Age of Consent
by Anchor
Thirty years ago, June was a young widow with a hopeless crush on Craig Kirtz, a disc jockey at a local rock station. To her surprise, he struck up a friendship with her that seemed headed for something more. But it was June’s thirteen-year-old daughter, Bobbie, whom Craig had wanted all along.
Now an adult, Bobbie has tried to keep the illicit relationship buried safely in the past. But when she discovers that Craig had similarly targeted other young girls, she returns home after a long absence with a singular purpose: to bring Craig to trial. Her efforts are greeted with hostility: June remembers things differently than Bobbie, and Craig insists he has done nothing wrong. As their traumatic history is relived in the courtroom, Bobbie and June must face the choices they made and try to make sense of the pain they endured while seeking justice at long last.“Powerful. . . . Unique and unflinching.” —Bustle
“Age of Consent is spellbinding.” —Whitney Otto, author of Eight Girls Taking Pictures
“Powerful. . . . Absorbing and timely.” —New York Journal of Books
“This thrilling novel forces us to ask to whom do we owe our loyalties—to those we love, or to ourselves.” —Mary Morris, author of The Jazz Palace
“Leimbach’s structure is brilliant. . . The power and beauty of Leimbach’s writing is a balm even in the story’s darkest moments.” —The Connecticut Post
“A nuanced portrayal of a mother and daughter at once linked and divided by a ferociously exploitative man. . . . The novel brings memorable depth to issues often oversimplified; Leimbach’s scenes are convincing, whether they portray harrowing abuse or subtle moments of healing.” —Publishers Weekly
“An account of estrangement between mother and daughter and the toll abuse can take on a family. Told partly through flashback and partly through court testimony, this unhappy tale is woven with pain and fractured relationships. . . . The story will keep readers turning pages until the bitter end.” —Library Journal
“Leimbach is known for tackling tough subjects in an unflinching manner, and this novel is no exception. . . . Readers who enjoy issue-driven women’s fiction—and who can handle the dark subject matter—will be moved by Bobbie’s story.” —Booklist (starred review)Marti Leimbach is the author of several novels, including the international bestseller Dying Young, which was made into a major motion picture starring Julia Roberts; Daniel Isn't Talking; and The Man from Saigon. She lives in England and teaches at Oxford University's creative writing program.
www.martileimbach.comTHE MONEY
1978
It was September, a weekday, a school night. She had painted her toenails, brushed on mascara, covered with matte foundation the few spots of acne that dotted her nose. She wore pale summer jeans, a shirt she’d ironed herself. She thought there might be dinner, but when Craig picked her up he drove straight to the motel, swinging into a parking space beside a delivery van that looked as though it had been parked there for a while. He turned off the ignition, then switched on the car’s inside light. He reached forward, fishing for his wallet, packed in among the cassettes in the glove compartment, also for his lighter. His T-shirt clung where the vinyl seats had made his back sweat. He looked at Bobbie as though he were deciding whether to bother asking, then said, “You got any money?”
“Not much,” she said.
He sighed. He rubbed his hand beneath his ball cap, red, white, and blue with a bicentennial celebration logo across the bill. “What about cigarettes?” he said. “Any of them?”
He was twenty-eight, well over six feet, while she was a little package, a ballerina-shaped girl with sun-bleached hair, newly fifteen. She watched as Craig pulled at the contents of the glove compartment, coming out with old envelopes, batteries, a bunch of menus for takeout along with important things—his car registration, his checkbook—chucking it all onto the floor. She thought if he was asking for cigarettes, it must mean he was out of rolling papers. He didn’t like cigarettes and hated when she smoked. But sometimes—like now—he’d ask her for a couple. He’d tap out the tobacco in one of her Marlboros, tear off the filter, add his own leaves, then twist the ends to make a joint.
“You keep telling me to quit,” she said.
“Never mind. I found something.”
Cold light shone from a motel sign perched on a steel post high above them, huge and bright, with garish round letters like something from a comic book. She’d driven past this motel before, seeing it from the passenger seat of her mother’s car, the sign and a strip of neon lighting the words vacancy or no vacancy. She didn’t know who stopped here or why. It was in the middle of the state. You’d think people would drive all the way to the city, D.C. or Baltimore, wherever they were heading. Stopping at a place like this had to be for purposes of exhaustion or drunkenness or another reason, like what they were doing here tonight.
