Half Wild

The second thrilling book in Sally Green's Half Bad trilogy, the inspiration for the Netflix series The Bastard Son & The Devil Himself
 
"An enthralling fantasy in the Harry Potter tradition."—Time magazine on Half Bad
 
Kept in a cage for two years by the Council of Fairborn Witches, Nathan was trained to kill his father, the most violent and feared of the Blood Witches. Now Nathan has escaped, and he dreams of a quiet life of freedom with Annalise, the girl he loves—but Annalise is a prisoner, wasting away in a deathlike sleep. Nathan’s friend, Gabriel, is missing, likely dead, and although Nathan has found his unique magical Gift, he can’t control it. The Council's Hunters are on his trail, so he is always on the run. Nathan's only hope of survival is to join with new allies and old enemies in an alliance to bring down the Council, and they want Nathan's help: they, too, want Nathan to be a killer. Maybe that is the only way out. Maybe that is just who he is now…
 
Set in modern-day Europe, the second book in the Half Bad trilogy is more than a story about witches. It's a heart-poundingly visceral look at survival and exploitation, the nature of good and evil, and the risks we take for love.
 
Now streaming on Netflix as The Bastard Son & The Devil Himself. | Praise and accolades for Half Wild:

* "Riveting. . . . Features the same powerful language, well-developed characters, fascinating magic, and harrowing action sequences as its predecessor and will leave its readers anxiously awaiting the final volume." —Publishers Weekly, starred review

* "Once again, Green pushes the boundaries of definition; this time: What is wild? What is human or even civilized? The blood and gore, the willingness to endure and survive at any price, and the dichotomies between good and bad, love and hate, wild and civilized—all haunt the reader, climaxing in a tragic ending that portends the horror, violence, and possible relationships in the trilogy’s final installment." —Booklist, starred review

"Green delivers vibrant characters, and Nathan's relationships arc in thrilling highs and lows. . . The climax ushers in a bloody, unforgettable cliffhanger. A character-driven page-turner offering both emotional depth and gory thrills." —Kirkus Reviews

“Strong writing and engaging plot. . . readers who enjoyed [Half Bad] will devour this sequel.” —School Library Journal

"Because this series has already been optioned for a movie, you better get on the books before the hype goes bananas."—Bustle

Praise and accolades for Half Bad
 
"Highly entertaining and dangerously addictive."—Time Magazine
 
“Genuinely engaging.”—The New York Times
 
“Gripping.”—US Weekly
 
“Bewitching.”—The Wall Street Journal

“Captivating.”— Los Angeles Times

 "A page-turner."—The Boston Globe

"An epic journey."—D.J. MacHale, New York Times bestselling author of Pendragon and Sylo
 
"Brilliant and utterly compelling." —Kate Atkinson, New York Times bestselling author of Life After Life

"This will haunt you." —Marie Lu, New York Times bestselling author of Legend

"Edgy, arresting and brilliantly written." —Michael Grant, New York Times bestselling author of Gone

* "A thrilling tale . . . Unforgettable."—Publishers Weekly, starred review

* "Marvelous."—Booklist, starred review
 
A Spring 2014 Kids' Indie Next List pick
 
Holder of two Guinness World Records
 
Optioned for film by FOX 2000
 
Rights sold in 50 international markets | Sally Green lives in northwest England. She has had various jobs and even a profession, but in 2010 she discovered a love of writing and now just can't stop. She used to keep chickens, makes decent jam, doesn't mind ironing, loves to walk in Wales even when it's raining, and will probably never jog again. She really ought to drink less coffee. Sally is the author of the Half Bad trilogy and the Smoke Thieves trilogy. |

A New Day

a crossbill calls

another bird replies, not a crossbill

the first bird takes over again

and again

the crossbill—

shit, it’s morning

i’ve been asleep

it’s morning, very early

shit, shit, shit

need to wake up              need to wake up

can’t believe i’ve been asl—

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

SHIT!

the noise is here. HERE!

