{"product_id":"art-crime-isbn-9781644213261","title":"Art \u0026 Crime","description":"\u003cb\u003eHere are stories of high-stakes, brazen art crimes from around the world with new insights on ongoing cases by two journalists counted among the most 100 influential people in the art business.\u003cbr\u003e\u003cbr\u003e\"True crime fans and aficionados of culture will appreciate this dive into the dark side of the art world.\" —\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe art world is one of the most secretive—and largely unregulated—of global businesses, and the list of its crimes run long and deep. The extent of the economic and cultural damage that results from criminality in the global art scene rarely comes to light. By turns thrilling, disturbing, and unbelievable, the cases explored in this book include \"artnapping\"—stealing art to collect a ransom—tax fraud, forgery, money laundering, and illegal excavations. The book includes coverage of:\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eThe 1911 theft of the Mona Lisa from the Louvre\u003c\/li\u003e\n\u003cli\u003eA 2017 sensational case of a 220 lb Canadian gold coin from Berlin's Bode Museum\u003c\/li\u003e\n\u003cli\u003eThe Isabella Stewart Gardner Museum heist\u003c\/li\u003e\n\u003cli\u003eA section on the thriving market for Mondigliani forgaries\u003c\/li\u003e\n\u003cli\u003eThe ill-gotten art collection of former First Lady of the Philippines, Imelda Marcos\u003c\/li\u003e\n\u003cli\u003eArt stolen by the Nazis during WWII, and the enduring business of forgeries of Hitler's own paintings\u003c\/li\u003e\n\u003cli\u003ePresident Donald Trump's practice of using his charitable fund to buy art, including a portrait of himself\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eTrue crime and art history lovers will devour this thoroughly researched and fascinating book.\u003cbr\u003e\u003cb\u003e \u003c\/b\u003e\"In \u003ci\u003eArt \u0026amp; Crime\u003c\/i\u003e, German journalists Stefan Koldehoff and Tobias Timm detail the doings of a rogue’s gallery of art scammers, rascals and outright thieves. The action ranges from European watering holes to the New York townhouse of Imelda Marcos to the free port warehouses of Geneva and Singapore, where works of art, legally obtained and otherwise, can be discreetly traded.\"\u003cb\u003e—\u003ci\u003eThe Washington Post\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"The tales they tell in \u003ci\u003eArt and Crime\u003c\/i\u003e are hair-raising. Some are well known and go back decades; others are more recent and involve prominent international figures. \"—\u003ci\u003e\u003cb\u003eFinancial Times\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"In this \u003cb\u003eengrossing \u003c\/b\u003eaccount, Koldehoff and Timm (\u003ci\u003eFalse Pictures, Real Money\u003c\/i\u003e) survey the link between art and crime, starting with the 1911 theft of the \u003ci\u003eMona Lisa\u003c\/i\u003e from the Louvre and including such recent sensational cases as the 2017 theft of a 220-lb. Canadian gold coin from Berlin’s Bode Museum. The authors make the case that in today’s unregulated art world, many crimes are committed for laundering drug money or hiding stolen assets. (To this day, the FBI suspects the Mafia was behind the unsolved 1990 robbery of 13 works of art from the Isabella Stewart Gardner Museum in Boston.) While most readers know about the art stolen by the Nazis during WWII, it will be news to many that forgeries of Hitler’s own paintings, most of them fake according to one expert, remain a lucrative business. One chapter, “The Fakes President,” describes how President Trump siphoned funds from his charitable fund to buy art, including a portrait of himself. The authors also cover how, when Trump had the Bonwit Teller building demolished to build Trump Tower, he reneged on his promise to preserve the building’s Art Deco friezes and donate them to the Metropolitan Museum of Art—which was technically not a crime. Assured prose bolsters these fascinating tales. \u003cb\u003eTrue crime fans and aficionados of culture will appreciate this dive into the dark side of the art world.\u003c\/b\u003e \u003ci\u003e(Dec.)\"\u003cbr\u003e\u003cb\u003e—Publishers Weekly\u003cbr\u003e\u003c\/b\u003e\u003c\/i\u003e \u003cbr\u003e\"The theft of the Mona Lisa and Hitler's collection of looted art: both figure in this  tome byjournalists Stefan Koldehoff and Tobias Timm. The book mulls the art world's obsession with crime, stopping along the way to peel back the mystery surrounding a charitable fund from which Donald Trump allegedly diverted money in order to buy paintings.\" \u003ci\u003e\u003cb\u003e \u003cbr\u003e—ArtNews \u003cbr\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\"There are so many exciting stories in this book that read like any crime thriller by Agatha Christie.\"\u003cb\u003e \u003cbr\u003e\u003c\/b\u003e—\u003cb\u003eWDR 5\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\"An incredible book...It's as exciting to read as any thriller and is yet so carefully researched that none of it can be attributed to the imagination of Stefan Koldehoff and Tobias Timm\" —Laura Helena Wurth, \u003cb\u003e\u003ci\u003eDer Freitag\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e“A clearly organised, sharply written and engaging addition to the genre of art-market crime compendiums.”\u003cb\u003e\u003cbr\u003e \u003ci\u003e—Ben Lewis, The Art Newspaper\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eSTEFAN KOLDEHOFF\u003c\/b\u003e, born in 1967, is culture editor at \u003ci\u003eDeutschlandfunk\u003c\/i\u003e in Cologne, and writes for \u003ci\u003eDie Zeit\u003c\/i\u003e and \u003ci\u003eart - Das Kunstmagazine\u003c\/i\u003e among other publications. In 2008 he received the Puk journalist prize for his investigative research. In 2012, he and Tobias Timm published \u003ci\u003eFalse Pictures, Real Money\u003c\/i\u003e on the Beltracchi case. The book was awarded the Prix Annette Giacometti and the Otto Brenner Prize. Galiani also published his books \u003ci\u003eThe Pictures Are Among Us: The Nazi-Looted Art Business and the Gurlitt Case\u003c\/i\u003e (2014) and \u003ci\u003eMe and Van Gogh: Pictures, Collectors and Their Adventurous Stories \u003c\/i\u003e(2015). \u003cb\u003eTOBIAS TIMM\u003c\/b\u003e, born in 1975 in Munich, studied urban ethnology, history, and cultural studies in Berlin and New York. He writes for \u003ci\u003eDie Zeit\u003c\/i\u003e's feature pages from Berlin on architecture, art, and crime. In 2012, he and Stefan Koldehoff published \u003ci\u003eFake Paintings, Real Money\u003c\/i\u003e on the Beltracchi case. The book was awarded the Prix Annette Giacometti and the Otto Brenner Prize. Both authors were recently counted among the 100 most influential people in the art business by the national German magazine \u003ci\u003emonopol\u003c\/i\u003e.","brand":"Seven Stories Press","offers":[{"title":"Default Title","offer_id":46301620535525,"sku":"NP9781644213261","price":21.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781644213261.jpg?v=1767721799","url":"https:\/\/k12savings.com\/es\/products\/art-crime-isbn-9781644213261","provider":"K12savings","version":"1.0","type":"link"}