{"product_id":"a-chance-meeting-isbn-9781681378107","title":"A Chance Meeting","description":"\u003cb\u003eWeaving a tapestry of creativity and  circumstance, this lauded chronicle of the many links and serendipitous  meetings between giants of American culture—from Henry James to Gertrude  Stein to Zora Neale Hurston to Marcel Duchamp—now includes a new afterword by the author.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Rachel Cohen’s \u003ci\u003eA Chance Meeting\u003c\/i\u003e is a dazzling group portrait that offers a striking new vision of the making and remaking of the American mind and imagination from the Civil War to the Vietnam War. How does the happenstance of daily life become history? Cohen shows us, describing a series of, now boldly, now subtly, transformative encounters between a wide and surprising range of Americans. A young Henry James has his portrait taken by the photographer Mathew Brady—Brady, who will receive Walt Whitman in his studio and depict General Grant on the battlefield. Later, W.E.B. Du Bois and his professor William James visit Helen Keller; Edward Steichen and Alfred Stieglitz argue about photography; and Langston Hughes and Zora Neale Hurston write a play together. Throughout, Cohen’s narrative loops back and leaps forward with supreme agility, connecting, among others, Willa Cather, Elizabeth Bishop, Marianne Moore, Beauford Delaney, James Baldwin, and Richard Avedon. In \u003ci\u003eA Chance Meeting\u003c\/i\u003e, Rachel Cohen offers an abiding account of the continuing challenges and the astonishing achievements of American life.Chapter 1: \u003ci\u003eHenry James and Mathew Brady\u003c\/i\u003e\u003cbr\u003e Chapter 2: \u003ci\u003eWilliam Dean Howells and Annie Adams Fields and Walt Whitman\u003c\/i\u003e\u003cbr\u003e Chapter 3: \u003ci\u003eMathew Brady and Ulysses S. Grant\u003c\/i\u003e\u003cbr\u003e Chapter 4: \u003ci\u003eWilliam Dean Howells and Henry James\u003c\/i\u003e\u003cbr\u003e Chapter 5: \u003ci\u003eWalt Whitman and Matthew Brady\u003c\/i\u003e\u003cbr\u003e Chapter 6: \u003ci\u003eMark Twain and William Dean Howells\u003c\/i\u003e\u003cbr\u003e Chapter 7: \u003ci\u003eMark Twain and Ulysses S. Grant\u003c\/i\u003e\u003cbr\u003e Chapter 8: \u003ci\u003eW.E.B. Du Bois and William James\u003c\/i\u003e\u003cbr\u003e Chapter 9: \u003ci\u003eGertrude Stein and William James\u003c\/i\u003e\u003cbr\u003e Chapter 10: \u003ci\u003eHenry James and Annie Adams Fields and Sarah Orne Jewett\u003c\/i\u003e\u003cbr\u003e Chapter 11: \u003ci\u003eEdward Steichen and Alfred Stieglitz\u003c\/i\u003e\u003cbr\u003e Chapter 12: \u003ci\u003eWilla Cather and Mark Twain\u003c\/i\u003e\u003cbr\u003e Chapter 13: \u003ci\u003eWilla Cather and Annie Adams Fields and Sarah Orne Jewett\u003c\/i\u003e\u003cbr\u003e Chapter 14: \u003ci\u003eEdward Steichen and Alfred Stieglitz and Gertrude Stein\u003c\/i\u003e\u003cbr\u003e Chapter 15: \u003ci\u003eCarl Van Vechten and Gertrude Stein\u003c\/i\u003e\u003cbr\u003e Chapter 16: \u003ci\u003eMarcel Duchamp and Alfred Stieglitz\u003c\/i\u003e\u003cbr\u003e Chapter 17: \u003ci\u003eWilla Cather and Edward Steichen and Katherine Anne Porter\u003c\/i\u003e \u003cbr\u003e Chapter 18: \u003ci\u003eAlfred Stieglitz and Hart Crane\u003c\/i\u003e\u003cbr\u003e Chapter 19: \u003ci\u003eHart Crane and Charlie Chaplin\u003c\/i\u003e\u003cbr\u003e Chapter 20: \u003ci\u003eLangston Hughes and Zora Neale Hurston\u003c\/i\u003e\u003cbr\u003e Chapter 21: \u003ci\u003eBeauford Delaney and W.E.B. Du Bois\u003c\/i\u003e\u003cbr\u003e Chapter 22: \u003ci\u003eHart Crane and Katherine Anne Porter\u003c\/i\u003e\u003cbr\u003e Chapter 23: \u003ci\u003eElizabeth Bishop and Marianne Moore\u003c\/i\u003e\u003cbr\u003e Chapter 24: \u003ci\u003eZora Neale Hurston and Carl Van Vechten\u003c\/i\u003e\u003cbr\u003e Chapter 25: \u003ci\u003eJoseph Cornell and Marcel