A Discourse by Three Drunkards on Government

Nakae Chomin’s Discourse by Three Drunkards on Government offers a captivating glimpse into a nation grappling with modernization and the adoption of Western-style governance. Through the spirited discussions of three distinct characters—the Gentleman of Western Learning, the Champion of the East, and the enigmatic Master Nankai who loves nothing more than to drink and argue politics—Chomin skillfully navigates the competing visions and ideologies that were shaping Japan’s future. Each character embodies complex and often contradictory aspects of the author’s own worldview, challenging readers to engage deeply with the nuances of Meiji-era political thought. The discussion’s drinking bout context allows Chomin to freely debate political issues to offer an astute analysis of contemporary European politics and a prophetic vision of Japan’s direction.

Readers will gain insight into the dilemmas faced by Meiji intellectuals as they sought to reconcile the demands of progress, nationalism, and democracy. The Gentleman advocates for democratic freedoms and Enlightenment ideals, while the Champion embraces a pragmatic, nationalist perspective focused on military might. Master Nankai’s measured critique offers a balanced approach, emphasizing gradual political reform and the importance of aligning changes with the will and intellectual level of the people. The rich tapestry of ideas not only illuminates the historical context but also invites readers to reflect on timeless questions of governance, national identity, and the role of the individual in shaping history. This book is not just a historical account but a thought-provoking dialogue that challenges readers to consider the intricate interplay between ideas, actions, and the inexorable march of history.Nakae Chomin was one of Japan's seminal thinkers during the Meiji era (1868–1912), a time when the nation was attempting to leapfrog from feudalism into the modern world. The son of a low-ranking samurai family, Chomin (a pen name meaning "the masses") began his studies with the Chinese and Buddhist classics, later traveling to France where he studied political philosophy. After returning home he won a seat in Japan's first parliament, although he quickly resigned for reasons of conscience. Chomin's critical writings continually drew the ire of the government; he was often censured and at one point was sent into exile in Osaka. He nevertheless continued to write prolifically, despite poverty and illness, until his death in 1901.