp\u003eRemote Prosthetics (Michael Wihart).\u003c\/p\u003e \u003cp\u003eResonant Observatory, UCL (Tim Barwell).\u003c\/p\u003e \u003cp\u003eRetirement Home, Newcastle-upon-Tyne (Luke Pearson).\u003c\/p\u003e \u003cp\u003eRobert Street Cabinet (Umut Yamac).\u003c\/p\u003e \u003cp\u003eSalammbô (Martha Markopoulou).\u003c\/p\u003e \u003cp\u003eSalt Youth Hostel, (James Daykin).\u003c\/p\u003e \u003cp\u003eScape (Eva Christina Sommeregger).\u003c\/p\u003e \u003cp\u003eScriptwriters’ Retreat, Barcelona (Sarah Custance).\u003c\/p\u003e \u003cp\u003eSeismological Research Centre, Porto (John Craske).\u003c\/p\u003e \u003cp\u003eShip Cultivation, Epping Forest, London (Christian Kerrigan).\u003c\/p\u003e \u003cp\u003eSocial Club and Distillery (John Oliver).\u003c\/p\u003e \u003cp\u003eSonic Feedback Machine (Richard Roberts).\u003c\/p\u003e \u003cp\u003eSpectral Turn Around Venice (Luke Jones).\u003c\/p\u003e \u003cp\u003eStations of the Cross, St Ignatius of Loyola, Rome (Melissa Clinch).\u003c\/p\u003e \u003cp\u003eStolen Kiss (Fiona Sheppard).\u003c\/p\u003e \u003cp\u003eStrange Ducks (Simon Kennedy).\u003c\/p\u003e \u003cp\u003eSymphonic Canon, Valletta (Pascal Bronner).\u003c\/p\u003e \u003cp\u003eSynthetic Syncretism (Tobias Klein).\u003c\/p\u003e \u003cp\u003eTextile Reading Room (Lucy Leonard).\u003c\/p\u003e \u003cp\u003eThe Graduation, UCL (Ian Laurence and Karl Normanton).\u003c\/p\u003e \u003cp\u003eThe Trial (Dan Brady).\u003c\/p\u003e \u003cp\u003eTherapeutic Park, Shanghai (Masaki Kakizoe and Kenny Tsui).\u003c\/p\u003e \u003cp\u003eTimes Square Tower, New York (Jonathan Mizzi).\u003c\/p\u003e \u003cp\u003eToward a Material Poetics (Kristen Kreider).\u003c\/p\u003e \u003cp\u003eToy City, Shanghai (Nat Keast).\u003c\/p\u003e \u003cp\u003eTube Driver’s House, Brighton (Dale Elliott).\u003c\/p\u003e \u003cp\u003eTuneable City (Melissa Appleton).\u003c\/p\u003e \u003cp\u003eTwenty-Three Box Brownie Cameras (Daniel Swift Gibbs).\u003c\/p\u003e \u003cp\u003eUncle Toby’s Garden (Catherine Irvine).\u003c\/p\u003e \u003cp\u003eUnfolding Mobile Architecture (Daniel Hall).\u003c\/p\u003e \u003cp\u003e(Un)Natural History Society, London (Anton Ambrose).\u003c\/p\u003e \u003cp\u003eUrbanisms (Nic Clear and Iain Borden).\u003c\/p\u003e \u003cp\u003eWatching, Waiting (Alex McAsian).\u003c\/p\u003e \u003cp\u003eWeights and Measures Institute: le Concombre (Gregory Jones).\u003c\/p\u003e \u003cp\u003eWhale House, Madeira (Aaron Lim).\u003c\/p\u003e \u003cp\u003eWhirl of Wonders! (Josie Kane).\u003c\/p\u003e \u003cp\u003eWhisky Distillery, Arizona (Richard Hardy).\u003c\/p\u003e \u003cp\u003eWordrobe (Olivia Gordon).\u003c\/p\u003e \u003cp\u003eSummer Show.\u003c\/p\u003e \u003cp\u003eIndex.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIain Borden\u003c\/b\u003e is an architectural historian and urban commentator. He has written and edited several books. He is Head of the Bartlett School of Architecture, where he is Professor of Architecture and Urban Culture and Director of Architectural History and Theory.\u003c\/p\u003e The Bartlett School of Architecture at UCL is one of the world’s leading places at which to study and teach architecture. Every year it attracts hundreds of students from around to world to come and participate in its highly experimental and rigorous range of architecture programmes. Its graduates have won an extraordinary range of prizes on the international stage, and are highly sought after by architectural practices globally. \u003cp\u003e\u003ci\u003eBartlett Designs: Speculating With Architecture\u003c\/i\u003e is a collection of the very best of this student work from the last decade. Through a detailed presentation of over 170 student projects, each succinctly explained by the individual tutors concerned, the book shows how architectural designs and ideas can creatively address some of the world’s most pressing urban and social problems through buildings and other forms of architectural invention. The wide range of projects on show deal inventively with such important issues as cultural identity, housing, climate change, health and public space, as well as architectural concerns with the imagination of exciting forms and aesthetic languages.\u003c\/p\u003e \u003cp\u003eComplementing the student projects is a series of short and provocative essays written by tutors at the school. Ranging from landscape to buildings, from urbanism to interaction, from making to advanced technology, these essays postulate a series of manifestoes and agendas – and so both create a conceptual framework around the incredible variety of student work on display, and suggest some of the most current and pertinent agendas for architecture today.\u003c\/p\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":47988788822245,"sku":"NP9780470772799","price":40.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9780470772799.jpg?v=1761781596","url":"https:\/\/k12savings.com\/es\/products\/bartlett-designs-isbn-9780470772799","provider":"K12savings","version":"1.0","type":"link"}