{"product_id":"architectural-drawing-isbn-9781118012871","title":"Architectural Drawing","description":"\u003cp\u003e\u003cb\u003eThe classic architectural drawing compendium now in a richly updated edition\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eToday's most comprehensive compendium of architectural drawing types and methods, both hand drawn and computer generated, \u003ci\u003eArchitectural Drawing: A Visual Compendium of Types and Methods\u003c\/i\u003e remains a one-of-a-kind visual reference and an outstanding source of guidance and inspiration for students and professionals at every level. \u003c\/p\u003e\u003cp\u003eThis \u003ci\u003eFourth Edition\u003c\/i\u003e has been thoroughly updated to reflect the growing influence of digital drawing. Features include: \u003c\/p\u003e\u003cul\u003e \u003cli\u003eMore than 1,500 drawings and photographs that demonstrate the various principles, methods, and types of architectural drawing\u003c\/li\u003e \u003cli\u003eExamples by an impressive array of notable architects and firms, including Tadao Ando, Asymptote, Santiago Calatrava, Coop Himmelb(l)au, Norman Foster, Frank Gehry, Zaha Hadid, Steven Holl, Arata Isozaki, Toyo Ito, Gudmundur Jonsson, Kohn Pedersen Fox, Ricardo Legorreta, Morphosis, Patkau Architects, Pei Partnership Architects LLP, Renzo Piano, Antoine Predock, SANAA, David Serero, Studio Daniel Libeskind, Studio Gang, Bing Thom, Tod Williams and Billie Tsien, and UN Studio\u003c\/li\u003e \u003cli\u003eA brand new chapter, \"Introduction to the Digital-Manual Interface\" which covers how digital and traditional drawing techniques can be used in conjunction with each other\u003c\/li\u003e \u003cli\u003eA new chapter on guidelines for portfolio building\u003c\/li\u003e \u003cli\u003eContent organized in a streamlined, easy-to-use fashion\u003c\/li\u003e \u003cli\u003eSupplementary online instructor resources, including PowerPoint slides tied to the book\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\"This volume reveals how architects approach drawing as a process wherein ideas are given form. As a tool for teaching, these examples become important in students' understanding of the formal and technical aspects of design thought. In an age of digital technologies, this work emphasizes the intimate relationship that exists between the drawing and its maker, the process between paper, hand, and mind.\" \u003cb\u003eLaRaine Papa Montgomery, Professor of Architecture\/Graphics Coordinator, Savannah College of Art and Design\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\"This book contains a wealth of information on architectural graphic communication. My students have found this to be an invaluable resource for graphic presentation techniques ranging from traditional hand drawing to advanced computer graphics. It features an amazingly wide range of examples including both student work and professional work by renowned architects. With the addition of a new chapter on portfolio design, this new edition illustrates the full gamut of graphic communication skills from the conceptual sketch through the documentation of the final portfolio.\" \u003cb\u003eMark A. Pearson, AIA, LEED AP, Associate Professor of Architecture, College of DuPage\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\"This book should be in the library of all architecture and design students as well as practicing professionals. The richness and variety of hand-drawn and digital illustrations by students and architects offers deep insight into the many drawing types and methods used today. The section on portfolios is a helpful and timely addition.\" \u003cb\u003eProfessor Michael Hagge, Chair, Department of Architecture, The University of Memphis\u003c\/b\u003e Preface to the Fourth Edition \u003c\/p\u003e\u003cp\u003ePreface to the Third Edition ix\u003c\/p\u003e \u003cp\u003ePreface to the Second Edition x\u003c\/p\u003e \u003cp\u003ePreface to the First Edition xii\u003c\/p\u003e \u003cp\u003e1. Representational Drawing 1\u003c\/p\u003e \u003cp\u003e2. Diagramming and Conceptual Sketching 35\u003c\/p\u003e \u003cp\u003e3. Introduction to Digital\/Manual Design-Drawing Interface 91\u003cbr\u003e\u003ci\u003eWilliam Chan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4. Conventional Orthogonal Terminology 133\u003c\/p\u003e \u003cp\u003e5. Orthographic and Paraline Drawing 161\u003c\/p\u003e \u003cp\u003e6. Linear Perspective Drawing 225\u003c\/p\u003e \u003cp\u003e7. Light, Shade, and Shadow 329\u003c\/p\u003e \u003cp\u003e8. Presentation Formats 375\u003c\/p\u003e \u003cp\u003e9. Introduction to Portfolio Building 451\u003c\/p\u003e \u003cp\u003eEpilogue 473\u003c\/p\u003e \u003cp\u003eDrawing Exercises 475\u003c\/p\u003e \u003cp\u003eAppendix. Tool Fundamentals, Lettering, Line Types, Sections in Action\u003c\/p\u003e \u003cp\u003eBibliography 655\u003c\/p\u003e \u003cp\u003eAbout the Author 657\u003c\/p\u003e \u003cp\u003eSubject