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

that level of noise means, oh shit, someone with a mobile is close. very close. i can’t believe i’ve been asleep with hunters on my tail. and her. the fast one. she was close last night.

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

THINK! THINK!

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

it’s a mobile phone, for sure it’s a mobile phone. the noise is in my head, not in my ears, it’s to the upper right side, inside, constant, like an electrical interference, pure hiss, mobile hiss, loud, three-or-four-meters-away loud.

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

ok, right, lots of people have mobiles. if it’s a hunter, that hunter, and she could see me, i’d be dead by now.

i’m not dead.

she can’t see me.

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

the noise isn’t getting louder. she’s not moving closer. but she’s not moving away either.

am i hidden by something?

i’m lying on my side, face pressed into the ground. totally still. can’t see anything but earth. got to move a little.

but not yet. think first.

stay calm and work it out.

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

there’s no breeze, no sun, just a faint light. it’s early. the sun must be behind the mountain still. the ground is cool but dry, no dew. there’s the smell of earth and pine and . . . there’s another smell.

what is that smell?

and there’s a taste.

a bad taste.

it tastes like . . . oh no—

don’t think about it

don’t think about it

don’t think about it

don’t think about it

think about something else

Think about where you are.

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

You’re lying on the ground, in the early morning, and the air is cool. You’re cold. You’re cold because . . . you’re naked. You’re naked and the top half of you is wet. Your chest, your arms . . . your face are wet.

And you move the fingers of your left hand, the tiniest of movements, and they’re sticky. Sticking together. Like they’re coated with drying, sugary juice. But it’s not juice—don’t think about it don’t think about it don’t think about it don’t think about it

DON’T THINK ABOUT IT!

THINK ABOUT SOMETHING ELSE!

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

THINK ABOUT STAYING ALIVE!

You’ve got to move. The Hunters are on your tail. That fast one was close. She was very close last night. What happened last night?

what happened?

NO! FORGET THAT.

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

THINK ABOUT STAYING ALIVE.

WORK OUT WHAT TO DO.

You can look, move your head a fraction to see more. The ground by your face is covered with pine needles. Brown pine needles. But the brown isn’t from the pine. It’s the color of dried blood. Your left arm is extended. It’s streaked in it. Crusted with dried brown. But your hand isn’t streaked in it, it’s thick with it.

Red.

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

You can find a stream and wash. Wash it all off.

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

You need to go. For your own safety you have to get out of here. You need to get moving. Get away.

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

The mobile phone is close, not changing. It won’t be coming closer.

But you have to look. You have to check.

Turn your head to the other side.

You can do it.

It looks a bit like a log. Please be a log please be a log please be a log please

It’s not a log . . . It’s black and red. Black boots. Black trousers. One bent leg, one straight. Black jacket. Her face is turned away.

She has short light-brown hair.

It’s sopping with blood.

She’s lying as still as a log.

Still wet.

Still oozing.

Not fast anymore.

The mobile phone is hers.

c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h c h

And as you raise your head you see the wound that is her throat, and it is jagged and bloody and deep and

red

Waiting

I’m back in Switzerland, high in a remote valley—not the one where Mercury’s cottage is but close to there, half a day’s hike away.

I’ve been here a few weeks now and I’ve gone back to Mercury’s valley a couple of times. The first time I retraced my steps, looking for the stream where I lost the Fairborn, the magic knife I stole from the Hunters. That Rose stole. I found the stream easily enough, and it wasn’t too hard to spot blood and some yellow stains on the ground. No Fairborn, though. I trailed up and down the stream, and all around that stained central spot: peering into bushes, looking under stones. It was getting ridiculous—I mean, looking under stones! I had to stop myself after two days’ searching. I’d started questioning if I’d ever really had the Fairborn at all; if an animal could have run off with it; if it had magically disappeared. It was getting to me. I’ve not been back to look for it since.