“It’s thirty bucks. And we’re not even staying,” he said, a trace of disgust in his voice, perhaps to show what having her in his life cost him. Then he swung shut the car door and crossed the lot, his wallet bulging in his jeans pocket. She didn’t know what he kept in there that made the wallet so big. Not money, that was for sure. He’d buy her a Hostess Cherry Pie. He’d buy her a McDonald’s burger. He didn’t get her the things guys got their girlfriends, earrings or flowers. In her school, some of the girls wore liquid silver necklaces with nuggets of turquoise threaded at intervals, and he hadn’t bought her anything like that, though she didn’t know if she even wanted him to. Accepting a gift would mean something more, that she was his when she didn’t want to be his. She would have liked, however, to be someone’s.
She watched him disappear into the darkness beyond the streetlamps, and then reappear holding a key on a big wooden fob, the room number burned into the wood. He didn’t walk all the way back to the car, but stood on the cement path and told her to\ get out. She followed him through a narrow passage, past an ice machine and an exit sign. He had a long-strided, swaggering walk and she had to jog every few steps to keep up.
“I need to go home soon,” she said.
“I know.”
“I’ve got a test tomorrow.” Chemistry, the periodic table. She needed to have learned the shorthand symbols of the elements and, for some, their atomic weights.
He laughed. “I’ve got a test for you here first.”
The lamps in the room were on chains connected by thick eye bolts to the floor. The dark brown curtains, folded stiffly into exaggerated pleats, zigzagged across the windowsill. Had she looked behind the curtains, she’d have seen the air freshener in its coffin-shaped plastic case. An artificial floral scent lay heavy in the room, seeping into the dark brown wood and curtains, and the carpet with its geometric pattern.
She told him she needed the bathroom and he nodded, dropping onto the bed.
He said, “Hey, you look pretty,” and then watched her cross the room. “You listening? I just said you were pretty.”
“I heard you.”
“So what do you say when someone compliments you?”
“Thanks.”
“That’s better,” he said. “You’re welcome.”
Now an adult, Bobbie has tried to keep the illicit relationship buried safely in the past. But when she discovers that Craig had similarly targeted other young girls, she returns home after a long absence with a singular purpose: to bring Craig to trial. Her efforts are greeted with hostility: June remembers things differently than Bobbie, and Craig insists he has done nothing wrong. As their traumatic history is relived in the courtroom, Bobbie and June must face the choices they made and try to make sense of the pain they endured while seeking justice at long last.“Powerful. . . . Unique and unflinching.” —Bustle
“Age of Consent is spellbinding.” —Whitney Otto, author of Eight Girls Taking Pictures
“Powerful. . . . Absorbing and timely.” —New York Journal of Books
“This thrilling novel forces us to ask to whom do we owe our loyalties—to those we love, or to ourselves.” —Mary Morris, author of The Jazz Palace
“Leimbach’s structure is brilliant. . . The power and beauty of Leimbach’s writing is a balm even in the story’s darkest moments.” —The Connecticut Post
“A nuanced portrayal of a mother and daughter at once linked and divided by a ferociously exploitative man. . . . The novel brings memorable depth to issues often oversimplified; Leimbach’s scenes are convincing, whether they portray harrowing abuse or subtle moments of healing.” —Publishers Weekly
“An account of estrangement between mother and daughter and the toll abuse can take on a family. Told partly through flashback and partly through court testimony, this unhappy tale is woven with pain and fractured relationships. . . . The story will keep readers turning pages until the bitter end.” —Library Journal
“Leimbach is known for tackling tough subjects in an unflinching manner, and this novel is no exception. . . . Readers who enjoy issue-driven women’s fiction—and who can handle the dark subject matter—will be moved by Bobbie’s story.” —Booklist (starred review)Marti Leimbach is the author of several novels, including the international bestseller Dying Young, which was made into a major motion picture starring Julia Roberts; Daniel Isn't Talking; and The Man from Saigon. She lives in England and teaches at Oxford University's creative writing program.
www.martileimbach.comTHE MONEY
1978
It was September, a weekday, a school night. She had painted her toenails, brushed on mascara, covered with matte foundation the few spots of acne that dotted her nose. She wore pale summer jeans, a shirt she’d ironed herself. She thought there might be dinner, but when Craig picked her up he drove straight to the motel, swinging into a parking space beside a delivery van that looked as though it had been parked there for a while. He turned off the ignition, then switched on the car’s inside light. He reached forward, fishing for his wallet, packed in among the cassettes in the glove compartment, also for his lighter. His T-shirt clung where the vinyl seats had made his back sweat. He looked at Bobbie as though he were deciding whether to bother asking, then said, “You got any money?”