Index 659\u003c\/p\u003e \u003cp\u003eContributor Index 668\u003c\/p\u003e \u003cp\u003eWeb site Contributor Index 672\u003c\/p\u003e \u003cp\u003eContents of Companion Web Site (\u003ca href=\"http:\/\/www.wiley.com\/go\/yee\"\u003ewww.wiley.com\/go\/yee\u003c\/a\u003e)\u003c\/p\u003e \u003cp\u003e10. Conventional and Computerized Representation in Color\u003c\/p\u003e \u003cp\u003e11. Interfacing Manual with Digital Media\u003c\/p\u003e \u003cp\u003eProfessional Office Example: Case Studies of Architects Antoine Predock and Zaha Hadid\u003c\/p\u003e \u003cp\u003e12. Interfacing Manual with Digital Media\u003c\/p\u003e \u003cp\u003eAcademic Studio Examples\u003c\/p\u003e \u003cp\u003eWebsite Appendix\u003c\/p\u003e  \u003cp\u003e\u003cb\u003eRENDOW YEE\u003c\/b\u003e has been a professor of architecture for more than twenty years. He is a former Chair of the Architecture Department at the City College of San Francisco.   \u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe classic architectural drawing compendium now in a richly updated edition\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eToday's most comprehensive compendium of architectural drawing types and methods, both hand drawn and computer generated, \u003ci\u003eArchitectural Drawing: A Visual Compendium of Types and Methods\u003c\/i\u003e remains a one-of-a-kind visual reference and an outstanding source of guidance and inspiration for students and professionals at every level. \u003c\/p\u003e\u003cp\u003eThis \u003ci\u003eFourth Edition\u003c\/i\u003e has been thoroughly updated to reflect the growing influence of digital drawing. Features include: \u003c\/p\u003e\u003cul\u003e \u003cli\u003eMore than 1,500 drawings and photographs that demonstrate the various principles, methods, and types of architectural drawing\u003c\/li\u003e \u003cli\u003eExamples by an impressive array of notable architects and firms, including Tadao Ando, Asymptote, Santiago Calatrava, Coop Himmelb(l)au, Norman Foster, Frank Gehry, Zaha Hadid, Steven Holl, Arata Isozaki, Toyo Ito, Gudmundur Jonsson, Kohn Pedersen Fox, Ricardo Legorreta, Morphosis, Patkau Architects, Pei Partnership Architects LLP, Renzo Piano, Antoine Predock, SANAA, David Serero, Studio Daniel Libeskind, Studio Gang, Bing Thom, Tod Williams and Billie Tsien, and UN Studio\u003c\/li\u003e \u003cli\u003eA brand new chapter, \"Introduction to the Digital-Manual Interface\" which covers how digital and traditional drawing techniques can be used in conjunction with each other\u003c\/li\u003e \u003cli\u003eA new chapter on guidelines for portfolio building\u003c\/li\u003e \u003cli\u003eContent organized in a streamlined, easy-to-use fashion\u003c\/li\u003e \u003cli\u003eSupplementary online instructor resources, including PowerPoint slides tied to the book\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\"This volume reveals how architects approach drawing as a process wherein ideas are given form. As a tool for teaching, these examples become important in students' understanding of the formal and technical aspects of design thought. In an age of digital technologies, this work emphasizes the intimate relationship that exists between the drawing and its maker, the process between paper, hand, and mind.\" \u003cb\u003eLaRaine Papa Montgomery, Professor of Architecture\/Graphics Coordinator, Savannah College of Art and Design\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\"This book contains a wealth of information on architectural graphic communication. My students have found this to be an invaluable resource for graphic presentation techniques ranging from traditional hand drawing to advanced computer graphics. It features an amazingly wide range of examples including both student work and professional work by renowned architects. With the addition of a new chapter on portfolio design, this new edition illustrates the full gamut of graphic communication skills from the conceptual sketch through the documentation of the final portfolio.\" \u003cb\u003eMark A. Pearson, AIA, LEED AP, Associate Professor of Architecture, College of DuPage\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\"This book should be in the library of all architecture and design students as well as practicing professionals. The richness and variety of hand-drawn and digital illustrations by students and architects offers deep insight into the many drawing types and methods used today. The section on portfolios is a helpful and timely addition.\" \u003cb\u003eProfessor Michael Hagge, Chair, Department of Architecture, The University of Memphis\u003c\/b\u003e\u003c\/p\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":47988759527653,"sku":"NP9781118012871","price":87.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781118012871.jpg?v=1761781481","url":"https:\/\/k12savings.com\/es\/products\/architectural-drawing-isbn-9781118012871","provider":"K12savings","version":"1.0","type":"link"}