I’m waiting here now, in this other valley, at the cave. That was what we agreed, me and Gabriel, so that’s what I’m doing: waiting for Gabriel. He brought me here one day and hid his tin of letters in the cave—they’re the love letters between his parents, his one possession. The tin is in my rucksack now. And I’m here. And I tell myself that at least we have a plan. Which is a good thing.

It’s not much of a plan, though: “If things go wrong wait at the cave.”

And things have gone wrong—big-time.

I didn’t think we’d ever need the plan. I never thought things would go this wrong without me actually being dead. But I’m alive. I’m seventeen, a fully fledged, received-three-gifts witch. But I’m not sure who else is alive. Rose . . . Rose is dead . . . I’m certain of that; shot by Hunters. Annalise is in a death-like sleep, a prisoner of Mercury, and I know that she shouldn’t be left in that state for long or the death-like will become just plain death. And Gabriel is missing, still, weeks after we stole the Fairborn—four weeks and four days. If he was alive he’d be here and if the Hunters have caught Gabriel they’ll torture him and—

But that’s one of the things I don’t allow myself to think about. That’s one of my rules while I wait: don’t think about negative stuff; stick to the positive. The trouble is all there is for me to do is sit here, wait, and think. So every day I make myself go through all my positive thoughts and I tell myself each time that when I’ve been through them Gabriel will return. And I have to tell myself that’s still possible. He could still make it. I just have to keep positive.

OK, so positive thoughts, one more time . . .

First off, noticing stuff around me. There’s positive stuff everywhere and I notice the same positive stuff every positive bloody day.

The trees. Trees are positive things. Most are tall and fairly straight and thick, but a few are fallen and moss-covered. Most trees here have needles, not leaves, and the greens range from almost black to lime, depending on sunlight and age of needle. I know the trees here so well that I can close my eyes and see each one but I try not to close my eyes too much—it’s easier to stay positive with your eyes open.

From trees, I move to the sky, which is positive too, usually bright blue during the day and light black at night. I like the sky that color. Sometimes there are clouds and from what I can see of them they are big and white, not often gray, not bringing rain. They mainly move to the east. There’s no wind here: it never gets down to the forest floor.

What’s next? Oh yes, birds. Birds are positive and greedy and noisy—always chattering or eating. Some eat seeds and some eat insects. There are crows flying high above the forest but they don’t come in, not down to my level anyway. They’re black. Sharp black. Like they’ve been cut out with scissors from a piece of black paper. I look out for an eagle but I’ve never seen one here, and I wonder about my father and if he really did disguise himself as one and follow me and that seems so long ago—

Stop!

Thinking about my father does not belong here. I have to be careful when I’m thinking about him. I have to be strict with myself. It’s too easy to go negative otherwise.

So . . . back to the things around me. Where am I up to? I’ve done trees, sky, clouds, birds. Oh yes, we have silences . . . plenty of them. Huge silences. The silences at night could fill the Pacific Ocean. Silences, I love. There’s no buzzing here, no electrical interference. Nothing. My head is clear. I think I should be able to hear the river at the bottom of the valley but I can’t; the trees blot out the sound.

So that’s silences covered and then there are movements. Things that have moved so far: small deer, I’ve seen a few of them; they’re quiet and brown and sort of delicate and a bit nervous. Rabbits too, which are gray-brown, silent. And there are voles, gray-brown, and marmots, which are gray and quiet. Then there are spiders, black and silent; flies, black, silent until they’re close, then incredibly, hilariously noisy; one lost butterfly, cornflower blue, silent; falling pinecones, brown, not silent but making a gentle word as they land on the forest floor—“thu”; falling pine needles, brown, as noisy as snow.

So that’s positive: butterflies and trees and stuff.