Duchamp\u003c\/i\u003e\u003cbr\u003e Chapter 26: \u003ci\u003eBeauford Delaney and James Baldwin\u003c\/i\u003e\u003cbr\u003e Chapter 27: \u003ci\u003eJoseph Cornell and Marianne Moore\u003c\/i\u003e\u003cbr\u003e Chapter 28: \u003ci\u003eJames Baldwin and Norman Mailer\u003c\/i\u003e\u003cbr\u003e Chapter 29: \u003ci\u003eRobert Lowell and Elizabeth Bishop\u003c\/i\u003e\u003cbr\u003e Chapter 30: \u003ci\u003eJohn Cage and Richard Avedon\u003c\/i\u003e\u003cbr\u003e Chapter 31: \u003ci\u003eW.E.B. Du Bois and Charlie Chaplin\u003c\/i\u003e\u003cbr\u003e Chapter 32: \u003ci\u003eLangston Hughes and Carl Van Vechten and Richard Avedon\u003c\/i\u003e\u003cbr\u003e Chapter 33: \u003ci\u003eRichard Avedon and James Baldwin\u003c\/i\u003e\u003cbr\u003e Chapter 34: \u003ci\u003eMarianne Moore and Norman Mailer\u003c\/i\u003e\u003cbr\u003e Chapter 35: \u003ci\u003eJohn Cage and Marcel Duchamp\u003c\/i\u003e\u003cbr\u003e Chapter 36: \u003ci\u003eNorman Mailer and Robert Lowell\u003c\/i\u003e“Strange, beautiful and unclassifiable. . . . The portraits, or sketches, which [Cohen] offers are subtle, intimate, and persuasive . . . not only a significant study of a century of American culture, but a fascinating entertainment.” —John Banville, \u003ci\u003eThe Guardian\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Cohen is besotted with the cross-pollination of talent, with the way creative people flit in and out of each other's orbits . . . like a portraitist, Cohen turns her subjects this way and that, refracting a moment until the light catches it just right . . . the effect can be dazzling.” —David Kipen, \u003ci\u003eNPR\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Dazzling . . . a book that’s as addictive as popcorn . . . It elevates name dropping to an art, and transforms literary criticism into a party.” —\u003ci\u003eSan Francisco Chronicle\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Innovative . . . faultless . . . [Cohen] gives us a more intimate sense of these people in a few pages than one sometimes gleans from entire biographies.” —\u003ci\u003eThe New Yorker\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“A masterpiece . . . \u003ci\u003eA Chance Meeting\u003c\/i\u003e takes thirty American writers and artists from Henry James to Robert Lowell, and braids them together in thirty-six encounters. Each person comes round two or three times, and every meeting, friendship and collaboration has a resonance that can be heard down the ages until what you have before you is an immense chain of artistic consequences.” —\u003ci\u003eThe Economist\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Symphonic . . . elegant and elegiac . . . [\u003ci\u003eA Chance Meeting\u003c\/i\u003e] answers hungers you did not even know you had. . . . At book’s end, the world to which Cohen returns you is more vivid, peopled with new acquaintances. . . . Outstanding.” —Emily Bernard, \u003ci\u003eChicago Tribune\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Enthralling. . . . The 36 essays, as they progress . . . from the Civil War to the civil rights movement, constitute something of a new genre, rare in our period. . . . What is being divined is nothing less than a century or so of American taste, the nature of modern literary and artistic tangency in the United States. . . . I know of no remotely analogous cultural articulation — not even Alfred Kazin's richly rehearsed An American Procession — that ventures so explicitly, and so readily, into the American briar patch of racial and sexual encounters. . . . Rachel Cohen's vision of the life of art in her chosen century, and the effect of that vision upon her reader, is one of an astonishing gladness.” —Richard Howard, \u003ci\u003eLos Angeles Times Book Review\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Captivating . . . like an elaborate