“Not much,” she said.
He sighed. He rubbed his hand beneath his ball cap, red, white, and blue with a bicentennial celebration logo across the bill. “What about cigarettes?” he said. “Any of them?”
He was twenty-eight, well over six feet, while she was a little package, a ballerina-shaped girl with sun-bleached hair, newly fifteen. She watched as Craig pulled at the contents of the glove compartment, coming out with old envelopes, batteries, a bunch of menus for takeout along with important things—his car registration, his checkbook—chucking it all onto the floor. She thought if he was asking for cigarettes, it must mean he was out of rolling papers. He didn’t like cigarettes and hated when she smoked. But sometimes—like now—he’d ask her for a couple. He’d tap out the tobacco in one of her Marlboros, tear off the filter, add his own leaves, then twist the ends to make a joint.
“You keep telling me to quit,” she said.
“Never mind. I found something.”
Cold light shone from a motel sign perched on a steel post high above them, huge and bright, with garish round letters like something from a comic book. She’d driven past this motel before, seeing it from the passenger seat of her mother’s car, the sign and a strip of neon lighting the words vacancy or no vacancy. She didn’t know who stopped here or why. It was in the middle of the state. You’d think people would drive all the way to the city, D.C. or Baltimore, wherever they were heading. Stopping at a place like this had to be for purposes of exhaustion or drunkenness or another reason, like what they were doing here tonight.
“It’s thirty bucks. And we’re not even staying,” he said, a trace of disgust in his voice, perhaps to show what having her in his life cost him. Then he swung shut the car door and crossed the lot, his wallet bulging in his jeans pocket. She didn’t know what he kept in there that made the wallet so big. Not money, that was for sure. He’d buy her a Hostess Cherry Pie. He’d buy her a McDonald’s burger. He didn’t get her the things guys got their girlfriends, earrings or flowers. In her school, some of the girls wore liquid silver necklaces with nuggets of turquoise threaded at intervals, and he hadn’t bought her anything like that, though she didn’t know if she even wanted him to. Accepting a gift would mean something more, that she was his when she didn’t want to be his. She would have liked, however, to be someone’s.
She watched him disappear into the darkness beyond the streetlamps, and then reappear holding a key on a big wooden fob, the room number burned into the wood. He didn’t walk all the way back to the car, but stood on the cement path and told her to\ get out. She followed him through a narrow passage, past an ice machine and an exit sign. He had a long-strided, swaggering walk and she had to jog every few steps to keep up.
“I need to go home soon,” she said.
“I know.”
“I’ve got a test tomorrow.” Chemistry, the periodic table. She needed to have learned the shorthand symbols of the elements and, for some, their atomic weights.
He laughed. “I’ve got a test for you here first.”
The lamps in the room were on chains connected by thick eye bolts to the floor. The dark brown curtains, folded stiffly into exaggerated pleats, zigzagged across the windowsill. Had she looked behind the curtains, she’d have seen the air freshener in its coffin-shaped plastic case. An artificial floral scent lay heavy in the room, seeping into the dark brown wood and curtains, and the carpet with its geometric pattern.
She told him she needed the bathroom and he nodded, dropping onto the bed.
He said, “Hey, you look pretty,” and then watched her cross the room. “You listening? I just said you were pretty.”
“I heard you.”
“So what do you say when someone compliments you?”
“Thanks.”
“That’s better,” he said. “You’re welcome.”
PUBLISHER:
Knopf Doubleday Publishing Group
ISBN-10:
1101971371
ISBN-13:
9781101971376
BINDING:
Paperback
BOOK DIMENSIONS:
Dimensions: 5.2000(W) x Dimensions: 7.9700(H) x Dimensions: 0.7200(D)