I notice me too. I’m in my old boots. Heavy soles, flexible cos they’re so worn. The brown leather is scuffed and water gets in the right one through the ripped seam. My jeans are baggy, comfy, worn to threads, ripped at the left knee, frayed at the hems, blue once, gray now, stained by soil, some green streaks from climbing trees. Belt: thick black leather, brass buckle. It’s a good belt. T-shirt: white once, gray now, a hole at the right side, little holes on the sleeve like some fleas have nibbled at it. I don’t have fleas, I don’t think. I’m not itchy. I’m a bit dirty. But I wash some days, always if I wake up with blood on me. My clothes don’t have blood on them, which is something. I always wake up naked if I’ve—

Get back to thinking about clothes!

Where was I up to? T-shirt. And over my T-shirt is my shirt, which is warm and thick, wool—the plaid pattern still visible in green, black, and brown. There are three black buttons left on it. Hole on right side. Rip in left sleeve. I don’t have pants or socks. I had socks once; don’t know what happened to them. And I had gloves. My scarf is in my rucksack, I think. I haven’t looked in there for ages. I should do that. That’s something to do. I think my gloves are in there, maybe.

So now what?

More about me.

My hands are a mess. A real mess. They’re tanned, lined, rough; the scars on my right wrist are hideous, like melted skin; my nails are black and bitten to nothing, and there are the tattoos as well. Three tattoos on my right little finger and the large tattoo on the back of my left hand. B 0.5. A Half Code tattoo. Just so everyone knows what I am: half Black Witch. And in case they miss these tattoos there’s the one on my ankle and the one on my neck (my personal favorite).

But these are more than tattoos, more than brands: they’re some form of magic too. If the Hunters get me, if Mr. Wallend gets me, they’ll cut off my finger and put it in a witch’s bottle and then I’ll be in their power. They could use it to torture me or to kill me at any time by burning the bottle. That’s what I think they’d do. The tattoos are their way of having control over me. They’d use it to try to force me to kill my father.

Except I won’t ever kill my father. I couldn’t, even if I wanted to, because my father is still the most powerful Black Witch I’ve ever heard of and I’m nothing compared to him. I mean, I can fight OK and I can run OK but that’s not ever going to be enough against Marcus.

Shit! I’m thinking about him again.

I should go back to thinking about my body.

Sometimes my body does strange things. It changes. I need to think about that more. I need to try to work out how it changes, why it changes, and what the fuck it changes into.

I don’t ever remember it but I know it happens because I wake up naked and a little less hungry. Though sometimes I’m sick, vomiting up the night’s meal, then retching again and again. I don’t know if it’s cos my body can’t take what I’ve eaten. I eat small animals mainly, though I don’t remember catching them. But I know it’s happening cos there’re little bones in my vomit and rags of furry skin and blood. There was a tail once. A rat’s tail, I think. I know I change into some kind of animal. It’s the only explanation. I have the same Gift as my father. But I don’t remember any of it: not transforming, not being an animal, not transforming back. Nothing until I wake up after it all. I always sleep so I guess I must be exhausted by it.

I got a small deer last night. Woke up next to its half-eaten body. Haven’t puked that up. I think my stomach’s getting used to it. I’ve been hungry, dead hungry, but now I’m not. So I guess that goes to show you can get used to anything, even raw meat. Still, I could murder a proper meal. A burger, chips, stew, mash, roast beef, and Yorkshire pudding. Human stuff. A pie. Custard!

Careful!

Best not to think about what I can’t have: that’s the route downhill. Must be careful with my thoughts. Mustn’t drift into the negative. And I’ve been good at staying positive today, so I can reward myself by thinking about other people, even my father, but I have to be extra careful with thoughts about him.

I met him. I met Marcus. He didn’t kill me, which I never really thought he would, but given his reputation it could have gone either way.

