American Midnight

A chilling anthology of 10 classic weird and supernatural tales from the dark heart of American literature, compiled and introduced by award-winning author Laird Hunt!

“Fireside stories where guilt, distress and unforeseen illness strike a deliciously gothic note.” — Sunday Express

A masquerade ball cut short by a mysterious plague; a strange nocturnal ritual in the woods; a black bobcat howling in the night: these 10 tales are some of the most strange and unsettling in all of American literature.

From Edgar Allan Poe to Shirley Jackson, Nathaniel Hawthorne to Zora Neale Hurston, the authors of these classics of supernatural suspense have inspired generations of writers to explore the dark heart of the land of the free.

Now beautifully repackaged in a stunning new paperback edition, this collection includes deliciously spine-tingling stories such as:

• 'Young Goodman Brown' by Nathaniel Hawthorne
• 'The Eyes' by Edith Wharton
• 'Spunk' by Zora Neale Hurston
• ‘A Ghost Story' by Mark Twain,
• 'The Yellow Wallpaper' by Charlotte Perkins Gilman
• and many more!

Selected and introduced by Laird Hunt, the prize-winning author of In the House in the Dark of the Woods, these stories are filled with unforgettable imagery and simmering with supernatural tension, making them some of the most important contributions to the genre of ‘weird fiction’ ever written.Introduction
The Masque of the Red Death, Edgar Allan Poe
Young Goodman Brown, Nathaniel Hawthorne
The Eyes, Edith Wharton
The Mask, Robert W. Chambers
Home, Shirley Jackson
A Ghost Story, Mark Twain
Spunk, Zora Neale Hurston
The Yellow Wallpaper, Charlotte Perkins Gilman
An Itinerant House, Emma Frances Dawson"Fireside stories where guilt, distress and unforeseen illness strike a deliciously gothic note." -- Sunday Express MagazineLaird Hunt is an American writer and translator. He has written seven novels, including Neverhome, which was a New York Times Book Review Editor's Choice selection, an IndieNext selection, winner of the Grand Prix de Littérature Américaine and The Bridge prize, and a finalist for the Prix Femina Étranger. His In the House in the Dark of the Woods is also available from Pushkin Press. A resident of Providence, Rhode Island, he teaches at Brown University.Introduction
“Shiver by shiver, we gain insight.”
Guillermo del Toro, Haunted Castles: The Complete Gothic Stories of Ray Russell
Somewhere around midnight, when I was 7 or 8 and staying with my family on my grandmother’s
Indiana farm, as I lay in a creaky bed in a small bedroom at the back of the old house, I saw the
ghost of a baby floating above me. The baby was life-sized and dressed in a stiff white gown. It was
glowing. And weeping. They were not tears of joy. I couldn’t move. The wailing grew louder,
almost siren-like, and this eventually released me. I sprang out of bed, threw off my covers. Howls
were coming from the room down the hall where my younger cousin was staying. By and by, I
could hear her parents telling her she’d had a nightmare and should go back to sleep. I went back
to sleep too.
In the morning when I told my parents about the ghost, they said that clearly I’d heard my cousin,
who was not much more than a baby herself, and so had dreamed up this visitor. I did not believe
them. I said that the sad little ghost had been summoned by my cousin’s crying, that it had slipped
in under the cover of her tears. In an investigative spirit, I asked my grandmother if any babies had
ever died on the farm. My grandmother, never one for soft-balling sharp truths, said that in fact she
herself had been in that inconvenient condition on the farm when she was first born, and that if a
doctor’s assistant hadn’t pumped icy water on her at the kitchen sink while the attending doctor
took care of her mother, she would be in that inconvenient condition still. My parents—ever eager
to rationalize and no doubt not yet far into their first cups of coffee—then said that probably I had
already heard this story about my grandmother’s still birth and revival without realizing it, and that
my cousin’s crying had helped craft the submerged memory into a nightmare.
“But I was awake the whole time! It was Grandma’s ghost! She sounded angry!” I said.
“Grandma is right here,” they said.
“But she died, she said so!” I said.
“Go out and play,” they said.
And that is what I did.