fugue . . . [Cohen’s] prose is elegant yet plain, and her judgments sound and generous. . . . While carving a set of brilliant miniatures, Cohen is also indirectly telling a story of sex, race, political protest and celebrity culture in America, from the Victorian era to the 1960s.” —\u003ci\u003eThe Boston Globe\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Cunningly crafted and meticulously written. . . . What Cohen has written is not so much a group biography as a sort of evocative matrix of writers and artists over time, with exhilarating overlap and cross-reference.” —\u003ci\u003eThe New Republic\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Stylish . . . \u003ci\u003eA Chance Meeting\u003c\/i\u003e explores the imaginative enlargement that results from an encounter with an inventive (and kindred) mind. . . . Cohen writes like a fiction writer . . . [and] deftly evokes character through eccentric detail.” —Meghan O’Rourke, \u003ci\u003eSlate\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“An innovative hybrid of biography, cultural history, ‘imaginative nonfiction,’ and gossipy anecdote. In Cohen’s great chain of being, one brilliant creator is linked to another and another, so that American culture is seen as the vibrant organic whole it truly is.” —\u003ci\u003eNewsday\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e“The book’s collisions take place in restaurants and libraries, publisher’s offices and crowded parties. … All prove memorable. … Ms. Cohen, with discernment and infectious enthusiasm, connects these characters, their work and their influence, leaving us with a volume that provokes the desire to share it with a friend.” —Alex Belth, \u003ci\u003eThe Wall Street Journal\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e“The book still seems bravura in form, but its account of more than a century of artistic endeavour by writers, painters, photographers, poets and choreographers carries new meanings, and some of the figures who were more marginal then are the figures we most want to know about today.” \u003cbr\u003e—Fatema Ahmed, \u003ci\u003eApollo\u003c\/i\u003e \u003cbr\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e“Grounded in research, seasoned with mild speculation, Cohen writes about real meetings and encounters between American literary, artistic, and public figures from 1854 through 1967. To mention a few names: Matthew Brady, Willa Cather, James Baldwin, Richard Avedon. Her deftly written essays interlock in fascinating ways.” —Jim Higgins,\u003ci\u003e \u003ci\u003eMilwaukee Journal Sentinel\u003c\/i\u003e\u003c\/i\u003e\u003cb\u003eRachel Cohen\u003c\/b\u003e is the author of three books of nonfiction, most recently \u003ci\u003eAusten Years: A Memoir in Five Novels\u003c\/i\u003e, which was published by FSG in 2020 to critical acclaim. Her essays have appeared in \u003ci\u003eThe New Yorker, The Guardian, The London Review of Books, \u003c\/i\u003eand\u003ci\u003e The  New York Times, \u003c\/i\u003eamong other publications, and her work has been included in Best American Essays and Pushcart Prize anthologies. She is Professor of Practice in the Arts in the Creative Writing Program at the University of Chicago.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVijay Seshadri\u003c\/b\u003e is the author of five books of poetry, including the Pulitzer Prize–winning \u003ci\u003e3 Sections\u003c\/i\u003e and, most recently, the collection \u003ci\u003eThat Was Now, This is Then\u003c\/i\u003e.","brand":"NYRB Classics","offers":[{"title":"Default Title","offer_id":44885099348197,"sku":"NP9781681378107","price":19.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/7735\/files\/9781681378107.jpg?v=1767720350","url":"https:\/\/k12savings.com\/es\/products\/a-chance-meeting-isbn-9781681378107","provider":"K12savings","version":"1.0","type":"link"}