I went through most of my childhood believing Marcus didn’t care for me but it turns out he was thinking of me all the time, just as I was thinking of him. And he always planned to help me. He searched me out. Then he stopped time for me, which I’m guessing isn’t a simple thing to do, even for him. He performed my Giving ceremony: let me drink his blood and gave me three gifts. And the gold ring he gave me, his ring, is on my finger, and I rotate it and hold it to my lips and feel its heaviness and taste the metal. The bullet my father took out of me, the magical Hunter bullet, is in my pocket. I sometimes feel that too, though I’m not sure I even like having it as it’s a Hunter thing. And the third gift he gave me, my life, is still with me. I don’t know if that really counts as I’ve never heard of any gift not being a physical thing before but he’s Marcus and I guess he knows what he’s doing.

I’m alive because of my father. I have my Gift because of my father, and that Gift is the same as his. Most witches struggle to find their Gift, maybe taking a year or more to work out what it is, but I didn’t even have to look for mine. It found me. And I don’t know if that’s a good thing. Best to think of something else . . .

My family is a positive thing to think about. I don’t often go negative when I’m doing family. I still miss Arran but nowhere near as bad as when I was Celia’s prisoner. Those first weeks in my cage I missed my brother so much. But that was years ago . . . two years ago, I think. The Council took me just before my fifteenth birthday, just before Arran’s Giving. Yes, it’s over two years since then but I know he’s OK and Deborah too. Ellen, my Half Blood friend, contacted Arran, showed him a picture of me, and I saw a video of him, heard his message to me. But I know that they’re better off without me. I can never see them again but it’s OK because they know that I’m alive, I’ve escaped, and I’m free. Being positive is what I do and that is a positive thing because the longer I’m away from them the better it is for the people I care about.

Sometimes I sit in the cave entrance, maybe lie down and sleep there for a bit, but I’m not sleeping too well and generally I feel more comfortable waiting up here in my tree where I have a good view. The mountainside is steep here; no one’s going to come strolling by on a whim. But you never know. And Hunters are good at hunting. I try not to think about Hunters too much, although pretending they don’t exist isn’t sensible. So, anyway, I sit up in my tree and when it’s dark, like now, I allow myself to remember the old days, before I was taken by the Council, before Celia, before they kept me in my cage.

My favorite memory is of me and Arran playing in the wood near Gran’s house. I was hiding in a tree and when Arran finally spotted me he climbed up to join me, but I went further and further out on a thin limb. He begged me to stop so I moved back to sit with him, much like I am now, me leaning back on him, our legs astride the branch. And I’d give so much to sit with him like that again, to feel the warmth of his body supporting mine. To tell that he’s smiling from the movement of his chest, to feel his breath, his arm round me.

But it’s best not to think too much like that. Best not to think about what I can’t have.

I remember Gran too, with her bees, her boots and chickens, and the muddy kitchen floor. The last time I saw Gran was when they took me away. I was in the Council building and was told that Celia was going to be my “guardian and teacher.” That was the first time I saw Celia, the first time I heard her sound, her Gift that could stun me. It seems like a lifetime ago. Celia felled me with her noise and they carried me away and I had one last sight of Gran looking old and frightened, standing alone in the middle of the room where I had my Assessments. Now I look back, I think Gran knew she’d never see me again. Celia told me she died, and I know they drove Gran to kill herself like they did my mother.

I know now—

What’s that?

Footsteps! At night!

My adrenaline kicks in.

Control yourself! Listen!

Light footsteps. Light enough to be a Hunter.

I turn my head slowly. See nothing. The cloud cover is heavy and no moonlight gets through to me here in the forest.

More footsteps. More adrenaline.

Shit! That’s more than adrenaline—that’s the animal in me.

Then I see her. A small deer. Nervous.

And the animal adrenaline is ready to burst out, the animal in me wanting to take over.

Calm! Calm! Breathe slowly. Count the breaths.

One in slow and out slow.

Two in slow—and hold—and out slow.

Three in slow—and I can feel it in my blood, setting it on fire—and out slow.

Four in slow and it’s the animal in me, whatever it is that makes me change.

The deer moves away and is quickly lost in the gloom. But here I am, human, and the deer is not dead. I can control my Gift. Stop it anyway. And if I can stop it maybe I can allow it too.

I’m grinning. For the first time in weeks, I feel genuinely positive about something.

I’ve done well today, stuck to the lists, haven’t strayed too far onto the negative. I can reward myself with some good thoughts, things I reserve for special occasions. My favorite ones are of Annalise. And this is what I remember . . .

Me and Annalise

The two of us are sitting on the sandstone escarpment, our feet dangling over the edge. Annalise is fifteen; I’m still only fourteen. My leg is close to hers but not quite touching. It’s late autumn. We’ve met here once a week for the last two months. Since we’ve been meeting we’ve only touched once, the second time we were here. I held her hand and kissed it. I still can’t believe I did that. I was sort of carried away, I think. Now I think about it all the time, and I mean all the time, but I can’t seem to do it again. Annalise and I talk and climb and run around but even when we’re chasing each other I never catch her. I get close and then I can’t do it. I never let her catch me either.

She’s swinging her legs. Her gray school skirt is clean and pressed and neat. The skin on her legs is smooth and lightly tanned and the hairs on her legs above her knees are fine and blonde. And my leg is millimeters from hers but I know I can’t make it go any closer. I force myself to turn my head to look at something else.

The cliff is steep and the drop is long but doable as the landing is on sandy soil. The tops of the trees are moving and rustling, almost talking to each other, gossiping, and leaves fall in little gangs. A cluster descends toward us and even before she moves I know Annalise will try to catch one. She stretches out her hand, her arm, and then her body over the edge of the cliff. She’s going too far but she won’t get hurt if she falls, although maybe I should grab her, hold her. But I don’t move. She laughs and reaches out even further and catches the leaf, taking hold of my sleeve at the same time, and still I don’t touch her. I pull my arm back so that she’s safe but I don’t touch her.

She’s got the leaf. A small brown triangle from a birch tree. She holds it by the stem and twirls it in front of my face.

“Got it. No thanks to you! I nearly fell.”

“I knew you’d be OK.”

“Did you now?” She pats the leaf against my nose once, her fingers close to my lips. I move my head back away from her.

“It’s for you. Here, take it.”

I say, “It’s just a leaf. There are plenty of them around.”

“Hold your hand out. This is a special leaf. It’s one I caught, at great personal risk, just for you.”

I hold out my hand; I want the leaf.

She drops it into my palm.

“You never say thank you, do you?”

I don’t know. I’ve never thought about it.

“And you never touch me.”

I shrug. I can’t tell her I think about every millimeter between us. I say, “I’ll keep the leaf.” And I push off from the cliff and drop to the ground below.

I’m at the bottom and I don’t know what to do now. I was hoping she’d jump down with me. I look up at her and say, “Can we talk about something else?”

“If you come back up here and ask nicely.”

I climb back up the cliff, fast as I can, showing off, but when I get near the top I stop. She’s moved to the place where I normally climb over. She’s blocking my way. There’s a different route to the left that’s harder and I go down a couple of holds and then back up and she’s shuffled along to be sitting there now.

“Hi,” she says, leaning forward and smiling at me.

The only way I can get up is by climbing over Annalise. “Excuse me,” I say. “Can you let me pass?”

She shakes her head.

“If I say please?”

She shakes her head again and is smiling a huge smile. “For a badass Half Code, you really aren’t very badass.”

“Please, Annalise.” My hold isn’t good: my fingers are already cramping and my toehold is slipping. I won’t be able to stay here for much longer.

“I can’t understand how you were expelled from school. You seem such a timid boy.” She says that in a teacher-ish voice.

“I’m not timid.”

She leans toward me, grinning. “Prove it.”

I have to either jump down or climb over her and I have to do one or the other pretty soon as my right leg is starting to shudder with the strain. I think I can get over her if I put my hand to the right of her leg but I’ll have to somehow pull up over her lap